Site Title: Conserving Canvas

Contributors: Edited by Cynthia Schwarz, Ian McClure, and Jim Coddington

Table of Contents

Contents
Foreword — Joan Weinstein and Timothy P. Whalen
Introduction — Ian McClure, Jim Coddington, and Cynthia Schwarz
I. History, Principles, and Theory
II. Present Practice
III. Open Questions and Research
IV. Case Studies
V. The Adhesives Question
VI. Local Interventions and Collections
VII. Conserving Modern and Contemporary Art
VIII. Posters
Glossary
Bibliography
About

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Chicago “VIII. Posters.” In Conserving Canvas. Los Angeles: Getty Conservation Institute, 2023. https://www.getty.edu/publications/conserving-canvas/viii-posters/.

MLA “VIII. Posters.” Conserving Canvas, by Cynthia Schwarz et al., Getty Conservation Institute, 2023, https://www.getty.edu/publications/conserving-canvas/viii-posters/. Accessed DD Mon. YYYY.

© 2023 J. Paul Getty Trust
Glossary © 2023 J. Paul Getty Trust and Archetype Publications Ltd

The text of this work is licensed under a Creative Commons Attribution‑NonCommercial 4.0 International License. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. All images are reproduced with the permission of the rights holders acknowledged in captions and are expressly excluded from the CC BY-NC license covering the rest of this publication. These images may not be reproduced, copied, transmitted, or manipulated without consent from the owners, who reserve all rights.

The text of this work is licensed under a Creative Commons Attribution‑NonCommercial 4.0 International License. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. All images are reproduced with the permission of the rights holders acknowledged in captions and are expressly excluded from the CC BY-NC license covering the rest of this publication. These images may not be reproduced, copied, transmitted, or manipulated without consent from the owners, who reserve all rights.

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VIII. Posters

VIII. Posters

41. Waxing Historical: Preliminary Insights into Wax-Resin Lining Practices at the Brooklyn Museum — Lauren Bradley and Josh Summer
42. The Greenwich Conference on Comparative Lining Techniques, April 23, 24, and 25, 1974: Three Days That Changed Conservation — Joyce Hill Stoner
43. A Roman Technique of Open-Weave Canvas Lining — Emma Kimmel
44. A Method for Remounting Lined Paintings Using Beva 371 Film — Elizabeth Court, Alexis Miller, and Bianca García
45. On Color Change in Seventeenth-Century Netherlandish Paintings after Wax-Resin Lining — Emilie Froment
46. Historical Canvases Deciphered: Five Case Studies — Helena Loermans
47. A System to Keep Paintings on Canvas at a Constant Tension during Conservation Treatment — Luigi Orata
48. Removing Beeswax Residues from the Structure of the Canvas with AEROSIL — Marina Voronina, Ekaterina Morozova, and Maria Churakova
49. Analysis of Evolon CR as a Poulticing Agent for Wax-Resin Lining Adhesives: Py-GCMS, BET, and SEM Analyses of Used Evolon CR Tissues — Julianna Ly, Chun Liu, Jing Qu, Gerald Poirier, and Matthew Cushman
50. Various Recipes of Wax Resin for Lining Used in Japan and How the Recipe Affects Removal — Saki Kunikata, Takayasu Kijima, and Masahiko Tsukada
51. An Insight into the Limits and Possibilities of the Biological, Chemical, and Mechanical Performance of Glue-Paste Lined Paintings — Laura Fuster-López, Cecil Krarup Andersen, Nicolas Bouillon, Fabien Fohrer, Matteo Rossi-Doria, Mikkel Scharff, Kate Seymour, Ángel Vicente-Escuder, Dolores Julia Yusà-Marco, and Sofía Vicente-Palomino
52. The Structural Treatment of Titian’s Rape of Europa: Extending the Life of a Two-Hundred-Year-Old Glue-Paste Lining — Courtney Books, Corrine Long, and Gianfranco Pocobene
53. Relining The Menagerie van Prince Willem V — Carlota Barbosa, Leonora Burton, Kristin Rattke, Kate Seymour, Eva Tammekivi, and Jos van Och
54. Evaluating Structural Treatment Options for an Untensioned Oil Painting on Canvas — Marie-Hélène Nadeau
55. Conservation and Restoration of The Crucifixion, an Eighteenth-Century Canvas Painting: Challenges of the Large-Scale Lining, Complicated Tear Repair, and Verification of the Authorship — Katarzyna Dobrzańska and Magdalena Lentowicz
56. An Approach to Conservation Treatment Options for Double-Sided Painted Canvases with Ritual Functions — Filip Adrian Petcu
57. The Challenges of Treating and Displaying Two-Sided Oil Paintings — Elena Iurovetskaia, Anastasia Yurovetskaya, Maria Churakova, and Artyom Romanov
58. Is Lining Inevitable? Tear Repair of a Seventeenth-Century Canvas on Its Original Strainer — Matthew Hayes
59. Magnetic Systems as an Alternative to Traditional Methods for the Conservation-Restoration of Painted Canvas Supports: A Proposal of Minimal Intervention Protocols — Emanuel Sterp Moga and Alicia Sánchez Ortiz
60. Structural Conservation Issues with European Easel Paintings Housed in High-Humidity Regions Such as Mumbai, India — Omkar Kadu
61. Termite Attack in a Humid Climate: How to Deal with Damaged Canvases; The Conservation of The Delhi Durbar (1903), a Case Study — Dibakar Karmakar and Baishakhi Mallick
62. Investigating Commercially Primed Contemporary Artist Canvases — Anne Carter, Lynn Chua, Filzah Mohd Amir, Ruby Awburn, Gillian Osmond, and Joey Ng
63. Stabilization Processing of Canvas Paintings Damaged by Tsunami: Consideration of Blotter Washing to Acrylic Paintings on Cotton Canvas — Yuko Tsuchiya, Eriko Hoshi, Hiroshi Haze, Marie Moto, and Nobuyuki Kamba

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