Chicago
“Bibliography.” In
Conserving Canvas. Los
Angeles: Getty Conservation Institute, 2023.
https://www.getty.edu/publications/conserving-canvas/bibliography/.
MLA
“Bibliography.”
Conserving Canvas, by
Cynthia Schwarz et al., Getty Conservation Institute, 2023,
https://www.getty.edu/publications/conserving-canvas/bibliography/.
Accessed DD Mon. YYYY.
Ackroyd, Paul. 1995. “Glue-Paste Lining of Paintings: An
Evaluation of the Bond Performance and Relative Stiffness
of Some Glue-Paste Linings.” In
Lining and Backing: The Support of Paintings, Paper and
Textiles: Papers Delivered at the UKIC Conference, 7–8
November 1995, edited by Andrew Durham, 83–91. London: United Kingdom
Institute for Conservation of Historic and Artistic Works.
Ackroyd 1996
Ackroyd, Paul. 1996. “Glue-Paste Lining of Painting: An
Evaluation of Some Additive Materials.” In
ICOM Committee for Conservation: 11th Triennial
Meeting, Edinburgh, 1–6 September 1996: Preprints, 231–38. London: James & James.
Ackroyd 2002
Ackroyd, Paul. 2002. “The Structural Conservation of
Canvas Paintings: Changes in Attitude and Practice since
the Early 1970s.” Reviews in Conservation 47,
supp. 1: 3–14.
Ackroyd and Villers 2003
Ackroyd, Paul, and Caroline Villers. 2003. “The Problem
with Minimalism.” In
Alternatives to Lining: Structural Treatment of
Paintings on Canvas without Lining: A Conference Held
Jointly by the British Association of Paintings
Conservator-Restorers and the United Kingdom Institute
for Conservation Paintings Section, 19 September 2003:
Preprints, edited by Mary Bustin and Tom Caley, 9–14. London:
United Kingdom Institute for Conservation of Historic and
Artistic Works.
Albano, A. 1984. “Development of a General Purpose Table
Top Humidification/Suction System.” In
ICOM Committee for Conservation: 7th Triennial Meeting,
Copenhagen, 10–14 September 1984: Preprints, edited by Diana de Froment, 84.2.1–6. Paris: ICOM.
Alekseyeva and Tcherkasova 1968
Alekseyeva, Margarita, and Zinaida Tcherkasova. 1968.
“Compositions of Aqueous Solutions of Sturgeon Glue for
Relining Easel Oil Paintings.”
Reports of All-Union Central Research Laboratory for
Conservation and Restoration of Museum Valuables
20: 18–26.
Aliabadi 2015
Aliabadi, M. H. 2015. Woven Composites. London:
Imperial College Press.
Alyoshin 1989
Alyoshin, Anatoliy. 1989.
Conservation of Easel Oil Paintings in Russia.
Leningrad: Khudozhnik RSFSR.
Alyoshkina 2015
Alyoshkina, Ekaterina. 2015. “Experience of Retreating a
Painting by Unknown Artist of the 18th Century:
Portrait of Unknown Archiereus (Bishop Athanasius
Volkhovsky?).” In
Research in Conservation of Cultural Heritage,
Materials of International Scientific Methodological
Conference, issue 4, edited by S. V. Filatov, I. V.
Lebedeva, and G. I. Gerasimova, 6–20. Moscow: Indrik.
Amador Marrero 2012
Amador Marrero, Pablo Francisco. 2012. “Imaginería ligera
novohispana en el arte español de los siglos XVI–XVII.”
PhD diss., Universidad de Las Palmas de Gran Canaria.
Andersen 2012
Andersen, Cecil Krarup. 2012. “Lining, Relining and the
Concept of Univocity.” E-Conservation Magazine 23
(March): 47–56.
Andersen 2013
Andersen, Cecil Krarup. 2013. “Lined Canvas Paintings:
Mechanical Properties and Structural Response to
Fluctuating Relative Humidity, Exemplified by the
Collection of Danish Golden Age Paintings at Statens
Museum for Kunst (SMK).” PhD diss., School of
Conservation, KADK Royal Danish Academy of Fine Arts.
Andersen and Fuster-López 2019
Andersen, Cecil K., and Laura Fuster-López. 2019. “Insight
into Canvas Paintings’ Stability and the Influence of
Structural Conservation Treatments.” In
The Mechanics of Art Materials and Its Future in
Heritage Science: A Seminar and Symposium, 13–20. Washington, DC: Smithsonian Institution
Scholarly Press.
Andersen et al. 2014
Andersen, Cecil Krarup, Marion Mecklenburg, Mikkel
Scharff, and Jørgen Wadum. 2014. “With the Best
Intentions: Changed Response to Relative Humidity in
Wax-Resin Lined Early 19th-Century Canvas Paintings.” In
ICOM 17th Triennial Conference Preprints: Melbourne,
Australia, 17–19 September 2014, edited by Janet Bridgland. Paris: ICOM Committee for
Conservation.
Andersen et al. 2019
Andersen, C. K., A. Freeman, M. N. Mortensen, V. Beltran,
M. Łukomski, and A. Phenix. 2019. “Mechanical and Moisture
Sorption Properties of Commercial Artists’ Oil Paint by
Dynamic Mechanical Thermal Analysis (DMA),
Nanoindentation, and Dynamic Vapour Sorption (DVS).” In
Conservation of Modern Oil Paintings, edited by
K. J. Van den Berg, I. Bonaduce, A. Burnstock, B. Ormsby,
M. Scharff, L. Carlyle, G. Heydenreich, and K. Keune,
403–18. Cham, Switzerland: Springer.
Angelova et al. 2017
Angelova, Lora, Bronwyn Ormsby, Joyce H. Townsend, and
Richard Wolbers. 2017.
Gels in the Conservation of Art. London:
Archetype.
Antomarchi et al. 2005
Antomarchi, C., A. Brokerhof, S. Michalski, I. Verger, and
R. R. Waller. 2005. “Teaching Risk Management of
Collections Internationally.”
Collections: A Journal for Museum and Archives
Professionals
2, no. 2: 117–40.
Appelbaum 1987
Appelbaum, Barbara. 1987. “Criteria for Treatment:
Reversibility.”
Journal of the American Institute for Conservation
2, no. 26: 65–73. .
Arroyo Lemus 2017
Arroyo Lemus, Elsa Minerva. 2017. “La ‘presencia’ de la
imagen. Estudios sobre las técnicas y los materiales de la
pintura novohispana.” In
De la latencia a la elocuencia. Diálogos entre el
historiador del arte y la imagen, edited by Mónica Pulido, 21–57. Morelia: Universidad
Nacional Autónoma de México, Escuela Nacional de Estudios
Superiores.
Azeredo, Henriette M. C., Luiz Henrique C. Mattoso,
Roberto J. Avena-Bustillos, Gino Ceotto Filho, Maximiliano
L. Munford, Delilah Wood, and Tara H. McHugh. 2010.
“Nanocellulose Reinforced Chitosan Composite Films as
Affected by Nanofiller Loading and Plasticizer Content.”
Journal of Food Science 75, no. 1: N1–N7.
https://doi.org/10.1111/j.1750-3841.2009.01386.x.
Baglioni et al. 2013
Baglioni, Piero, David Chelazzi, Rodorico Giorgi, and
Giovanna Poggi. 2013. “Colloid and Materials Science for
the Conservation of Cultural Heritage: Cleaning,
Consolidation, and Deacidification.” Langmuir 29,
no. 17: 5110–22.
https://doi.org/10.1021/la304456n.
Bailey 2017
Bailey, Blair. 2017. “A Preliminary Investigation into
Aquazol as an Alternative Lining Adhesive for Paintings.”
AIC Paintings Specialty Group Postprints 30:
1–11. Chicago: AIC.
Baldini and Taiti 2003
Baldini, Umberto, and Sergio Taiti. 2003. “Italian Lining
Techniques: Lining with Pasta Adhesive (and Other Methods)
at the Fortezza da Basso, Florence.” In
Lining Paintings: Papers from the Greenwich Conference
on Comparative Lining Techniques, edited by Caroline Villers, 115–20. London: Archetype.
Barbosa et al. 2015
Barbosa, C., L. Burton, K. Rattke, and E. Tammekivi. 2015.
“Conservation and Restoration Treatment of Five Paintings
by Aart Schouman (1710–1792): The Menagerie van Prins
Willem V.” SRAL archives, unpublished treatment report.
Barker 2017
Barker, Sheila. 2017. “Artemisia’s Money: The
Entrepreneurship of a Woman Artist in Seventeenth-Century
Florence.” In
Artemisia Gentileschi in a Changing Light, edited
by Sheila Barker, 59–88. Turnhout, Belgium: Harvey Miller.
Barnett, Ronnee. 1992. “Reweaving of Damage in Colorfield
Paintings.” In
AIC Painting Specialty Group Postprints, 19–25.
Buffalo, NY: AIC.
Barreno Sevillano 1980
Barreno Sevillano, María Luisa. 1980. “La restauración de
pinturas en las colecciones reales durante el siglo
XVIII.” Archivo español de arte 53, no. 212:
467–90.
Barros D’Sa et al. 2015
Barros D’Sa, Angelina, Lizzie Bone, Rhiannon Clarricoates,
and Helen Dowding, eds. 2015.
Current Technical Challenges in the Conservation of
Paintings. London: Archetype.
Bartl et al. 2019
Bartl, Benjamin, Martin Zapletal, Štěpán Urbánek, Monika
Krejčí Slavíková, Jiří Trejbal, and Zdeněk Hrdlička. 2019.
“Why Do Historical Beeswax Seals Become Brittle over
Time?” Studies in Conservation 64, no. 3: 138–45.
Bartoletti et al. 2020
Bartoletti, Angelica, Rachel Barker, David Chelazzi,
Nicole Bonelli, Piero Baglioni, Judith Lee, Lora V.
Angelova, and Bronwyn Ormsby. 2020. “Reviving
WHAAM!: A Comparative Evaluation of Cleaning
Systems for the Conservation Treatment of Roy
Lichtenstein’s Iconic Painting.”
Heritage Science 8, no. 1: 9.
Bauman 1982
Bauman, Barry. 1982. “A Technique for Stretching and
Framing a Double-Sided Canvas.”
Journal of the American Institute for Conservation
21: 77–79.
Beck and Daley 1994
Beck, James H., and Michael Daley. 1994.
Art Restoration: The Culture, the Business and the
Scandal.
New York: Norton.
Belloli 1993
Belloli, Lucy. 1993. “Fieux Linings from the 1980s.” Paper
presented at the Gerry Hedley Memorial Forum, Mechanical
Behaviour of Paintings: Experience and Theory, Ottawa,
October 22–23, 1993.
Beltinger 1992
Beltinger, Karoline. 1992. “Die Vernähung eines Risses in
einem Leinwandgemälde.”
Zeitschrift für Kunsttechnologie und Konservierung
6, no. 2: 353–59.
Beltinger 1995
Beltinger, Karoline. 1995. “Reversible Supports for
Paintings as an Alternative to Lining.” In
Lining and Backing: The Support of Paintings, Paper and
Textiles: Papers Delivered at the UKIC Conference, 7–8
November 1995, London, United Kingdom, edited by Andrew Durham, 111–18. London: United Kingdom
Institute for Conservation of Historic and Artistic Works.
Bergeaud, Hulot, and Roche 1997
Bergeaud, C., J. Hulot, and A. Roche. 1997.
La dégradation des peintures sur toile. Méthode
d’examen des altérations. Paris: École Nationale du Patrimoine.
Berger 1965
Berger, Gustav A. 1965. “A Vacuum Envelope for Treating
Panel Painting.” Studies in Conservation 10, no.
1: 18–23.
Berger 1966
Berger, Gustav A. 1966. “Weave Interference in Vacuum
Lining of Pictures.” Studies in Conservation 11,
no. 4: 170–80.
Berger 1971
Berger, Gustav A. 1971. “Application of Heat-Activated
Adhesives for the Consolidation of Paintings.”
Bulletin of the IIC 11, no. 2: 124–28.
Berger 1972a
Berger, Gustav. 1972a. “Formulating Adhesive for the
Conservation of Paintings.” In
Conservation of Paintings and the Graphic Arts:
Preprints of Contributions to the Lisbon Congress,
1972, 9–14 October, 613–29. London: International
Institute for Conservation of Historic and Artistic Works.
Berger 1972b
Berger, Gustav A. 1972b. “Testing Adhesives for the
Consolidation of Paintings.”
Studies in Conservation 17, no. 4: 173–94.
https://doi.org/10.2307/1505565.
Berger 1974
Berger, Gustav A. 1974. “Beva Lining of Torn Paintings:
Three Films.”
Bulletin of the American Institute for Conservation of
Historic and Artistic Works
14, no. 2: 22–27.
Berger 1975
Berger, Gustav A. 1975. “Heat-Seal Lining of a Torn
Painting with Beva 371.”
Studies in Conservation 20, no. 3: 126–51.
Berger 1981
Berger, Gustav A. 1981. “The Role of Tension in the
Preservation of Canvas Paintings: A Study of Panoramas.”
In
Preprints of Contributions to the ICOM-CC Meeting in
Ottawa 1981, 81/2/3, 1–81/2/3,12. Paris: ICOM.
Berger 1996
Berger, Gustav A. 1996. “Transparent Lining of Paintings.”
In
ICOM Committee for Conservation: 11th Triennial
Meeting, Edinburgh, Scotland, 1–6 September 1996:
Preprints, vol. 1, edited by Janet Bridgland, 239–44. London:
James & James.
Berger and Russell 1984
Berger, Gustav A., and William H. Russell. 1984. “The New
Stress Tests on Canvas Paintings and Some of Their
Implications on the Preservation of Paintings.” In
ICOM Committee for Conservation: 7th Triennial Meeting,
Copenhagen, 10–14 September 1984: Preprints, 84/2/7–9. Paris: ICOM.
Berger and Russell 1986
Berger, Gustav A., and William H. Russell. 1986.
“Investigations into the Reactions of Plastic Materials to
Environmental Changes, Part I: The Mechanics of Decay of
Paint Films.” Studies in Conservation 31: 49–64.
Berger and Russell 1988
Berger, Gustav A., and William H. Russell. 1988. “An
Evaluation of the Preparation of Canvas Paintings Using
Stress Measurements.” Studies in Conservation 33,
no. 4: 187–204.
Berger and Russell 1990
Berger, Gustav A., and William H. Russell. 1990.
“Deterioration of Surfaces Exposed to Environmental
Changes.”
Journal of the American Institute for Conservation
29, no. 1: 45–76.
Berger and Russell 2000
Berger, Gustav A., and William H. Russell. 2000.
Conservation of Paintings: Research and Innovations. London: Archetype.
Berger and Zeliger 1975
Berger, Gustav A., and Harold I. Zeliger. 1975.
“Detrimental and Irreversible Effects of Wax Impregnation
on Easel Paintings.” In
ICOM Committee for Conservation 4th Triennial Meeting:
Venice, 13–18 October 1975: Preprints, 11/2-1–11/2-16. Paris: ICOM.
Berger and Zeliger 2003
Berger, Gustav A., and Harold I. Zeliger. 2003. “Wax
Impregnation of Cellulose: An Irreversible Process.” In
Lining Paintings: Papers from the Greenwich Conference
on Comparative Lining Techniques, edited by Caroline Villers, 25–27. London: Archetype.
Bernini 1997
Bernini, D. 1997. “Origini del sistema museale dello stato
a Roma.” Bollettino d’Arte 99, supp.
Bernstein 1974
Bernstein, James. 1974. “The Treatment of an Extensively
Damaged Oil Painting on Canvas.”
Bulletin of the American Institute for Conservation of
Historic and Artistic Works
14, no. 2: 93–104.
Bestetti 2005
Bestetti, Roberto. 2005. “Risarcimento strutturale
trattamento delle lacune il caso del dipinto giardini
romani di Giacomo Balla.” In
III Congresso Nazionale IGIIC—Lo Stato dell’Arte,
edited by Cristina Acidini Luchinat, 336–43. Palermo:
Nardini.
Bianchi 2016
Bianchi, M. 2016. “A Fabric-Based Approach for Wearable
Haptics.” Electronics 5: 44.
Bianco et al. 2015
Bianco, Lisa, Massimiliano Avalle, Alessandro Scattina,
Paola Croveri, Cesare Pagliero, and Oscar Chiantore. 2015.
“A Study on Reversibility of BEVA®371 in the Lining of
Paintings.”
CULHER Journal of Cultural Heritage 16, no. 4:
479–85.
Bigi, Panzavolta, and Rubini 2004
Bigi, Adriana, Silvia Panzavolta, and Katia Rubini. 2004.
“Relation between Triple-Helix Content and Mechanical
Properties of Gelatine Films.” Biomaterials 25,
no. 25: 5675–80.
Bissell 1968
Bissell, R. Ward. 1968. “Artemisia Gentileschi—A New
Documented Chronology.” The Art Bulletin 50, no.
2, 153–168.
Bissell 1999
Bissell, R. Ward. 1999.
Artemisia Gentileschi and the Authority of Art:
Critical Reading and Catalogue Raisonné.
University Park: Pennsylvania State University Press;
London: Eurospan.
Blakney 1993
Blakney, Susan. 1993. “The Successful Use of Soft-Faced
Monomesh as the Lining Support for a 14’ by 17’ Mural.” In
AIC Paintings Group Postprints, Denver, Colorado,
25.
Blakney and Sutton 1983
Blakney, Susan, and M. Sutton. 1983. “A Sensual Lining
Comparison.” Poster presented at 1983 AIC Annual Meeting,
Baltimore, Maryland.
Bleton and Tchapla 2009
Bleton, Jean, and Alain Tchapla. 2009. “SPME/GC-MS in the
Characterisation of Terpenic Resins.” In
Organic Mass Spectrometry in Art and Archaeology,
edited by Maria Perla Colombini and Francesca Modugno,
261–302. Chichester: Wiley.
Bodart 1970
Bodart, D. 1970. “Domenico Michelini, restaurateur des
tableaux à Rome au XVIII siècle.”
Revue des archéologues et historiens de l’art de
Louvain
3: 136–42.
Bøgh, Ketnath, and Thorvildsen 1975
Bøgh, Lone, Artur Ketnath, and Majken Thorvildsen. 1975.
“Om forsøg med Vinnapas Dispersion EP 1.”
Meddelelser om konservering 2, no. 5: 135–43.
Böhme et al. 2020
Böhme, Nadine, Manfred Anders, Tobias Reichelt, Katharina
Schuhmann, Alexandra Bridarolli, and Aurelia Chevalier.
2020. “New Treatments for Canvas Consolidation and
Conservation.” Heritage Science 8, art. 16.
https://doi.org/10.1186/s40494-020-0362-y.
A. Boissonnas 1961
Boissonnas, Alain. 1961. “Relining with Glass-Fiber
Fabric.” Studies in Conservation 6, no. 1: 26–30.
P. Boissonnas 2003
Boissonnas, Pierre. 2003. “Comparisons of Dimensional
Stability between Woven Glass Fibre Fabric and
Conventional Linen Canvas as Lining Supports for
Paintings.” In
Lining Paintings: Papers from the Greenwich Conference
on Comparative Lining Techniques, edited by Caroline Villers, 32–34. London: Archetype.
Boitelle, Poggendorf, and Stevenson forthcoming
Boitelle, R., R. Poggendorf, and L. Stevenson.
Forthcoming. “A Decisive Experience: A Technical
Examination of Martinique Paintings by Paul Gauguin and
Charles Laval.” In
Gauguin and Laval in Martinique. Amsterdam: Van
Gogh Museum.
Bol 1991
Bol, L. J. 1991.
Aart Schouman: Ingenious Painter and Draughtsman.
Doornspijk: Davaco.
Bomford, David. 2003. “The Conservator as Narrator:
Changed Perspectives in the Conservation of Paintings.” In
Personal Viewpoints: Thoughts about Painting
Conservation: A Seminar Organized by the J. Paul Getty
Museum, the Getty Conservation Institute, and the Getty
Research Institute at the Getty Center, Los Angeles,
June 21–22, 2001, edited by M. Leonard, 1–12. Los Angeles: Getty
Conservation Institute.
Bomford, David. 2017. “Three Days That Changed
Conservation.” In
The Picture So Far: 50 Years of Painting
Conservation, edited by Abigail Granville, Laura Hinde, Sophie
Plender, Hayley Tomlinson, and Nancy Wade, 1–8. London:
Archetype.
Bomford and Staniforth 1981
Bomford, David, and Sarah Staniforth. 1981. “Wax–Resin
Lining and Colour Change: An Evaluation.”
National Gallery Technical Bulletin 5: 58–65.
Bonsanti and Ciatti 2004
Bonsanti, G., and M. Ciatti. 2004.
Ulisse Forni: Manuale del pittore restauratore, studi
per la nuova edizione.
Florence: Edifir.
Boon, van der Weerd, and Keune 2002
Boon, Jaap J., Jaap van der Weerd, and Katrien Keune.
2002. “Mechanical and Chemical Changes in Old Master
Paintings: Dissolution, Metal Soap Formation and
Re-Mineralization Processes in Lead Pigmented
Ground/Intermediate Paint Layers of 17th Century
Paintings.” In
Paintings II: Scientific Study of Paintings (Methods
and Techniques); Preprints of 13th Triennial Meeting,
ICOM Committee for Conservation, Rio de Janeiro, Brazil,
22–27 September 2002, edited by Roy Vontobel, vol. 1, 401–7. London: James
and James.
Borgioli and Paolo 2005
Borgioli, Leonardo, and Cremonesi Paolo. 2005.
Le resine sintetiche usate nel trattamento di opere
policrome.
Padua: Il Prato.
Bottari, G. 1822–25.
Raccolta di lettere sulla pittura, scultura ed
architettura, Roma 1754–1773, vol. III. Milan: S. Ticozzi.
Brachert 1965
Brachert, T. 1965. “Probleme bei der Doublierung von
Leinwandbildern.” Maltechnik 71, no. 3: 80–81.
Brandi 2000
Brandi, Cesare. 2000. Teoria del restauro. Turin:
Einaudi.
Brandi 2001
Brandi, Cesare. 2001. Théorie de la restauration.
Translated by Colette Déroche. Paris: Centre des Monuments
Nationaux, Editions du patrimoine.
Brandt and Volbracht 2018
Brandt, Julia, and Carina Volbracht. 2018. “Doublierung
als letzter Ausweg für ein großformatiges Leinwandgemälde
des frühen 19. Jahrhunderts. Versuch eines
minimalinvasiven Eingriffs.”
VDR Beiträge zur Erhaltung von Kunst- und Kulturgut
1: 34–44.
Bräunig et al. 2016
Bräunig, Theresa, Anna von Reden, Dirk Andreas Lichtblau,
and Christoph Herm. 2016. “Eine neue Technik zur
Bestimmung der Festigkeit von textilen Bildträgern und ihr
Zusammenhang mit dem Polymerisationsgrad der Cellulose.”
Zeitschrift für Kunsttechnologie und Konservierung
30, no. 2: 351–62.
Brew and Lewis 2007
Brew, J. S., and W. J. Lewis. 2007. “Tension Membranes
Modelled by Curvi-linear Bicubic Splines.”
International Journal for Numerical Methods in
Engineering
72, no. 1: 1–21.
Brew, Lewis, and Young 2016
Brew, J. S, W. J. Lewis, and C. Young. 2016. “Painting
Conservation and Novel Artist Materials.” In
Designing for the 21st Century, vol. 2, chap. 20,
pt. 2, edited by Tom Inns. New York: Taylor and Francis.
E-book.
Bria 1986
Bria, Carmen F., Jr. 1986. “The History of the Use of
Synthetic Consolidants and Lining Adhesives.”
Western Association for Art Conservation Newsletter
8, no. 1: 7–11.
Bridarolli 2019
Bridarolli, Alexandra. 2019. “Multiscale Approach in the
Assessment of Nanocellulose-Based Materials as
Consolidants for Painting Canvases.” PhD thesis,
University College London.
Bridarolli et al. 2018a
Bridarolli, Alexandra, Marianne Odlyha, Oleksandr
Nechyporchuk, Krister Holmberg, Cristina Ruiz-Recasens,
Romain Bordes, and Laurent Bozec. 2018a. “Evaluation of
the Adhesion and Performance of Natural Consolidants for
Cotton Canvas Conservation.”
ACS Applied Materials and Interfaces 10, no. 39:
33652–61.
https://doi.org/10.1021/acsami.8b10727.
Bridarolli et al. 2018b
Bridarolli, Alexandra, Oleksandr Nechyporchuk, Marianne
Odlyha, Marta Oriola, Romain Bordes, Krister Holmberg,
Manfred Anders, Aurelia Chevalier, and Laurent Bozec.
2018b. “Nanocellulose-based Materials for the
Reinforcement of Modern Canvas-supported Paintings.”
Studies in Conservation 63, sup. 1: 332–34.
https://doi.org/10.1080/00393630.2018.1475884.
Bridarolli et al. 2020
Bridarolli, Alexandra, Anna Nualart-Torroja, Aurélia
Chevalier, Marianne Odlyha, and Laurent Bozec. 2020.
“Systematic Mechanical Assessment of Consolidants for
Canvas Reinforcement under Controlled Environment.”
Heritage Science 8, art. 52.
https://doi.org/10.1186/s40494-020-00396-x.
Bridarolli et al. 2022
Bridarolli, A., A. Freeman, N. Fujisawa, and M. Lukomski.
2022. “Mechanical Properties of Mammalian and Fish Glues
over Range of Temperature and Humidity.”
Journal of Cultural Heritage 53: 226–35.
Brooklyn Museum 1940
Brooklyn Museum. 1940.
Reports of the Museums of the Brooklyn Institute of
Arts and Sciences, January 1, 1939–June 30, 1940. Brooklyn, NY: Brooklyn Museum.
Brown 1981
Brown, Christopher. 1981. “London: The Princes Gate
Collection at the Courtauld Institute Galleries.”
Burlington Magazine 123, no. 942: 548–62.
Browne 1955
Browne, F. L. 1955. “Swelling of Paint Films in Water,
III: Absorption and Volumetric Swelling of Bound and Free
Films from Air at Different Relative Humidities.”
Forest Products Journal 5: 92–96.
Brunton 2018
Brunton, J. 2018. “Canvas Weave in Caravaggio’s
Crucifixion of Saint Andrew.” Technical art
history research diss., Glasgow University.
Bruquetas Galán 1998
Bruquetas Galán, Rocío. 1998. “Reglas para pintar. Un
manuscrito anónimo de finales del siglo XVI.”
PH: Boletín del Instituto Andaluz del Patrimonio
Histórico
6, no. 24: 33–44.
Bruquetas Galán 2007
Bruquetas Galán, Rocío. 2007.
Técnicas y materiales de la pintura española en los
Siglos de Oro.
Madrid: “Fundación de Apoyo a la Historia del Arte
Hispánico.”
Brykowski 1975
Brykowski, Ryszard. 1975. “Stan zachowania zabytków
powiatu lubartowskiego.” In Ochrona Zabytków 28,
nos. 3–4: 228–47.
Burmester 2016
Burmester, Andreas. 2016.
Der Kampf um die Kunst. Max Doerner und sein
Reichsinstitut für Maltechnik. 2 vols. Cologne: Böhlau.
Burnstock 2017
Burnstock, A. 2017. “The Influence of Science and
Technology on the Conservation and Technical Study of
Paintings in the Last 50 Years: A Personal Viewpoint.” In
The Picture So Far: 50 Years of Painting
Conservation, edited by Abigail Granville, Laura Hinde, Sophie
Plender, Hayley Tomlinson, and Nancy Wade, 32–58. London:
Archetype.
Bustin 2003
Bustin, Mary. 2003.
Alternatives to Lining: Structural Treatment of
Paintings on Canvas without Lining: A Conference Held
Jointly by the British Association of Paintings
Conservator-Restorers and the United Kingdom Institute
for Conservation Paintings Section, 19 September 2003:
Preprints. London: United Kingdom Institute for Conservation of
Historic and Artistic Works.
Calvo, Maltieira, and Barbosa 2014
Calvo, Ana, Rita Maltieira, and Carlota Barbosa. 2014.
“Confluencias y divergencias de los materiales de
forración entre España y Portugal.”
Estudos de Conservação e Restauro 6: 275–92.
https://doi.org/10.34618/ecr.6.7563.
Capriotti and Iaccarino Idelson 2004
Capriotti, G., and A. Iaccarino Idelson. 2004.
Tensionamento dei dipinti su tela, la ricerca del
valore di tensionamento.
Florence: Nardini Editore.
Cardinali et al. 2002
Cardinali, M, M. I. Catalano, A. Cerasuolo, and M. B. De
Ruggieri. 2002. “Sulla Sacra Famiglia del Parmigianino:
Cautele ottocentesche per una tecnica particolare.” In
Parmigianino e il manierismo europeo, atti del convegno
internazionale di studi, Parma 13–15 giugno 2002, edited by Lucia Fornari Schianchi and Cinisello
Balsamo, 209–12. Milan: Silvana.
Carità 1955
Carità, Roberto. 1955. “Aggiunta sui telai per affreschi
trasportati.”
Bollettino dell’Istituto Centrale del Restauro
23, no. 24: 165–70.
Carlyle, Young, and Jardine 2008
Carlyle, L., C. Young, and S. Jardine. 2008. “The
Mechanical Response of Flour Paste Grounds.” In
Preparation for Painting: The Artist’s Choice and Its
Consequences, edited by J. H. Townsend, T. Doherty, G. Heydenreich,
and J. Ridge, 123–31. London: Archetype.
Carò, Centeno, and Mahon 2018
Carò, Federico, Silvia A. Centeno, and Dorothy Mahon.
2018. “Painting with Recycled Materials: On the Morphology
of Calcite Pseudomorphs as Evidence of the Use of Wood Ash
Residues in Baroque Paintings.”
Heritage Science 6, no. 3: 1–11.
Catalano, M. I. 2007. “Telaiuoli e quadrari a Napoli nel
Settecento.” In
Gli uomini e le cose: Figure di restauratori e casi di
restauro in Italia tra XVIII e XX secolo, Proceedings of the National Symposium, edited
by P. D’Alconzo, 103–17. Naples: ClioPress.
Catalano and Prisco 2003
Catalano, M. I., and G. Prisco, eds. 2003.
Storia del restauro dei dipinti a Napoli e nel Regno
nel XIX secolo, proceedings of the International
Symposium, in Bollettino d’Arte, special issue.
Causa 1960
Causa, R. 1960. “Introduction.” In
IV Mostra di restauri. Naples: L’ Arte
Tipografica.
CCI (Canadian Conservation Institute) 2011
CCI (Canadian Conservation Institute). 2011.
Adhesives and Consolidants for Conservation: Research
and Applications: Proceedings of Symposium, 2011. Ottawa: Canadian Conservation Institute.
CEN 2011
CEN (European Committee for Standardization). 2011.
“Conservation of Cultural Property—Main General Terms and
Definitions.” Standard EN 15898:2011. Brussels: CEN.
CEN 2019
CEN (European Committee for Standardization). 2019.
“Conservation of Cultural Property—Main General Terms and
Definitions.” Standard EN 15898:2019. Brussels: CEN.
Cerasuolo 2007
Cerasuolo, A. 2007.
I Chiariello. Sulle tracce di una genealogia familiare
per la storia del mestiere di foderatore a Napoli, atti
del convegno Lecce 17–19 novembre 2006, edited by Regina Poso, 25–41. Galatina: Congedo.
Cerasuolo 2008
Cerasuolo, A. 2008. “Dalla Galleria dei Pittori napoletani
al Museo di Capodimonte. Sul restauro dei dipinti
napoletani del XVII e XVIII secolo.” In
Museo di Capodimonte, Dipinti del XVII secolo:La scuola napoletana, edited by Nicola Spinosa,
24–42. Naples: Electa Napoli.
Cerasuolo 2010
Cerasuolo, A. 2010. “I rami della Cappella del Tesoro:
Note sulla tecnica esecutiva e sulle vicende
conservative.” In
Napoli e l’Emilia: Studi sulle relazioni artistiche,
atti del convegno internazionale di studi, Santa Maria
Capua Vetere (CE), 28–29 maggio 2008, edited by A. Zezza, 105–29. Naples: Luciano Editore.
Cerasuolo 2013
Cerasuolo, A. 2013. “L’attività del Gabinetto
Pinacologico: Un’eredità misconosciuta.” In
Snodi di critica: Musei, mostre, restauro e diagnostica
artistica in Italia (1930–1940), edited by Maria Ida Catalano, 195–223. Rome: Gangemi.
Cerasuolo 2017
Cerasuolo, A. 2017.
Literature and Artistic Practice in Sixteenth-Century
Italy.
Brill’s Studies in Intellectual History. Boston: E. J.
Brill.
Cerasuolo 2019
Cerasuolo, A. 2019. “The Parable of the Blind and
The Misanthrope: Glue-tempera Technique in
Bruegel’s Canvases in Capodimonte.” In
Bruegel: The Hand of the Master: Essays in Context, edited by A. Hoppe-Harnoncourt, E. Oberthaler, S.
Pénot, M. Sellink, and R. Spronk, 64–77. Belgium:
Hannibal.
CESMAR7 2008
CESMAR7 (Center for the Study of Restoration Materials).
2008.
Colour and Conservation: 3rd International Conference:
Materials and Methods for Consolidation, and Scientific
Methods for Evaluating Their Effectiveness: Proceedings
of the Conference in Milan, 10–11 November 2006. Saonara, Italy: Il Prato.
CESMAR7 2010
CESMAR7. 2010.
Colour and Conservation: 4th International Conference:
Materials and Methods for Consolidation, and Scientific
Methods for Evaluating Their Effectiveness: Proceedings
of the Conference in Milan, 21–22 November 2008. Saonara, Italy: Il Prato.
Charteris 1999
Charteris, L. 1999. “Reversibility—Myth and Misuse.” In
Reversibility—Does It Exist?, edited by A. Oddy
and S. Carroll, 141–45. London: British Museum.
Chittenden, Lewis, and Percival-Prescott 2003
Chittenden, Ronald, Gillian Lewis, and Westby
Percival-Prescott. 2003. “Prestretched Low-Pressure Lining
Methods.” In
Lining Paintings: Papers from the Greenwich Conference
on Comparative Lining Techniques, edited by Caroline Villers, 39–48. London: Archetype.
Christensen 1982
Christensen, Richard. 1982.
Theory of Viscoelasticity: An Introduction. 2nd
ed. (New York: Academic Press).
Chung et al. 2017
Chung, J. Y., B. Ormsby, A. Burnstock, K. J. Van den Berg,
and J. Lee. 2017. “An Investigation of Methods for Surface
Cleaning Unvarnished Water-Sensitive Oil Paints Based on
Recent Developments for Acrylic Paints.” In
ICOM Committee for Conservation: 18th Triennial
Conference, Copenhagen, 4–8 September 2017, Copenhagen:
Linking Past and Future: Preprints, edited by Janet Bridgland. Paris: ICOM.
Churakova 2005
Churakova, Maria. 2005. “The Restorations of the Painting
Adoration of the Magi by German Artist of the
18th Century Johann Knechtel.”
Artistic Heritage: Storage, Research, Restoration
22, no. 52: 110–13.
Churakova, Karasyova, and Yurovetskaya 2018
Churakova, Maria, Olga Karasyova, and Anastasia
Yurovetskaya. 2018.
Typology of Deformations of Textile Supports of Easel
Oil Paintings and Methods of Their Elimination. Moscow: GOSNIIR.
Ciappi and Ciatti 1997
Ciappi, Ottavio, and Marco Ciatti. 1997. “La conservazione
dei dipinti su tela: esperienze di innovazione per i
dipinti di grandi dimensioni.”
OPD restauro: Rivista dell’Opificio delle pietre dure e
laboratorio di restauro di Firenze
8: 159–64.
Ciatti 2001
Ciatti, Marco. 2001.
Rubens agli Uffizi, Il restauro delle Storie di Enrico
IV.
Florence: Edifir Edizioni.
Ciatti 2009
Ciatti, M. 2009.
Appunti per un manuale di storia e teoria del
restauro.
Florence: Edifir.
Ciatti and Signorini 2007
Ciatti, Marco, and Erminio Signorini, eds. 2007.
Dipinti su tela: Problemi e prospettive per la
conservazione, giornata di studio, Ferrara, 1 aprile
2006
[Canvas paintings: Problems and perspectives in
conservation, one-day meeting, Ferrara, April 1, 2006].
Saonara, Italy: Il Prato.
Cimino et al. 2020
Cimino, Dafne, Rebecca Ploeger, E. René de la Rie,
Christopher W. McGlinchey, Tommaso Poli, Oscar Chiantore,
and Johannes A. Poulis. 2020. “Progress in Formulating New
Adhesives for Conservation Purposes.” In
Supporto e(') immagine: Problematiche di consolidamento
e di conservazione dei supporti nei dipinti
contemporanei: Atti del 8o Congresso internazionale
Colore e conservazione, Università Ca’ Foscari, Venezia,
23–24 november 2018, edited by Barbara Caranza. Saonara, Italy: Il Prato.
Civiltà del ’700 a Napoli 1980
Civiltà del ’700 a Napoli: 1734–1799. 1980.
Exhibition catalogue, 2 vols. Florence: Centro Di
Documentazione Internazionale sulle arti.
Clark 1977
Clark, K. 1977.
The Other Half: An Autobiography. London: John
Murray.
Clark and Tschentke 1929
Clark, G. L., and H. L. Tschentke. 1929. “Physico-Chemical
Studies on the Mechanism of the Drying of Linseed Oil
I—Changes in Density of Films.”
Industrial and Engineering Chemistry 21, no. 7:
621–27.
https://doi.org/10.1021/ie50235a003.
Clarricoates et al. 2012
Clarricoates, Rhiannon, Alexandra Gent, Angelina Barros
D’Sa, and Lizzie Bone, eds. 2012.
Adhesives and Consolidants in Painting Conservation. London: Archetype.
Clements and Mas 2001
Clements, B. E., and E. M. Mas. 2001. “Dynamic Mechanical
Behavior of Filled Polymers. I. Theoretical Developments.”
Journal of Applied Physics 90, no. 11: 5522–34.
https://doi.org/10.1063/1.1412843.
Coccolo 2017
Coccolo, F. 2017.
The Origin and Consequences of Italian Legislation on
the Protection of the National Cultural Heritage in the
Twentieth Century.
Venice: Cà Foscari University.
Coen 2005
Coen, P. 2005. “Silvio Valenti Gonzaga e il mercato
artistico romano del XVIII secolo.” In
Ritratto di una collezione, Pannini e la Galleria del
Cardinale Silvio Valenti Gonzaga, edited by R. Morselli and R. Vodret, 181–92. Mantova:
Skira.
Colombini, Modugno, and Ribechini 2009
Colombini, Maria Perla, Francesca Modugno, and Erika
Ribechini. 2009. “GC/MS in the Characterization of
Lipids.” In
Organic Mass Spectrometry in Art and Archaeology,
edited by Maria Perla Colombini and Francesca Modugno,
191–213. Chichester: Wiley.
Colville, Kilpatrick, and Mecklenburg 1982
Colville, James, William Kilpatrick, and Marion F.
Mecklenburg. 1982. “A Finite Element Analysis of
Multi-layered Orthotropic Membranes with Application to
Oil Paintings on Fabric.”
Studies in Conservation 27, no. S1: 146–50.
Committee of Council on Education 1858
Committee of Council on Education. 1858.
Fifth Report of the Science and Art Department of the
Committee of Council on Education.
London: Her Majesty’s Stationery Office.
Committee of Council on Education 1860
Committee of Council on Education. 1860.
Seventh Report of the Science and Art Department of the
Committee of Council on Education.
London: Her Majesty’s Stationery Office.
Conti, A. 2003.
Storia del restauro e della conservazione delle opere
d’arte.
Milan: Electa.
Conti 2007
Conti, A. 2007.
A History of the Restoration and Conservation of Works
of Art. Translated by Helen Glanville. London: Taylor and
Francis.
Contreras 2015
Contreras, Luis B. 2015. “Mist-Lining como metodo de
reentelado en obra antigua enterada con cera-resina.”
Master’s thesis, Universitat Politècnica de València,
Facultad de Bellas Artes de San Carlos.
Coremans 1953
Coremans, Paul B. 1953.
L’Agneau mystique au laboratoire: Examen et
traitement. Volume 3, issue 2 in
Les Primitifs flamands: Contributions à l’étude des
primitifs flamands. Oostmalle: De Sikkel.
Cornelius 1967
Cornelius, F. 1967. “Movement of Wood and Canvas for
Paintings in Response to High and Low RH Cycles.”
Studies in Conservation 12, no. 2: 76–80.
Cosma 2016
Cosma, A. 2016. “Verso un nuovo fidecommisso. Vicende del
palazzo e della collezione Corsini tra dispersioni,
restauri e riallestimenti (1795–1829).” In
Storie di Palazzo Corsini, edited by A. Cosma and
S. Pedone, 17–38, 175–218. Rome: Campisano.
Costantini 2013
Costantini, Daniele. 2013. “Cold Lining and Mist Lining:
Insights and Possibilities of Adaptation to the
Mediterranean Climate.” CeROArt Online EGG 3.
https://doi.org/10.4000/ceroart.3090.
Costaras 2013
Costaras, Nicola. 2013. “Richard Redgrave (1804–1888):
First Curator of Paintings at the South Kensington
Museum.” In
Conservation in the Nineteenth Century, edited by
Isabelle Brajer, 54–66. London: Archetype.
Costaras and Richardson 2010
Costaras, Nicola, and Clare Richardson. 2010. “Constable’s
Sketches: Technical Observations.” In
John Constable: Oil Sketches from the Victoria &
Albert Museum, by Mark Evans, 145–57. London: V&A Publications.
Costaras and Young 2000
Costaras, Nicola, and Christina Young. 2000.
Setting the Scene: European Painted Cloths,
1400–2000.
London: Archetype.
Croll 2007
Croll, S. 2007. “Overview of Developments in the Paint
Industry since 1930.” In Modern Paints Uncovered,
edited by Thomas J. S. Learner, Patricia Smithen, Jay W.
Krueger, and Michael R. Schilling, 17–29. Los Angeles:
Getty Conservation Institute.
Cummings and Hedley 2003
Cummings, Alan, and Gerry Hedley. 2003. “Surface Texture
Changes in Vacuum Lining: Experiments with Raw Canvas.” In
Lining Paintings: Papers from the Greenwich Conference
on Comparative Lining Techniques, edited by Caroline Villers, 87–95. London: Archetype.
D’Alconzo 2003
D’Alconzo, P. 2003. “Restauri e restauratori di dipinti
nel Real Museo Borbonico negli anni venti dell’Ottocento.”
In
Storia del restauro dei dipinti a Napoli e nel Regno
nel XIX secolo, Proceedings of the International
Symposium, edited by M. I. Catalano and G. Prisco, 141–67.
Bollettino d’Arte, special issue.
D’Alconzo 2007
D’Alconzo, P., ed. 2007.
Gli uomini e le cose: Figure di restauratori e casi di
restauro in Italia tra XVIII e XX secolo. Proceedings of
the National Symposium.
Naples: Clio Press.
D’Alconzo and Prisco 2005
D’Alconzo, P., and G. Prisco. 2005. “‘Restaurare,
risarcire, supplire’: Slittamenti semantici ed evidenze
materiali: Alle origini di una ‘vernice’ per i dipinti
vesuviani.”
Bollettino dell’Istituto Centrale del Restauro,
no. 10–11: 3–87.
Daly and Michalski 1987
Daly, D., and S. Michalski. 1987. “Methodology and Status
of the Lining Project, CCI.” In
ICOM Committee for Conservation: Preprints: 8th
Triennial Meeting, Sydney, Australia, 6–11 September
1987, 145–52. Los Angeles: Getty Conservation Institute.
Daly Hartin et al. 2010
Daly Hartin, D., E. Hagan, P. Marcon, S. Michalski, and T.
Strang. 2010. “Research and Development into Structural
Treatments of Paintings: CCI Lining Project & CCI
Octoprobe.” In
ICOM Committee for Conservation Paintings Group
Workshop: Current Practice and Recent Developments in
the Structural Conservation of Paintings on Canvas
Supports.
DVD. Helsinki: Metropolia University of Applied Sciences.
Daly Hartin et al. 2011
Daly Hartin, Debra, Eric Hagan, Stefan Michalski, and
Mylène Choquette. 2011. “CCI Lining Project: Testing of
Lined Model Paintings from Fractions of a Second to
Decades.” In
ICOM-CC Lisbon 2011: Preprints, 16th Triennial
Conference, Lisbon, 19–23 September 2011, edited by Janet Bridgland and Catherine Antomarchi,
paper 1309, 288–96. Almada, Portugal: Critério Produção
Grafica; Paris: ICOM Committee for Conservation.
Daly Hartin et al. 2015a
Daly Hartin, Debra, Stefan Michalski, Eric Hagan, and
Mylène Choquette. 2015. “Overview of the CCI Lining
Project: Do Linings Prevent Cracking and Cupping in
Paintings?” In
AIC Paintings Specialty Group Postprints 28,
edited by Barbara Buckley, 137–50. E-book. Washington, DC:
AIC.
Daly Hartin et al. 2015b
Daly Hartin, D., T. Strang, E. Hagan, and P. Marcon. 2015.
“Studio Tip: Use of the CCI Octoprobe with the Willard
Multipurpose Table.” In
AIC Paintings Specialty Group Postprints 28,
edited by Barbara Buckley, 169–73. E-book. Washington, DC:
AIC.
Daly Hartin, Michalski, and Pacquet 1993
Daly Hartin, D., S. Michalski, and C. Pacquet. 1993.
“Ongoing Research in the CCI Lining Project: Peel Testing
of BEVA 371 and Wax-Resin Adhesives with Different Lining
Supports.” In
ICOM Committee for Conservation: 10th Triennial
Meeting, Washington, DC, 22–27 August 1993:
Preprints, edited by Janet Bridgland, 128–34. Paris: ICOM
Committee for Conservation.
Danchev 2006
Danchev, Alex. 2006. “The Strategy of the Still Life, or
The Politics of Georges Braque.”
Alternatives: Global, Local, Political 31, no. 1.
http://www.jstor.org/stable/40645171.
Daudin-Schotte et al. 2013
Daudin-Schotte, Maude, Madeleine Bisschoff, Ineke Joosten,
and Henk van Keulen. 2013. “Dry Cleaning Approaches for
Unvarnished Paint Surfaces.” In
New Insights into the Cleaning of Paintings:
Proceedings from the Cleaning 2010 International
Conference, Universidad Politécnica de Valencia and
Museum Conservation Institute, edited by Marion F. Mecklenburg, A. Elena Charola, and
Robert J. Koestler, 209–19. Washington, DC: Smithsonian
Institution Scholarly Press.
https://doi.org/10.5479/si.19492359.3.1.
Davies and Rawlins 1946
Davies, M., and F. I. G. Rawlins. 1946. “The War-Time
Storage in Wales of Pictures from the National Gallery,
London.”
Transactions of the Honourable Society of
Cymmrodorion. London: The Honourable Society of Cymmrodorion.
Debenedetti 2004
Debenedetti, E., ed. 2004.
Artisti e artigiani a Roma I, dagli stati delle anime
del 1700, 1725, 1750, 1775. Rome: Bonsignori.
Debenedetti 2005
Debenedetti, E., ed. 2005.
Artisti e artigiani a Roma II, dagli stati delle anime
del 1700, 1725, 1750, 1775. Rome: Bonsignori.
De Dominici (1742–43) 2003–14
De Dominici, B. (1742–43). 2003–14.
Vite de’ pittori, scultori ed architetti napoletani. Vol. 2, edited by F. Sricchia Santoro and A. Zezza.
Naples: Paparo.
Delcour and Hoseney 2010
Delcour, J. A., and R. C. Hoseney. 2010.
Principles of Cereal Science and Technology.
Saint Paul, MN: AACC International.
de los Rios y Rojas and Socorro 1977
de los Rios y Rojas, Mantilla, and Maria Socorro. 1977.
“Analisis del tejido de dos muestras procedentes de la
tela y el forro del cuadro del Greco
Entierro del Conde de Orgaz, conservado en la
iglesia de Santo Tome de Toledo” [Analysis of the Texture
of Two Samples from the Canvas and Lining Canvas of El
Greco’s Painting Burial of the Count of Orgaz,
Preserved in the Church of Santo Tome in Toledo]. In
El entierro del Conde de Orgaz: Nueva instalación,
tudio científico y tratamiento. Madrid: Instituto de Conservación y Restauración de
Obras de Arte.
Delsaut and Durand 1989
Delsaut, J., and R. Durand. 1989. “Mesure de la force de
rétraction des papiers.”
Conservation Restauration des Biens Culturels 1:
64–66.
De Marchi 2016
De Marchi, A. G. 2016.
Collezione Doria Pamphili. Catalogo generale dei
dipinti.
Milan: Silvana.
Demuth 2020
Demuth, Petra. 2020. “Major and Minor Development Steps in
the Tear Treatment Methods for Canvas Paintings: All Art
and Technology Has Been Contemporary.” In
Supporto e(’) Immagine. Problematiche di
consolidamento e di conservazione dei supporti nei
dipinti contemporanei, 55–83. Saonara, Italy: CESMAR7.
Demuth and Flock 2019
Demuth, Petra, and Hannah Flock. 2019. “Der Consolidation
Pen Winnie. Die Entwicklung eines kleinen, beheizbaren
Klebstoff-Applikators als Generationenprojekt.”
ZKK Zeitschrift für Kunsttechnologie und
Konservierung, no. 1: 129–36.
Demuth and Heiber 2000
Demuth, Petra, and Winfried Heiber. 2000. “Der Trecker:
Eine Spannkonstruktion fur die Rissverklebung.”
Restauro 106, no. 5: 344–47.
Demuth et al. 2011
Demuth, Petra, Hanna Vogel, Christina Nägler, and Lena
Reuber. 2011. “Adhesives for Thread-by-Thread Tear Mending
in Torn Fabric-Supported Paintings.” In
Proceedings of the CCI Adhesives Symposium, 1–23.
Ottawa: Canadian Conservation Institute.
Denunzio 2002
Denunzio, A. E. 2002. “I quadri farnesiani di Parmigianino
a Napoli nel Settecento: Notizie e documenti.” In
Parmigianino e il manierismo europeo, atti del convegno
internazionale di studi, Parma 13–15 giugno 2002, edited by Lucia Fornari Schianchi and Cinisello Balsamo
(MI), 263–72. Milan: Silvana.
Desbarax 2016
Desbarax, Emilie. 2016. “Interview with Bogumil
Jewsiewicki-Koss.” In
Congo Art Works: Peinture populaire, edited by
Bambi Ceuppens and Sammy Baloji, 5–8. Exhibition
catalogue. Brussels: Africa Museum and Éditions Racine.
Diamond et al. 2019
Diamond, Olympia, Maggie Barkovic, Maureen Cross, and
Bronwyn Ormsby. 2019. “The Role of Agar Gel in Treating
Water Stains on Acrylic Paintings: Case Study of
Composition, 1963, by Justin Knowles.”
Journal of the American Institute for Conservation
58, no. 3: 144–57.
Di Giacomo 1996
Di Giacomo, L. 1996. “I Cecconi Principe. Una famiglia di
restauratori romani tra Ottocento e Novecento alla
Galleria Borghese.” Kermes 26: 31–46.
Dimond and Young 2003
Dimond, Jim, and Christina Young. 2003. “Reducing Cupping
without Lining?” In
Alternatives to Lining: The Structural Treatment of
Paintings on Canvas without Lining: A Conference Held
Jointly by the British Association of Paintings
Conservator-Restorers and the United Kingdom Institute
for Conservation Paintings Section: 19 September 2003:
Preprints, edited by Mary Bustin and Tom Caley, 29–34. London:
United Kingdom Institute for Conservation of Historic and
Artistic Works.
DIN 1976
DIN (Deutsches Institut für Normung). 1976.
Prüfung von Textilien: Bestimmung der Grenzviskosität
von Cellulosen, Grundlagen.
54 270 part 1, Ausgabe 1976-09. Berlin: DIN.
DIN 1977
DIN (Deutsches Institut für Normung). 1977.
Prüfung von Textilien: Bestimmung der Grenzviskosität
von Cellulosen, EWNNmod(NaCl) Verfahren.
54 270 part 3, Ausgabe 1977-08. Berlin: DIN.
DIN 1996
DIN (Deutsches Institut für Normung). 1996.
Textilien–Fasern—Bestimmung der Höchstzugkraft und
Höchstzugkraftdehnung an Spinnfasern
[Textile Fibres—Determination of Breaking Force and
Elongation at Break of Individual Fibres]. EN ISO 5079.
Berlin: DIN.
DIN 1999
DIN (Deutsches Institut für Normung). 1999.
Textilien—Zugeigenschaften von textilen
Flächengebilden—Teil 1: Bestimmung der Höchstzugkraft
und Höchstzugkraft-Dehnung mit dem
Streifen-Zugversuch
[Tensile properties of fabrics—Part 1: Determination of
Maximum Force and Elongation at Maximum Force Using the
Strip Method]. EN ISO 13934-1. Berlin: DIN.
DIN 2002
DIN (Deutsches Institut für Normung). 2002.
Statistische Auswertung—Teil 1: Kontinuierliche
Merkmale
[Statistical Evaluation—Part 1: Continuous
Characteristics]. DIN 53804-1:2002-04. Berlin: DIN.
DIN 2009
DIN (Deutsches Institut für Normung). 2009.
Textilien—Garne von Aufmachungseinheiten—Bestimmung der
Höchstzugkraft und Höchstzugkraftdehnung von
Garnabschnitten unter Verwendung eines Prüfgeräts mit
konstanter Verformungsgeschwindigkeit (CRE)
[Textiles—Yarns from Packages—Determination of Single-End
Breaking Force and Elongation at Break Using Constant Rate
of Extension (CRE) Tester]. EN ISO 2062:2009. Berlin: DIN.
Diputación Foral de Álava 2018
Diputación Foral de Álava. 2018.
El Cristo crucificado de Jose Ribera en el Patrimonio
de Álava.
Vitoria-Gasteiz, Spain: Publicaciones de la Diputación
Foral de Álava.
Dobrzańska and Lentowicz 2017
Dobrzańska, Katarzyna, and Magdalena Lentowicz. 2017.
“Próba potwierdzenia autorstwa obrazu na płótnie
‘Ukrzyżowanie’ z 2. połowy XVIII wieku przypisywanego
Janowi Bogumiłowi Plerschowi na podstawie badań i
konserwacji obiektu.” MA thesis under supervision, Jan
Matejko Academy of Fine Arts, Kraków.
Doménech-Carbó et al. 2013
Doménech-Carbó, María Teresa, Miguel F. Silva, Elvira
Aura-Castro, Antonio Doménech-Carbó, Laura Fuster-López,
Jose V. Gimeno-Adelantado, Stephan U. Kröner, María Luisa
Martínez-Bazán, Xavier Más-Barberá, Marion F. Mecklenburg,
Laura Osete-Cortina, and Dolores J. Yusá-Marco. 2013.
“Multitechnique Approach to Evaluate Cleaning Treatments
for Acrylic and Polyvinyl Acetate Paints.” In
New Insights into the Cleaning of Paintings:
Proceedings from the Cleaning 2010 International
Conference, Universidad Politecnica de Valencia and
Museum Conservation Institute, edited by Marion F. Mecklenburg, A. Elena Charola, and
Robert J. Koestler, 125–34. Washington, DC: Smithsonian
Institution Scholarly Press.
Down 2009
Down, Jane L. 2009. “Poly(Vinyl Acetate) and Acrylic
Adhesives: A Research Update.” In
Holding It All Together: Ancient and Modern Approaches
to Joining, Repair and Consolidation, edited by Janet Ambers, Catherine Higgitt, Lynne
Harrison, and David Saunders, 91–98. London: Archetype.
Down 2015
Down, Jane L. 2015. “The Evaluation of Selected Poly(Vinyl
Acetate) and Acrylic Adhesives: A Final Research Update.”
Studies in Conservation 60, no. 1: 33–54.
Down et al. 1996
Down, J. L., M. A. MacDonald, J. Tétreault, and R. S.
Williams. 1996. “Adhesive Testing at the Canadian
Conservation Institute: An Evaluation of Selected
Poly(Vinyl Acetate) and Acrylic Adhesives.”
Studies in Conservation 41, no. 1: 19–44.
Dufresne 2017
Dufresne, Alain. 2017.
Nanocellulose: From Nature to High Performance Tailored
Materials. 2nd ed. Berlin: De Gruyter.
https://doi.org/10.1515/9783110480412.
Dumitran and Rustoiu 2007
Dumitran, Ana, and Ioana Rustoiu. 2007.
Steagul bisericesc. Alba Iulia, Romania: Altip
Publishing House.
Dunkerton et al. 2020
Dunkerton, J., A. Gonzáles Mozo, G. Pocobene, and M.
Spring. 2020. “Modes of Painting: Titian’s Technique in
the Poesie.” In Titian; Love, Desire, Death,
edited by M. Wivel, 61–89. London: National Gallery.
Durham 1995
Durham, Andrew, ed. 1995.
Lining and Backing: The Support of Paintings, Paper and
Textiles; Papers Delivered at the UKIC Conference, 7–8
November 1995.
London: United Kingdom Institute for Conservation of
Historic and Artistic Works.
Durham and Leser 1931
Durham, Charles, and Fulton Leser. 1931. “American
Viewpoints on the Care of Paintings.”
International Studio 99: 37–39, 74.
Emelyanov, Dmitriy. 2005. “Study of Physico-Mechanical
Properties of Textile Preserving Agent Polyacrylic Resin
A45K.” In
Sculpture: Applied Arts: Conservation. Research,
208–14. Moscow: VHNRC.
Emile-Mâle 1982
Emile-Mâle, G. 1982. “La première transposition au Louvre
en 1750: La Charité d’Andrea del Sarto.”
Revue du Louvre 32, no. 3: 223–30.
Etchinson 1969
Etchinson, B. 1969. “Radiant Heat for Vacuum Tables.”
Studies in Conservation 14, no. 4: 170–73.
Evonik n.d.
Evonik. n.d. “AEROSIL and AEROPERL Colloidal Silicon
Dioxide for Pharmaceuticals: Technical Information TI
1281.” Essen, Germany: Evonik Industries.
Falvey 2008
Falvey, D. 2008. “The Evolution in the Lining of
Paintings: To Line or Not to Line: A Preliminary Study.”
In
Postprints of the Paintings Specialty Group, 2007, edited by Helen Mar Parkin, vol. 20, 17. Washington,
DC: AIC.
Fasce and Carnasciali 2008
Fasce, M., and M. Carnasciali. 2008. “Osservazione con il
microscopio ottico di adesivi applicati su dipinti con
supporto cellulosico.” In
L’attenzione alle superfici pittoriche, atti del
congresso di Milano, 49–53. Padua: Il Prato.
Favero, Mysak, and Khandekar 2013
Favero, Patricia, Erin Mysak, and Narayan Khandekar. 2013.
“Materials and Process in Georges Braque’s Still-Life
Paintings, 1928–1944.” In
Georges Braque and the Cubist Still Life 1928–1944, edited by Karen Butler and Renée Maurer, 90–111. St.
Louis, MO: Mildred Lane Kemper Art Museum; Washington, DC:
The Phillips Collection.
Fedoseeva, Tatyana. 1998.
Guidelines for Using Foreign Counterpart of Wax-Resin
Adhesive BEVA 371 for Lining Oil Paintings. Moscow: GOSNIIR.
Fedoseeva 1999
Fedoseeva, Tatyana. 1999.
The Materials for Conservation of Paintings and Applied
Arts. Edited by Vladimir Zverev. Moscow: Editorial and
Publications Division of GOSNIIR.
Fedoseeva et al. 2016
Fedoseeva, Tatyana, Olga Belyaevskaya, Valentina
Gordushina, Elena Malachevskaya, and Svetlana Pisareva.
2016. Conservation Materials: Course of Lectures.
Lecture series. Moscow: Indrik.
Fedoseeva, Malachevskaya, and Yashkina 1997
Fedoseeva, Tatyana, Elena Malachevskaya, and Larisa
Yashkina. 1997.
Instructional Guidelines for Strip Lining Easel Oil
Paintings Using Acrylic Dispersions. Moscow: GOSNIIR.
Feller 1984
Feller, Robert L. 1984. “Thermoplastic Polymers Currently
in Use as Protective Coatings and Potential Directions for
Further Research.” AICCM Bulletin 10, no. 2:
5–18.
Feller, Robert L., and Myron Wilt. 1993.
Evaluation of Cellulose Ethers for Conservation.
2nd ed. Los Angeles: Getty Conservation Institute.
Feller, Curran, and Bailie 1981
Feller, Robert L., Mary Curran, and Catherine Bailie.
1981. “Photochemical Studies of Methacrylate Coatings for
the Conservation of Museum Objects.” In
Photodegradation and Photostabilization of Coatings, 183–96. ACS Symposium Series, vol. 151. Washington, DC:
American Chemical Society.
https://doi.org/10.1021/bk-1981-0151.ch013.
Ferry 1980
Ferry, John D. 1980.
Viscoelastic Properties of Polymers. 3rd ed. New
York: John Wiley & Sons.
Fieux 1974
Fieux, Robert E. 1974. “Mechanical Aspects of Vacuum
Lining of Paintings.”
Bulletin of the American Institute for Conservation of
Historic and Artistic Works
15, no. 1: 48–50.
Fieux 1977
Fieux, Robert. 1977. “Electrostatic Hold as a Pressure
Source in Lining of Paintings: A Preliminary Report.”
Bulletin of the American Institute for Conservation
16, no. 2: 36–38.
https://doi.org/10.1179/019713677806156481.
Fieux 1978
Fieux, Robert. 1978. “Electrostatic Hold: A New Technique
of Lining.” In
ICOM Committee for Conservation: 5th Triennial Meeting,
Zagreb, Yugoslavia, 1–8 October 1978: Preprints, 78/2/7/1–10. Paris: ICOM.
Fife, van Och, and Harrison 2017
Fife, G. R., J. van Och, and L. Harrison. 2017. “Miracle
Mystery: Research and Treatment of the Mirakeldoeken, a
16th-Century Tüchlein by Jacob Cornelisz van Oostsanen.”
In
ICOM Committee for Conservation 18th Triennial
Conference Preprints, Copenhagen, 4–8 September 2017, edited by J. Bridgland. Paris: ICOM.
Filangieri di Candida 1902
Filangieri di Candida, A. 1902. “La Galleria Nazionale di
Napoli (Documenti e ricerche).” In
Le Gallerie Nazionali Italiane, vol. 5, 208–354.
Rome: Ministero della Pubblica Istruzione.
Fischer 2002
Fischer, Ulrike. 2002. “Die Konservierung und
Restaurierung des Leinwandgemäldes Friedrich Wilhelm I,
Kopie nach Antoine Pesne, Entstehungszeit vermummt. 1.
Hälfte 18. Jahrhundert (Praktisches Thema, Band I) and
Doublierung von Wasch-Harz-behandelten Gemälde mit
Acrylharz - eine Versuchsreihe (Theoretisches Thema, Band
II).” Unpublished thesis, Stichting Restauratie Atelier
Limburg (SRAL), Maastricht.
Fischer and Eska 2011
Fischer, Andrea, and Margarete Eska. 2011. “Joining Broken
Wax Fragments: Testing Tensile Strength of Adhesives for
Fragile and Non-Polar Substrates.” In
ICOM Committee for Conservation: 16th Triennial
Meeting, Lisbon, Portugal, 19–23 September 2011:
Preprints, edited by Janet Bridgland and Catherine Antomarchi.
Almada, Portugal: Critério; Paris: ICOM-CC.
Flock 2014
Flock, Hannah. 2014.
Neue Untersuchungen zur Rissschließung in
Leinwandbildträgern: Uni- und biaxiale Zugprüfungen an
Prüfkörpern aus verklebtem Leinengarn und -gewebe sowie
freien Klebstofffilmen. Kölner Beiträge zur
Restaurierung und Konservierung von Kunst- und
Kulturgut, Digitale Edition Band 2.
Cologne: CICS/FH Köln.
https://epb.bibl.th-koeln.de/frontdoor/deliver/index/docId/601/file/Flock_MA.pdf.
Flock et al. 2019
Flock, Hannah, Stefan Diebels, Elisabeth Jägers, and Petra
Demuth. 2019. “Störleim-Cellulosefaser-Gemische zur
Einzelfadenverklebung.”
ZKK Zeitschrift für Kunsttechnologie und
Konservierung, no. 1: 117–28.
Flock 2020
Flock, Hannah. 2020. “Einzelfadenverklebung in der
Gemälderestaurierung: Klebstoffe, Prüfsystematik und
Ergebnisse.” PhD diss., UdS Saarbrücken.
https://doi.org/10.22028/D291-34685.
Flock et al. 2020
Flock, Hannah, Stefan Diebels, Elisabeth Jägers, and Wulff
Possart. 2020. “Thread-by-Thread Tear Mendings in
Conservation of Canvas Paintings: A Problem of
Reproducibility in Bonding Qualities.”
Journal of Adhesion: 1–22. Also published in
Journal of Adhesion 97, no. 14: 1336–57.
https://doi.org/10.1080/00218464.2020.1761797.
Flock et al. 2021
Flock, Hannah, Stefan Diebels, Elisabeth Jägers, and Petra
Demuth. 2021. “New Investigations of Adhesives for Tear
Repair of Canvas Paintings.”
Studies in Conservation 66, no. 6: 321–41.
https://doi.org/10.1080/00393630.2020.1827185.
Flock et al. 2022
Flock, Hannah, Petra Demuth, Stefan Diebels, and Elisabeth
Jägers. 2022. “Will It Hold? About the Single Thread
Bonding Technique.” In
Structural Treatments on Double-Sided Paintings:
Case-Studies and Professional Experiences on
Double-Sided Paintings (18 November 2020) and Expert
Meeting (23, 24, 25 November 2020): Proceedings, special issue 1, 168–99. Venaria, Italy: Centro la
Conservazione e Restauro La Venaria Reale.
Forest 1997
Forest, Élisabeth. 1997. “BEVA 371 Film Linings: Variables
Affecting Bond Strength.” Research Project, Master of Art
Conservation, Queen’s University, Kingston, Canada.
Forest 2019
Forest, Élisabeth. 2019. “Le nouveau film BEVA® 371b et
la formulation originale: Comparaison de la force
d’adhésion lors du doublage des peintures” [Linings with
the New BEVA® 371b Film and the Original Formulation:
Comparison of Bond Strength]. Poster presented at the 45th
Annual Canadian Association for Conservation Conference,
Halifax, Nova Scotia, May 28–June 1, 2019.
Forni 1866
Forni, Ulisse. 1866.
Manuale del pittore restauratore. Florence:
Successori le Monnier.
Foster, Odlyha, and Hackney 1997
Foster, G., M. Odlyha, and Stephen Hackney. 1997.
“Evaluation of the Effects of Environmental Conditions and
Preventive Conservation Treatment on Painting Canvases.”
Thermochimica Acta 294, no. 1: 81–89.
https://doi.org/10.1016/S0040-6031(96)03147-4.
Froment 2019
Froment, Emilie. 2019. “The Consequences of Wax-Resin
Linings for the Present Appearance and Conservation of
Seventeenth-Century Netherlandish Paintings on Canvas.”
PhD diss. Amsterdam: University of Amsterdam.
Fuster-López et al. 2017
Fuster-López, Laura, Cecil Krarup Andersen, Nicolas
Bouillon, Fabien Frohrer, Matteo Rossi-Doria, Mikkel
Scharff, Kate Seymour, Ángel Vicente-Escuder, Sofia
Vicente-Palomino, and Dolores J. Yusà-Marco. 2017.
“Glue-Paste Linings: An Evaluation of Some Biological,
Chemical and Mechanical Aspects of a Traditional
Technique.” In
ICOM Committee for Conservation, 18th Triennial
Conference, Copenhagen, Denmark, 4–8 September 2017:
Linking Past and Future; Preprints, edited by Janet Bridgland. Paris: ICOM.
Fuster-López et al. 2020
Fuster-López, Laura, F. C. Izzo, Cecil Krarup Andersen,
Alison Murray, Anna Vila, Marcello Picollo, L. Stefani,
Rayez Jimenez, and Elena Aguado-Guardiola. 2020.
“Picasso’s 1917 Paint Materials and Their Influence on the
Condition of Four Paintings.”
Springer Nature Applied Sciences 2, no. 12, art.
2159.
https://doi.org/10.1007/s42452-020-03803-x.
Gabler 1979
Gabler, Wolfram. 1979. “Eine Möglichkeit der Restaurierung
von Rissen in Leinwandgemälden ohne Doublierung,
dargestellt am Beispiel des Gemäldes
Die Nacht von Ferdinand Hodler.”
Mitteilungen Deutscher Restauratorenverband,
22–25.
García Castillo, Ana M. 2016. “Study of the Physical,
Chemical and Mechanical Properties of Glue-Paste Lining
Adhesives.” MA diss., Universitat Politècnica de València.
Gardiner and Weber 2010
Gardiner, Joy, and Joseph Weber. 2010. “Failure to Bind: A
Re-examination of the Ageing of Hook and Loop Fasteners.”
Textile Specialty Group Postprints 20, 116.
Gärdlund, Wågberg, and Gernandt 2003
Gärdlund, Linda, Lars Wågberg, and Renate Gernandt. 2003.
“Polyelectrolyte Complexes for Surface Modification of
Wood Fibres: II. Influence of Complexes on Wet and Dry
Strength of Paper.”
Colloids and Surfaces A: Physicochemical and
Engineering Aspects
218, nos. 1–3: 137–49.
https://doi.org/10.1016/S0927-7757(02)00588-5.
Garrappa et al. 2020
Garrappa, Silvia, Eva Kočí, Silvie Švarcová, Petr
Bezdička, and David Hradil. 2020. “Initial Stages of Metal
Soaps Formation in Model Paints: The Role of Humidity.”
Microchemical Journal 156: 104842.
https://doi.org/10.1016/j.microc.2020.104842.
Gayo and Jover de Celis 2010
Gayo, María Dolores, and Maite Jover de Celis. 2010.
“Evolución de las preparaciones en la pintura sobre lienzo
de los siglos XVI y XVII en España.”
Boletín del Museo del Prado 28, no. 46: 39–59.
Geißinger and Krekel 2007
Geißinger, Karin, and Christoph Krekel. 2007. “Leim aus
Hecht- und Karpfenschwimmblasen–eine mögliche Alternative
Zu Störleim?”
Zeitschrift für Kunsttechnologie und Konservierung
21, no. 2: 317–29.
Ghezzi 1744
Ghezzi, P. L. 1744. Il mondo nuovo, Ms.
ottoboniano latino 3118, c. 133. Vatican Apostolic
Library, Vatican City.
Giacomini 2007
Giacomini, F. 2007. “Per reale vantaggio delle arti e
della storia.” In
Vincenzo Camuccini e il restauro dei dipinti a Roma
nella prima metà dell’Ottocento.
Rome: Quasar.
Gilchrist, Svensson, and Shishoo 1998
Gilchrist, M. D., S. Svensson, and R. Shishoo. 1998.
“Fracture and Fatigue Performance of Textile Commingled
Yarn Composites.”
Journal of Materials Science 33: 4049–58.
Gilungula Pela Koy 1995
Gilungula Pela Koy, Ibongo. 1995. “L’imagerie religieuse
dans la peinture populaire urbaine.” Mémoire, faculté de
théologie, Faculté Catholique de Kinshasa.
Giorgi et al. 2002
Giorgi, Rodorico, Luigi Dei, Massimo Ceccato, Claudius
Schettino, and Piero Baglioni. 2002. “Nanotechnologies for
Conservation of Cultural Heritage: Paper and Canvas
Deacidification.” Langmuir 18, no. 21: 8198–203.
https://doi.org/10.1021/la025964d.
Goddard 1989
Goddard, P. 1989. “Humidity Chambers and Their Application
to the Treatment of Deformations in Fabric-Supported
Paintings.” The Conservator 13: 20–24.
Goist 1977
Goist, David C. 1977. “Treatment of a Flood-Damaged Oil
Painting on a Solid Support.”
Journal of the American Institute for Conservation
16, no. 2: 21–26.
Gombin 2009
Gombin, Krzysztof. 2009.
Inicjatywy artystyczne Eustachego Potockiego,
Lublin, Poland: Scientific Society of the Catholic
University of Lublin and John Paul II Catholic University
of Lublin.
Gómez 1998
Gómez, María Luisa. 1998.
La restauración. Examen científico aplicado a la
conservación de obras de arte.
Madrid: “Cátedra.”
González Mozo and Alonso 2011
González Mozo, Ana, and Rafael Alonso. 2011. “Reflexión
ante la restauración del Pasmo de Sicilia, de
Rafael.” Boletín del Museo del Prado 24, no. 47:
104–19.
Gorin and Tcherkasova 1977
Gorin, Ivan, and Zinaida Tcherkasova, eds. 1977.
Conservation of Easel Oil Paintings: Teaching Guide for
Secondary Art Schools.
Moscow: Iskusstvo.
Götz and Oberthaler 2013
Götz, Eva, and Elke Oberthaler. 2013. “The Relocation of
the Picture Gallery’s Collection from Inzersdorf to the
Central Storage Facility in Himberg.” In
Technologische Studien, vols. 9–10, special vol.
(Storage), edited by Kunsthistorisches Museum and
Sabine Haag, 152–181. Vienna: Kunsthistorisches Museum.
Gowen 2012
Gowen, Sarah. 2012. “Analysis of Wax and Wax-Resin
Materials Used in Previous Lining Treatments.” Unpublished
internal document. Lunder Conservation Center, Smithsonian
American Art Museum.
Greve 1855
Greve, F. R. 1855.
Om restauration af malerier: Samt kortfatttet
anviisning til at rense og blege kobberstik,
lithographier, tegninger o.d.l.
Roskilde: Hanssons.
Gridley 2017
Gridley, Mary. 2017. “Notes on the Treatment of Cracks in
Canvas Paintings.” In
AIC Paintings Specialty Group Postprints, Vol. 27,
2014, 1–19. Washington, DC: AIC.
Griffin, Young, and Hale 2014
Griffin, Amy, Christina Young, and Tom Hale. 2014.
“‘History Is My Material.’” In
ICOM-CC 17th Triennial Conference Preprints, Melbourne,
15–19 September 2014, edited by Janet Bridgland, art. 1305. Paris: ICOM.
http://eprints.gla.ac.uk/135500/.
Groen 2005
Groen, Karin. 2005. “Earth Matters: The Origin of the
Material Used for the Preparation of the
Night Watch and Many Other Canvases in
Rembrandt’s Workshop after 1640.”
ArtMatters: International Journal for Technical Art
History
3: 138–54.
https://www.amjournal.org/_files/ugd/14a82d_e68ac458612746208aa42bbe31f9df93.pdf.
Grøntoft et al. 2011
Grøntoft, Terje, Susana López-Aparicio, Mikkel Scharff,
Morten Ryhl-Svendsen, Guillermo Andrade, Michał
Obarzanowski, and David Thickett. 2011. “Impact Loads of
Air Pollutants on Paintings: Performance Evaluation by
Modeling for Microclimate Frames.”
Journal of the American Institute for Conservation
50, no. 2: 105–22.
Guillermin, M. 2012. “Etude de la transparence de certains
matériaux de consolidation des supports de peinture en vue
de la mise au point d’un rentoilage transparent.” Mémoire
de fin d’études, restauration conservation de biens
culturels, École de Condé, Paris.
Gupta 1993
Gupta, K. K. 1993. Restoration of Oil Paintings.
Delhi: Creative Offset.
Hacke 1963
Hacke, B. 1963. “En utraditionel metode til vacuum
rentoillering af temperamaleri på lærred.”
Meddelelser om Konservering 4: 42–48.
Hacke 1963–64
Hacke, B. 1963–64. “En utraditionel metode til
vacuumrentoilering af temperamaleri på lærred.”
Meddelelser om konservering 1, no. 4: 42–48.
Hacke 1975
Hacke, B. 1975. “A Low-Pressure Apparatus for Treatment of
Paintings.” In
ICOM Committee for Conservation: 5th Triennial Meeting,
Zagreb, Yugoslavia, 1–8 October 1978: Preprints, 78/2/12/1–18. Paris: ICOM.
Hacke 1976
Hacke, B. 1976. “Et lav-tryks apparat til behandling af
malerier.” Meddelelser om konservering 2, no.
7–8: 197–222.
Hacke 1978
Hacke, B. 1978. “A Low-Pressure Apparatus for Treatment of
Paintings.” In
ICOM Committee for Conservation 5th Triennial Meeting:
Zagreb, 1–8 October 1978: Preprints.
Paris: ICOM.
Hacke 1981a
Hacke, Bent. 1981a. “Lining.” In
ICOM Committee for Conservation: 6th Triennial Meeting,
Ottawa, September 1981: Preprints, 84/2/21. Paris: ICOM.
Hacke 1981b
Hacke, B. 1981b. “Low-Pressure—Heat, Moisture, Stretching:
Notes on Further Developments.” In
ICOM Committee for Conservation: 6th Triennial Meeting,
Ottawa, Canada, 21–25 September 1981: Preprints, 81/2/8/1–11. Paris: ICOM.
Hackney 1993
Hackney, Stephen. 1993. “Introduction.” In
Measured Opinions: Collected Papers on the Conservation
of Paintings, edited by Caroline Villers. London: United Kingdom
Institute for Conservation of Historic and Artistic Works.
Hackney 2003
Hackney, Stephen. 2003. “Relining, Lining, De-lining.” In
Alternatives to Lining: Structural Treatment of
Paintings on Canvas without Lining: A Conference Held
Jointly by the British Association of Paintings
Conservator-Restorers and the United Kingdom Institute
for Conservation Paintings Section, 19 September 2003:
Preprints, edited by Mary Bustin and Tom Caley, 5–8. London:
United Kingdom Institute for Conservation of Historic and
Artistic Works.
Hackney 2004a
Hackney, Stephen. 2004a. “Relining, Lining, De-lining.” In
Minimo intervento conservativo nel restauro dei
dipinti, atti del convegno di Thiene (VI): 29-30 ottobre
2004: Secondo Congresso Internazionale Colore e
Conservazione, Materiali e Metodi nel Restauro delle
Opere Policrome Mobili, 29–36. Padua: Il Prato.
Hackney, Stephen. 2012. “Lining Easel Paintings.” In
The Conservation of Easel Paintings, edited by J.
H. Stoner and R. Rushfield, 415–16, 423–24, 433–38. New
York: Routledge.
Hackney 2016
Hackney, Stephen. 2016. “Colour Measurement of
Acid-Detector Strips for the Quantification of Volatile
Organic Acids in Storage Conditions.”
Studies in Conservation 61, supp. 1: 55–69.
https://doi.org/10.1080/00393630.2016.1140935.
Hackney 2020
Hackney, Stephen. 2020.
On Canvas: Preserving the Structure of Paintings.
Los Angeles: Getty Publications.
Hackney and Hedley 1984
Hackney, Stephen, and Gerry Hedley. 1984. “Linen Canvas
Artificially Aged.” In
ICOM Committee for Conservation: 7th Triennial Meeting:
Copenhagen, 10–14 September 1984, edited by Diana de Froment, 84.82.16–21. Paris: ICOM in
association with the J. Paul Getty Trust.
Hackney et al. 2012
Hackney, Stephen, Joan Riefsnyder, Mireille Te Marvelde,
and Mikkel Scharff. 2012. “Lining Easel Paintings.” In
Conservation of Easel Paintings, edited by Joyce
Hill Stoner and Rebecca Rushfield, 415–52. Abingdon: Oxon;
New York: Routledge.
Hackney, Townsend, and Wyplosz 1996
Hackney, Stephen, Joyce Townsend, and Nicolas Wyplosz.
1996. “Studies on the De-Acidification of Canvas Supports
with Magnesium Methyl Methoxycarbonate (MMC).” In
ICOM Committee for Conservation, 11th Triennial
Meeting, Edinburgh, Scotland, 1–6 September 1996:
Preprints, edited by Janet Bridgland, 271–75. London: James and
James.
Hagan 2017
Hagan, Eric W. S. 2017. “Thermo-Mechanical Properties of
White Oil and Acrylic Artist Paints,”
Progress in Organic Coatings 104 (March): 28–33.
https://doi.org/10.1016/j.porgcoat.2016.10.019.
Hagan et al. 2007
Hagan, Eric, Maria Charalambides, Thomas J. S. Learner,
Alison Murray, and Christina Young. 2007. “Factors
Affecting the Mechanical Properties of Modern Paints.” In
Modern Paints Uncovered: Proceedings from the Modern
Paints Uncovered Symposium, edited by Thomas J. S. Learner et al., 225–33. Los
Angeles: Getty Conservation Institute.
Hagan et al. 2009
Hagan, Eric W. S., Maria N. Charalambides, Christina T.
Young, Thomas J. S. Learner, and Stephen Hackney. 2009.
“Tensile Properties of Latex Paint Films with TiO2
Pigment,”
Mechanics of Time-Dependent Materials 13, no. 2:
149–61.
https://doi.org/10.1007/s11043-009-9076-y.
Hagan et al. 2011a
Hagan, Eric W. S., Maria N. Charalambides, Christina T.
Young, Thomas J. S. Learner, and Stephen Hackney. 2011.
“Influence of the Inorganic Phase Concentration and
Geometry on the Viscoelastic Properties of Latex Coatings
through the Glass-Transition.” Polymer 52, no. 7:
1662–73.
https://doi.org/10.1016/j.polymer.2011.01.060.
Hagan et al. 2011b
Hagan, Eric, Maria N. Charalambides, Christina R. T.
Young, Thomas J. S. Learner, and Stephen Hackney. 2011.
“Micromechanics Models for Predicting Tensile Properties
of Latex Paint Films.” In
Time Dependent Constitutive Behavior and
Fracture/Failure Processes, vol. 3, edited by Tom Proulx, 297–306. New York:
Springer.
Hagan et al. 2015
Hagan, Eric W. S., Maria N. Charalambides, Christina R. T.
Young, and Thomas J. S. Learner. 2015. “The Effects of
Strain Rate and Temperature on Commercial Acrylic Artist
Paints Aged One Year to Decades.”
Applied Physics A 121, no. 3: 823–35.
https://doi.org/10.1007/s00339-015-9423-6.
Hamilton 1939
Hamilton, George Heard. 1939. “The Edwin Austin Abbey
Collection.”
Bulletin of the Associates in Fine Arts at Yale
University
9, no. 1: 10–13.
Hansen 1970
Hansen, Charles. 1970. “Polymer Coatings Concepts of
Solvent Evaporation Phenomena.”
Industrial and Engineering Chemistry Product Research
and Development
9, no. 3: 282–86.
Hartman 2017
Hartman, E. Laura. 2017. “When the Dog Bites: Tear Mending
a Large Steven Parrino Painting Following a Dog Attack.”
In AIC Painting Specialty Group Postprints 30:
55–68. Chicago: AIC.
Hartwig and Reumann 2000
Hartwig, Thomas, and Ralf-Dieter Reumann. 2000.
“Feinheit.” In
Prüfverfahren in der Textil- und Bekleidungstechnik, edited by Ralf-Dieter Reumann, 250–59. Berlin:
Springer-Verlag.
Hedley 1975
Hedley, Gerry A. 1975. “The Effect of Beeswax/Resin
Impregnation on the Tensile Properties of Canvas.” In
ICOM Committee for Conservation 4th Triennial Meeting:
Venice, 13–18 October 1975: Preprints, 11/7-1–11/7-13. Paris: ICOM.
Hedley 1981
Hedley, Gerry. 1981. “The Stiffness of Lining Fabrics:
Theoretical and Practical Considerations.” In
ICOM Committee for Conservation, 6th Triennial Meeting,
Ottawa, 21–25 September 1981, ICOM.
Hedley 1988
Hedley, Gerry. 1988. “Relative Humidity and the
Stress/Strain Response of Canvas Paintings: Uniaxial
Measurements of Naturally Aged Samples.”
Studies in Conservation 33, no. 3: 133–48.
https://doi.org/10.2307/1506206.
Hedley 1993
Hedley, Gerry. 1993. “Relative Humidity and the
Stress/Strain Response of Canvas Paintings: Uniaxial
Measurements of Naturally Aged Samples.” In
Measured Opinions: Collected Papers on the Conservation
of Paintings, edited by Caroline Villers, 86–96. London: United
Kingdom Institute for Conservation of Historic and
Artistic Works.
Hedley and Odlyha 1989
Hedley, Gerry, and Marianne Odlyha. 1989. “The Moisture
Softening of Paint Samples and Its Implication for the
Treatment of Fabric Supported Paintings.” In
Traitement des support. Travaux interdisciplinaires.
Paris, 2,3 et 4 novembre 1989, 1989, 157–62. Paris: Association des restaurateurs d’art et
d’archéologie de formation universitaire.
Hedley and Odlyha 1993
Hedley, Gerry, and Marianne Odlyha. 1993. “The Moisture
Softening of Paint Samples and Its Implication for the
Treatment of Fabric Supported Paintings.” In
Measured Opinions: Collected Papers on the Conservation
of Paintings, edited by Caroline Villers, 99–102. London: United
Kingdom Institute for Conservation of Historic and
Artistic Works. Also published as
Traitement des support. Travaux interdisciplinaires.
Paris, 2,3 et 4 novembre 1989, 1989, 157–62. Paris: Association des restaurateurs d’art et
d’archéologie de formation universitaire.
Hedley and Villers 1982
Hedley, Gerry, and C. Villers. 1982. “Polyester Sailcloth
Fabric: A High Stiffness Lining Support.” In
Science and Technology in the Service of Conservation:
Preprints of the Contributions to the 9th International
IIC Congress, Washington, DC, 3–9 September 1982, edited by N. S. Brommelle and G. Thomson, 154–58.
London: International Institute for Conservation of
Historic and Artistic Works.
Hedley and Villers 1984
Hedley, Gerry, and Caroline Villers. 1984. “Lining in
1984: Questionnaire Replies.” ICOM-CC, Copenhagen,
preprints, 84.2.22-84.2.25.
Hedley and Villers 1993
Hedley, Gerry, and Caroline Villers. 1993. “Lining in
1984: Questionnaire Replies.” In
Measured Opinions: Collected Papers on the Conservation
of Paintings, edited by Caroline Villers, 37–41. London: United
Kingdom Institute for Conservation of Historic and
Artistic Works.
Hedley, Hackney, and Cummings 2003
Hedley, Gerry A., Stephen Hackney, and Alan J. Cummings.
2003. “Lining in a Vacuum Envelope with a Traversing
Infrared Heat Source.” In
Lining Paintings: Papers from the Greenwich Conference
on Comparative Lining Techniques, edited by Caroline Villers, 83–86. London: Archetype.
Hedley, Villers, and Mehra 1980
Hedley, Gerry, Caroline Villers, and Vishwa R. Mehra.
1980. “Artists’ Canvases: Their History and Future.” Paper
presented at the Symposium on the Conservation of
Contemporary Art, National Gallery of Canada, Ottawa, July
7–12, 1980.
Hedley, Villers, and Mehra 1993
Hedley, Gerry, Caroline Villers, and Vishwa R. Mehra.
1993. “Artists’ Canvases: Their History and Future.” In
Measured Opinions: Collected Papers on the Conservation
of Paintings, edited by Caroline Villers, 50–56. London: United
Kingdom Institute for Conservation of Historic and
Artistic Works.
Hedley et al. 1991
Hedley, G., M. Odlyha, A. Burnstock, J. Tillinghast, and
C. Husband. 1991. “A Study of the Mechanical and Surface
Properties of Oil Paint Films Treated with Organic
Solvents and Water.”
Journal of Thermal Analysis 37, no. 9: 2067–88.
https://doi.org/10.1007/BF01905579.
Hehl 2019
Hehl, Sabrina. 2019. “Restaurierung einer historischen
Spielschachtel aus dem Deutschen Spielearchiv Nürnberg.”
Bachelor’s thesis, Technische Hochschule Köln.
Heiber 1987
Heiber, Winfried. 1987. “Die Doublierung mit
Geweberasterhaftung.”
ZKK Zeitschrift für Kunsttechnologie und
Konservierung
1, no. 2: 72–76.
Heiber 1996
Heiber, Winfried. 1996. “Die Rißverklebung.”
ZKK Zeitschrift für Kunsttechnologie und
Konservierung
10, no. 1: 117–46.
Heiber 1999
Heiber, Winfried. 1999. “Mehr oder weniger 53 m² – Die
Konservierung und Restaurierung einer Leinwandtapete in
Kalkar.”
ZKK Zeitschrift für Kunsttechnologie und
Konservierung, no. 2: 357–66.
Heiber 2003
Heiber, Winfried. 2003. “The Thread-by-Thread Tear Mending
Method.” In
Alternatives to Lining: Structural Treatment of
Paintings on Canvas without Lining: A Conference Held
Jointly by the British Association of Paintings
Conservator-Restorers and the United Kingdom Institute
for Conservation Paintings Section, 19 September 2003:
Preprints, edited by Mary Bustin and Tom Caley, 35–48. London:
United Kingdom Institute for Conservation of Historic and
Artistic Works.
Heiber et al. 2012
Heiber, Winfried, Carolyn Tomkiewicz, Mikkel Scharff, and
Rustin Levenson. 2012. “Tear Mending and Other Structural
Treatments of Canvas Paintings, Before or Instead of
Lining.” In Conservation of Easel Paintings,
edited by Joyce Hill Stoner and Rebecca Rushfield, 384–96.
London: Routledge.
Helwig and Daly Hartin 1999
Helwig, Kate, and Debra Daly Hartin. 1999. “A Starch-based
Ground Layer on a Painting Attributed to Louis Dulongpré.”
Journal of the Canadian Association for
Conservation
24: 23–28.
Helwig et al. 2014
Helwig, Kate, Jennifer Poulin, Marie-Claude Corbeil,
Elizabeth Moffatt, and Dominique Duguay. 2014.
“Conservation Issues in Several Twentieth-Century Canadian
Oil Paintings: The Role of Zinc Carboxylate Reaction
Products.” In Issues in Contemporary Oil Paint,
edited by Klaas Jan van den Berg, Matthijs de Keijzer,
Alberto de Tagle, Jay Kruegar, Gunnar Heydenreich, Aviva
Burnstock, and Tom Learner, 167–84. New York: Springer.
Henniges and Potthast 2000
Henniges, Ute, and Antje Potthast. 2000.
Halbstoff—Bestimmung der Nullreißfestigkeit, naß oder
trocken. ISO 15361. Berlin: DIN.
Henniges and Potthast 2015
Henniges, Ute, and Antje Potthast. 2015.
“Charakterisierung von Papier.” In
Papier und Wasser: Ein Lehrbuch für Restauratoren,
Konservierungswissenschaftler und Papiermacher, edited by Gehrhardt Banik and Irene Brückle, 275–318.
Munich: Siegel.
Hensick, Olivier, and Pocobene 1997
Hensick, T., Olivier, K., and G. Pocobene. 1997. “Puvis de
Chavannes’s Allegorical Murals in the Boston Public
Library: History, Technique, and Conservation.”
Journal of the American Institute for Conservation
36, no. 4: 59–81.
Hepburn, Pirk, and Durangphakdee 2014
Hepburn, H. R., C. W. W. Pirk, and O. Durangphakdee. 2014.
“The Chemistry of Beeswax.” In
Honeybee Nests: Composition, Structure, Function,
319–39. Heidelberg: Springer.
Heydenreich 1994
Heydenreich, Gunnar. 1994. “Removal of a Wax-Resin Lining
and Colour Changes: A Case Study.”
The Conservator 18: 23–27.
Heydenreich et al. 2008
Heydenreich, Gunnar, David Carson, Cecily Grzywacz, Herant
Khanjian, Joy Mazure, and Michael Schilling. 2008.
“Painting on White Canvas: Sixteenth Century Bleaching
Practices and Analysis of Morphological and Chemical
Changes in Flax Fibres.” In
ICOM-CC 15th Triennial Conference, New Delhi, 22–26
September 2008: Preprints, 609–18. New Delhi: Allied Publishers.
Hill, Norton, and Newman 2009
Hill, Callum A. S., Andrew Norton, and Gary Newman. 2009.
“The Water Vapor Sorption Behavior of Natural Fibers.”
Journal of Applied Polymer Science 112, no. 3:
1524–37.
https://doi.org/10.1002/app.29725.
Hillyer 1996
Hillyer, Lynda. 1996. “Lining and Backing—The Support of
Paintings, Paper and Textiles: UKIC Conference, London,
7–8 November 1995.”
V&A Conservation Journal 18: 15–16.
Hilts, Ziegler, and Lumscher 1990
Hilts, Patricia, Marx Ziegler, and Nathaniel Lumscher.
1990.
The Weavers Art Revealed: Facsimile, Translation and
Study of the First Two Published Books on Weaving: Marx
Ziegler’s ‘Weber Kunst und Bild Buch’ (1677), and
Nathaniel Lumscher’s ‘Neu eingerichtetes Weber Kunst und
Bild Buch’ (1708). Winnipeg: Charles Babbage Research Centre.
Hoenigswald 2006
Hoenigswald, Ann. 2006. “Stephen Pichetto, Conservator of
the Kress Collection, 1927–1949.” In
Studying and Conserving Paintings: Occasional Papers on
the Samuel H. Kress Collection, 31–41. London: Archetype.
Hooja 2006
Hooja, Rima. 2006. A History of Rajasthan. Delhi:
Rupa & Co.
Hough 2000
Hough, Mary Piper. 2000. “Local Treatments to Control
Cupping Growth in Cracks: Experiments on Model
Contemporary Paintings.” MAC thesis, Queen’s University,
Kingston, Canada.
Hough and Michalski 1999
Hough, Mary Piper, and Stefan Michalski. 1999.
“Preliminary Results of a Research Project Exploring Local
Treatments of Cupped Cracks in Contemporary Paintings.” In
Paintings I: Conservation and Restoration of
Paintings, 303–11. Lyon: ICOM Committee for Conservation.
Hourihane 2013
Hourihane, Colum. 2013. “Flags and Standards.” In
The Grove Encyclopedia of Medieval Art and
Architecture, 514. New York: Oxford University Press.
Howells et al. 1984
Howells, Rachel, Aviva Burnstock, Gerry Hedley, and
Stephen Hackney. 1984. “Polymer Dispersions Artificially
Aged.” In
Adhesives and Consolidants: Contributions to the 1984
IIC Congress, Paris, edited by Norman S. Brommelle, Elizabeth M. Pye, Perry
Smith, and Gary Thomson, 36–43. London: International
Institute for Conservation. Also published in
Studies in Conservation 29, no. 1: 36–43.
Howells et al. 1993
Howells, R., Aviva Burnstock, Gerry Hedley, and Stephen
Hackney. 1993. “Polymer Dispersions Artificially Aged.” In
Measured Opinions: Collected Papers on the Conservation
of Paintings, edited by Caroline Villers, 27–34. London: United
Kingdom Institute for Conservation of Historic and
Artistic Works.
Iaccarino Idelson 2009
Iaccarino Idelson, Antonio. 2009. “About the Choice of
Tension for Canvas Paintings.”
CeROArt: Les dilemmes de la restauration, no. 4.
https://doi.org/10.4000/ceroart.1269.
Iaccarino Idelson and Garofalo 2019
Iaccarino Idelson, Antonio, and Valerio Garofalo. 2019.
“Aiming at Reproducibility in Lining Canvas Paintings.”
CeROArt Online, Flux 11.
https://doi.org/10.4000/ceroart.6488.
Ibbetson 1803
Ibbetson, Julius Caesar. 1803.
An Accidence, or Gamut, of Painting in Oil and
Water-Colours. Part 1. London: Darton and Harvey.
Ibrahim et al. 2010
Ibrahim, N. A., B. M. Eid, M. M. Hashem, R. Refai, and M.
El-Hossamy. 2010. “Smart Options for Functional Finishing
of Linen-Containing Fabrics.”
Journal of Industrial Textiles 39, no. 3: 233–65.
Incerpi 2011
Incerpi, G. 2011. “Vittorio Sampieri, il senese che ‘tenne
ed insegnò alla toscana il vero modo del restaurare.’” In
Semplici e continue diligenze, conservazione e restauro
dei dipinti nelle Gallerie di Firenze nel Settecento e
nell’Ottocento, 87–120. Florence: Edifir.
ISO 1994
ISO (International Organization for Standardization).
1994.
Textiles—Yarn from packages—Determination of Linear
Density (Mass per Unit Length) by the Skein Method.
ISO 2060:1994. Geneva: ISO.
ISO 2005
ISO (International Organization for Standardization).
2005.
Textiles—Standard Atmospheres for Conditioning and
testing.
ISO 139:2005. Geneva: ISO.
Ito 2014
Ito, Yumi. 2014. “Immediate Treatment of Oil Paintings.”
In
Stabilization Processing: Multi-Organizational
Co-Operative Project for Preserving and Restoring
Cultural Assets Damaged by Tsunami on March 11th,
2011, edited by Lois Lydens, 106–9. Tokyo: ICOM Japan.
Iurovetskaia et al. 2019
Iurovetskaia, Elena, Sofia Martyanova, Maria Churakova,
and Ekaterina Morozova. 2019. “Unconventional Approach for
Treating a Unique Artwork: Research and Conservation of
the Painting by Unknown Artist of the 18th Century
Apotheosis of Anna Ioannovna Created on Silk
Support.” In
Research in Conservation of Cultural Heritage,
issue 5, edited by S. V. Filatov and G. I. Gerasimova,
313–18. Materials of an international scientific
methodological conference. Moscow: Print, OOO.
Jablonski et al. 2003
Jablonski, Elizabeth, Tom Learner, James Hayes, and Mark
Golden. 2003. “Conservation Concerns for Acrylic Emulsion
Paints.” Reviews in Conservation 48, supp. 1:
3–12.
Jeong et al. 2013
Jeong, Myung-Joon, Manuel Becker, Antje Potthast, Susana
López-Aparicio, and Stephen Hackney. 2013. “Studies of
Cellulosic Materials Exposure and Degradation in
Laboratories and Field.” In
Final Report Summary—MEMORI (Measurement, Effect
Assessment and Mitigation of Pollutant Impact on Movable
Cultural Assets—Innovative Research for Market
Transfer), edited by Elin Dahlin and Terje Grøntoft.
https://cordis.europa.eu/project/rcn/96933/reporting/en.
John G. Shelley Co. 1985
John G. Shelley Co. 1985. “Conserv-Art: A Scientific
System for the Preservation and Restoration of Works of
Art.” Product brochure.
Johnson et al. 2010
Johnson, D., E. Hendriks, M. Geldof, and C. R. Johnson Jr.
2010. “Do Weave Matches Imply Canvas Roll Matches?” In
Conservation Continuum—Examining the Past, Envisioning
the Future: American Institute for Conservation of
Historic and Artistic Works, 38th Annual Meeting, May
11–14, 2010, Milwaukee, WI. Washington, DC: AIC.
Jokilehto 1998
Jokilehto, Jukka. 1998. “The context of the Venice Charter
(1964).”
Conservation and Management of Archaeological Sites
2, no. 4: 229–33.
Jover de Celis and Gayo García 2014
Jover de Celis, Maite, and María Dolores Gayo García.
2014. “‘This they use in Madrid’: The Ground Layer in
Paintings on Canvas in 17th-Century Madrid.” In
Making and Transforming Art: Technology and
Interpretation: Proceedings of the Fifth Symposium of
ICOM-CC Art Technological Source Research Working
Group, edited by Hélène Dubois, Joyce Townsend, Jilleen
Nadolny, Sigrid Eyb-Green, Sylvie Neven, and Stefanos
Kroustallis, 40–46. London: Archetype.
Kaboorani et al. 2016
Kaboorani, Alireza, Nicolas Auclair, Bernard Riedl, and
Véronic Landry. 2016. “Physical and Morphological
Properties of UV-Cured Cellulose Nanocrystal (CNC) Based
Nanocomposite Coatings for Wood Furniture.”
Progress in Organic Coatings 93: 17–22.
https://doi.org/10.1016/j.porgcoat.2015.12.009.
Kapil 1999
Kapil, F. K. 1999. Rajputana States, 1817–1950.
Jodhpur: Book Treasures.
Karpowicz 1989
Karpowicz, Adam. 1989. “In-Plane Deformations of Films of
Size on Paintings in the Glass Transition Region.”
Studies in Conservation 34, no. 2: 67–74.
https://doi.org/10.1179/sic.1989.34.2.67.
Keck 1965
Keck, Sheldon. 1965. “The New York Conservation of a
Peripatetic Portrait by John Singleton Copley.”
Connoisseur 159, no. 640: 138–43.
Keck 1969
Keck, S. 1969. “Mechanical Alteration of Paint Films.”
Studies in Conservation 14, no. 1: 9–30.
Keck 1977
Keck, Caroline K. 1977. “Lining Adhesives: Their History,
Uses, and Abuses.”
Journal of the American Institute for Conservation
17, no. 1: 45–52.
Keck and Keck 1954
Keck, Caroline, and Sheldon Keck, dir. 1954.
A Future for the Past. Audiovisual collection,
Brooklyn Museum Archives, Brooklyn, NY. Digitized from 16
mm film.
Keck and Keck 1962
Keck, Caroline, and Sheldon Keck, dir. 1962.
Hidden Life of a Painting. Audiovisual
collection, Brooklyn Museum Archives, Brooklyn, NY.
Digitized from 16 mm film.
Keith et al. 2019
Keith, Larry, Letizia Trevez, Marta Melchiorre de
Crescenzo, and Joanna Russell. 2019. “Artemisia
Gentileschi’s Self-Portrait as St. Catherine of
Alexandria.”
National Gallery Technical Bulletin 40: 4–17.
Ketnath 1976
Ketnath, A. 1976. “Acrylhartser ved konservering af
malerier på laerred under anvendelse af ‘heat seal’
metoden.” Meddelelser om konservering 2, nos.
7–8: 223–35.
Ketnath and Bøgh 1975
Ketnath, A., and L. Bøgh. 1975. “Om anvendelsen af EP
1-dispersion ved doublering.”
Meddelelser om konservering 2, no. 5: 144–51.
Keune 2005
Keune, Katrien. 2005. “Binding Medium, Pigments and Metal
Soaps Characterised and Localised in Paint
Cross-Sections.” PhD diss., FOM Institute of Atomic and
Molecular Physics. MOLART Reports 11, chap. 5,
113–64.
Kirby, Nash, and Cannon 2010
Kirby, J., S. Nash, and J. Cannon, eds. 2010.
Trade in Painters’ Materials and Commerce in Europe to
1700. London: Archetype.
Kolman, Krzysztof, Oleksandr Nechyporchuk, Michael
Persson, Krister Holmberg, and Romain Bordes. 2017.
“Preparation of Silica/Polyelectrolyte Complexes for
Textile Strengthening Applied to Painting Canvas
Restoration.”
Colloids and Surfaces A: Physicochemical and
Engineering Aspects
532, no. 5: 420–27.
https://doi.org/10.1016/j.colsurfa.2017.04.051.
Kolman et al. 2018
Kolman, Krzysztof, Oleksandr Nechyporchuk, Michael
Persson, Krister Holmberg, and Romain Bordes. 2018.
“Combined Nanocellulose/Nanosilica Approach for Multiscale
Consolidation of Painting Canvases.”
ACS Applied Nano Materials 1, no. 5: 2036–40.
https://doi.org/10.1021/acsanm.8b00262.
Kolman et al. 2022
Kolman, K., G. Poggi, M. Baglioni, D. Chelazzi, P.
Baglioni, M. Persson, K. Holmberg, and R. Bordes. 2022.
“pH-Controlled Assembly of Polyelectrolyte Layers on
Silica Nanoparticles in Concentrated Suspension.”
Journal of Colloid and Interface Science 615:
265–72.
Konietzny 2014
Konietzny, Mona. 2014. “‘Madonna mit Kind’ eines
unbekannten Künstlers, Stiftung Preußische Schlösser und
Gärten Berlin-Brandenburg. Konservierung eines zweifach
doublierten, formatveränderten und großflächig übermalten
Leinwandgemäldes.” Diploma thesis, Hochschule für Bildende
Künste, Dresden.
Konietzny 2015
Konietzny, Mona. 2015. “Gewebeverklebung mit
Störleimgittern. Erste Anwendung und Überprüfung einer
innovativen Technik zur Verbindung von Leinwänden mit
Störleim.”
Zeitschrift Für Kunsttechnologie und Konservierung
29, no. 1: 79–94.
Konietzny, Soppa, and Haller 2018
Konietzny, Mona, Karolina Soppa, and Ursula Haller. 2018.
“Canvas Bonding with Adhesive Meshes. Poster.” In
Konsolidieren und Kommunizieren. Materialien und
Methoden zur Konsolidierung von Kunst- und Kulturgut im
interdisziplinären Dialog. Internationale Tagung der
HAWK Hochschule für Angewandte Wissenschaft und Kunst in
Hildesheim, 25–27 Januar 2018, edited by Angela Weyer, 169. Petersberg, Germany:
Michael Imhof Verlag.
https://hornemann-institut.de/german/epubl_poster49.php#doi.
Konietzny et al. 2022
Konietzny, Mona, Ella Dudew, Ursula Haller, Nadim
Scherrer, and Karolina Soppa. 2022. “Klebstoffgitter aus
Methylcellulosen für die Konservierung textiler
Bildträger: Anwendungseigenschaften und Kennwerte im
Vergleich zu Verklebungen mit BEVA® 371-Filmen.”
Zeitschrift Für Kunsttechnologie und Konservierung
35, no. 1 (2022): 180–94.
Köster (1827) 2001
Köster, C. (1827) 2001.
Sul restauro degli antichi dipinti ad olio.
Edited by G. Perusini. Udine: Forum.
Koyano 1968
Koyano, Masako. 1968. “Treatment of Canvas Paintings:
Lining.” 油彩画の修復:裏打ちについて,
Scientific Papers on Japanese Antiques and Art
Crafts
古文化財の科学, 25: 69–83. Japan Society for the
Conservation of Cultural Property 古文化財科学研究会.
Krafft 1837
Krafft, Albrecht. 1837.
Verzeichnis der kais: Kön. Vienna:
Gemälde-Gallerie im Belvedere.
Król-Kaczorowska 1981
Król-Kaczorowska, Barbara. 1981. “Plersch Jan Bogumił.” In
Polski Słownik Biograficzny, vol. 26, 718–20.
Wrocław: Ossolineum.
Krueger 2017
Krueger, J. 2017. “Color Field Paintings and
Sun-Bleaching: An Approach for Removing Stains in Unprimed
Canvas.” In
Treatment 2017: Innovation in Conservation and
Collection Care: 45th Annual Meeting of the American
Institute for Conservation of Historic & Artistic
Works, May 28–June 2, 2017, Chicago, 47. Washington, DC: AIC.
Kuroe 1969
Kuroe, Mitsuhiko. 1969.
Yomigaeru meiga no tame ni―Shufuku-minarai no
kiよみがえる名画のために―修復見習いの記. Tokyo: Bijutsu shuppansha 美術出版社.
Kuroe 1975
Kuroe, Mitsuhiko. 1975.
Bi wo mamoru―Enaoshi-kagyo美を守る―絵直し稼業,
Tokyo: Tamagawa University Press 玉川大学出版部.
Landgrebe 1988
Landgrebe, Bettina. 1988. “Möglichkeiten zur Abnahme von
Wachs-Harz-Doublierungen [Possible methods for the removal
of wax-resin linings].”
Zeitschrift für Kunsttechnologie und Konservierung
2: 297–304.
Laroche and Saccarello 1996
Laroche, Jacqueline, and Maria Vittoria Saccarello. 1996.
“La foderatura dei dipinti: Due tradizioni a confronto.”
Kermes 25: 11–24.
Lavorini 2007
Lavorini, Barbara. 2007. “La foderatura a pasta secondo il
metodo fiorentino: Varianti di applicazioni della pasta
fiorentina” [Glue-paste lining with the Florentine method:
Variants of applications]. In
Dipinti su tela: Problemi e prospettive per la
conservazione, giornata di studio, Ferrara, 1 aprile
2006, edited by Marco Ciatti and Erminio Signorini, 29–48.
Padua: Il Prato.
Lazzari et al. 2011
Lazzari, M., D. Scalarone, G. Malucelli, and O. Chiantore.
2011. “Durability of Acrylic Films from Commercial Aqueous
Dispersion: Glass Transition Temperature and Tensile
Behavior as Indexes of Photooxidative Degradation.”
Progress in Organic Coatings 70, no. 2: 116–21.
Learner 2004
Learner, Thomas J. S. 2004.
The Analysis of Modern Paints. Los Angeles: Getty
Conservation Institute.
Lee et al. 2022
Lee, D.-H., N.-S. Kim, M. Scharff, M. Nielsen, M.
Mecklenburg, L. Fuster-López, L. Bratasz, and C. Andersen.
2022. “Numerical modelling of mechanical degradation of
canvas paintings under dessication.”
Heritage Science 10: 1–13.
Leene et al. 1975
Leene, Jentina E., L. Demeny, R. J. Elema, A. J. de Graaf,
and J. J. Surtel. 1975. “Artificial Ageing of Yarns in
Presence As Well As in Absence of Light and under
Different Atmospheric Conditions.” In
ICOM Committee for Conservation: 4th Triennial Meeting,
Venice, 13–18 October 1975: Preprints, 75/10/2-1–11. Paris: ICOM.
Lelekova 1966
Lelekova, Olga. 1966. “Consolidation of Old Russian Easel
Paintings.”
Reports of All-Union Central Research Laboratory for
Conservation and Restoration of Museum Valuables, 17–18: 97–112.
Lennard, Tamura, and Nesbitt 2017
Lennard, Frances, Misa Tamura, and Mark Nesbitt. 2017.
“Re-evaluating Student Treatments of Barkcloth Artefacts
from the Economic Botany Collection, Royal Botanic
Gardens, Kew.” In
ICOM Committee for Conservation 18th Triennial Meeting,
Copenhagen, Denmark, 4–8 September 2017, edited by Janet Bridgland. Paris: ICOM.
http://eprints.gla.ac.uk/140888/.
Lépicié 1752
Lépicié, B.-F. 1752.
Catalogue raisonné des tableaux du Roy, vol. 1:
Ecole florentine, Paris: Imprimerie Nationale.
Quoted in G. Emile-Mâle, “Survol sur l’histoire de la
restauration des peintures du Louvre,” in
Histoire de la restauration en Europe [Postprints
of the 1989 International Congress Held by the Swiss
Association for Conservation and Restoration in
Interlaken], vol. 1. Worms: Wernersche
Verlagsgesellschaft, 1991–93.
Levenson 1974
Levenson, Rustin. 1974. “The Conservation of a
Seventeenth-Century Dutch Portrait.”
Annual Report (Fogg Art Museum): 51–57.
Lichtblau 2007
Lichtblau, Dirk Andreas. 2007. “Die ergänzende Messung der
Nullreißlänge mit der Zugprüfmaschine als Alternative zu
Einzweckgeräten.” Paper presented at the First
International Zwick Roell Symposium für Prüfungen an
Papier und Wellpappe, Ulm.
Linard 1965
Linard, H. 1965. “Amélioration, dans certains cas, du
procédé de rentoilage à la cire-résine par l’emploi de
“someline.” Studies in Conservation 10, no. 1:
24–26.
Lluveras et al. 2010
Lluveras, Anna, Ilaria Bonaduce, Alessia Andreotti, and
Maria Perla Colombini. 2010. “GC/MS Analytical Procedure
for the Characterization of Glycerolipids, Natural Waxes,
Terpenoid Resins, Proteinaceous and Polysaccharide
Materials in the Same Paint Microsample Avoiding
Interferences from Inorganic Media.”
Analytical Chemistry 82, no. 1: 376–86.
López Mora 2011
López Mora, Rebeca. 2011.
Otomíes y Mexicanos en la tierra de en medio: Pueblos
indios en el norponiente del Valle de México. Mexico City: Universidad Nacional Autónoma de México.
Lucas 1921
Lucas, Edward Verral. 1921.
Edwin Austin Abbey, Royal Academician: The Record of
His Life and Work.
2 vols. London: Methuen.
Lucas and Plesters 1978
Lucas, A., and J. Plesters. 1978. “Titian’s
Bacchus and Ariadne.”
National Gallery Technical Bulletin 2: 25–48.
Ly et al. 2008
Ly, B., W. Thielemans, A. Dufresne, D. Chaussy, and M. N.
Belgacem. 2008. “Surface Functionalization of Cellulose
Fibres and Their Incorporation in Renewable Polymeric
Matrices.” Composites Science and Technology 68,
nos. 15–16: 3193–201.
https://doi.org/10.1016/j.compscitech.2008.07.018.
Macarrón, Calvo, and Gil 2013
Macarrón, Ana, Ana Calvo, and Rita Gil. 2013. “Old
Materials, New Solutions.” In
Science and Technology for the Conservation of Cultural
Heritage: Proceedings of the International Congress on
Science and Technology for the Conservation of Cultural
Heritage, Santiago de Compostela, Spain, 2–5 October
2012, edited by E. Cano, M. Lazzari, and Miguel Ángel
Rogerio-Candelera, 325–28. London: CRC Press, Taylor &
Francis Group.
Macarrón, Calvo, and Gil 2014
Macarrón, Ana, Ana Calvo, and Rita Gil. 2014. “Cas d’étude
des rentoilages historiques à la colle de pâte en Europe.
Documentation et évaluation.” Paper presented at
Colloque ARAAFU: Retours d’expérience et regards
rétrospectifs: Association des Restaurateurs d’Art et
d’Archéologie de Formation Universitaire, Paris, November 26–28, 2014.
Macarrón, Calvo, and Gil 2015
Macarrón, Ana, Ana Calvo, and Rita Gil. 2015. “European
Recipes for Glue Lining Paste.” In
Sources on Art Technology: Back to Basics: Proceedings
of the Sixth Symposium of the ICOM-CC Working Group Art
Technological Source Research, edited by Sigrid Eyb-Green, Joyce H. Townsend, Stefanos
Kroustallis, Kathrin Pilz, and Idelette van Leeuwen,
139–40. London: Archetype.
Macarrón, Calvo, and Gil 2016
Macarrón, Ana, Ana Calvo, and Rita Gil. 2016.
“Documentation of European Recipes for Glue Paste
Linings.” In
Sources on Art Technology: Back to Basics,
139–40. London: Archetype.
Macarrón, Calvo, and Gil 2017
Macarrón, Ana, Ana Calvo, and Rita Gil. 2017. “Cas d’étude
des rentoilages historiques à la colle de pâte en Europe:
Documentation et évaluation.” In
Conservation Restauration de biens culturels. Retours
d’expérience et regards rétrospectifs,
6e colloque international de l’ARAAFU, Paris, Cité de
l’architecture et du patrimoine, 26, 27 et 28 novembre
2014, 35–42. Paris: ARAAFU.
Macarrón, Calvo, and Gil 2018
Macarrón, Ana, Ana Calvo, and Rita Gil. 2018. “Materiales
y métodos en los tratamientos de refuerzo de pintura sobre
lienzo mediante entelados a la gacha: documentación,
función y Conservación.” In
Livro de Resumos, Investigações em Conservação do
Património, II Colóquio, Lisboa 27–29 setembro 2018,
Universidade de Lisboa, Faculdade de Belas Artes,
Lisboa, 111–13. Lisbon: Faculdade de Belas Artes.
Magnamini 1980a
Magnamini, G. 1980a. “Inventari della collezione romana
dei principi Corsini: I Parte.”
Bollettino d’Arte Roma 65, no. 7: 91–126.
Magnamini 1980b
Magnanimi, G. 1980b. “Inventari della collezione romana
dei Principi Corsini: II Parte.”
Bollettino d’Arte Roma 65, no. 8: 73–114.
Maksimov, Mochalov, and Urzhumtsev 1972
Maksimov, R. D., V. P. Mochalov, and Yu S. Urzhumtsev.
1972. “Time—Moisture Superposition.”
Polymer Mechanics 8, no. 5: 685–89.
Malachevskaya and Yashkina 1986
Malachevskaya, Elena, and Larisa Yashkina. 1986.
Instructional Guidelines for Hydrophobization of Verso
Sides of Easel Oil Paintings with Silazane 141-50K. Moscow: VNIIR.
Marinetti, R. 2007. “La foderatura dei dipinti: Documenti
e protagonisti.” In
Restauri pittorici e allestimenti museali a Roma tra
Settecento e Ottocento, edited by S. Rinaldi, 29–46, appendix. Florence:
Edifir.
Markevičius et al. 2011
Markevicius, T., H. Meyer, N. Olsson, and R. Furferi.
2011. “Conductive Transparent Film Heater as Alternative
to Heating Table: Towards New Intelligent Mobile Accurate
Thermo-electrical (IMAT) Device for Structural
Conservation of Paintings.” In
Art’11: 10th International Conference on
Non-destructive Investigations and Microanalysis for the
Diagnostics and Conservation of Cultural and
Environmental Heritage.
Brescia, Italy: Foresti.
Markevičius et al. 2013
Markevičius, T., H. Meyer, K. Saborowski, N. Olsson, and
R. Furferi. 2013. “Carbon Nanotubes in Art Conservation.”
International Journal of Conservation Science, 4,
special issue: 633–46.
Markevičius et al. 2017
Markevičius, T., N. Olsson, R. Hegelbach, R. Furferi, H.
Meyer, K. Seymour, K. Saborowski, L. Borgioli, L. Amorosi,
L. Conti, R. Šimaitė, E. Kielė, S. Lenaerts, and J.
Bierings. 2017. “New Approaches to an Old Problem: A
Precision Mild Heat Transfer Method for the Nuanced
Treatment of Contemporary and Modern Art Works.” In
ICOM Committee for Conservation: 18th Triennial
Conference, Copenhagen, 4–8 September 2017: Linking Past
and Future: Preprints, edited by Janet Bridgland, art. 1308. Paris: ICOM.
Martin 1972
Martin, G. 1972.
The Flemish School circa 1600–circa 1900. London:
National Gallery.
Martín-Ramos et al. 2018
Martín-Ramos, Pablo, Ignacio Alonso Fernández-Coppel,
Norlan Miguel Ruíz-Potosme, and Jesús Martín-Gil. 2018.
“Potential of ATR-FTIR Spectroscopy for the Classification
of Natural Resins.”
Biology, Medicine, Engineering, and Science (BEMS)
Reports
4, no. 1: 3–6.
Marty 1983
Marty, Hanspeter. 1983. “Übersicht über die Werkstoffe der
Gemäldedoublierung und der Festigung der Malschichten.”
Maltechnik Restauro 89, no. 4: 278–84.
Mayer and Myers 1988
Mayer, Lance, and Gay Myers. 1988. “Thoughts on Unlined
Paintings.” In
Preprints of Papers Presented at the Sixteenth Annual
Meeting, New Orleans, Louisiana, June 1–5, 1988, edited by Sarah Z. Rosenberg, 222–30. Washington, DC:
AIC.
Mazzi 2007
Mazzi, C. 2007. “Una luce nuova . . . nuove
oscurità . . .” In
Restauri pittorici e allestimenti museali a Roma tra
Settecento e Ottocento, edited by S. Rinaldi, 123–79. Florence: Edifir.
McClure 2012
McClure, Ian. 2012. “Framing and Microclimate Enclosures
for Panel Paintings.” In
Conservation of Easel Paintings, edited by Joyce
Hill Stoner and Rebecca Rushfield, 733–39.
Abingdon-on-Thames, UK: Routledge.
McGlinchey et al. 2011
McGlinchey, Christopher, Rebecca Ploeger, Annalisa
Colombo, Roberto Simonutti, Michael Palmer, Oscar
Chiantore, Robert Proctor, Bertrand Lavédrine, and E. René
de la Rie. 2011. “Lining and Consolidating Adhesives: Some
New Developments and Areas of Future Research.” In
Adhesives and Consolidants for Conservation: Research
and Applications; Proceedings of Symposium 2011, October
17–21, 265–84. Ottawa: Canadian Conservation Institute.
McMillan 2005
McMillan, Gillian. 2005. “Touring Robert Rauschenberg’s
32-ft-long Painting Barge.” In
Big Pictures: Problems and Solutions for Treating
Outsize Paintings, edited by Sally Woodcock, 45–51. London: Archetype.
Mecklenburg 1982
Mecklenburg, Marion F. 1982. “Some Aspects of the
Mechanical Behavior of Fabric Supported Paintings: Report
to the Smithsonian Institution.” Unpublished report,
Smithsonian Museum Conservation Institute, Washington, DC.
Reprinted in Dawn V. Rogala, Paula T. DePriest, A. Elena
Charola, and Robert J. Koestler, eds.
The Mechanics of Art Materials and Its Future in
Heritage Science, 107–29. Washington, DC: Smithsonian Contributions to
Museum Conservation, 2019.
https://doi.org/10.5479/si.11342126.
Mecklenburg 1991
Mecklenburg, Marion, ed. 1991.
Art in Transit: Studies in the Transport of
Paintings. Washington, DC: National Gallery of Art.
Mecklenburg 2005
Mecklenburg, Marion F. 2005. “The Structure of Canvas
Supported Paintings.” In
Interim Meeting: International Conference on Painting
Conservation: Canvases: Behaviour, Deterioration &
Treatment, edited by M. C. Agusti, L. F. López, S. M. Rey, and V.
G. Blay, 119–55. Valencia: Universidad Politècnica de
València.
Mecklenburg 2007a
Mecklenburg, Marion F. 2007a. “Determining the Acceptable
Ranges of Relative Humidity and Temperature in Museums and
Galleries, Part 1: Structural Response to Relative
Humidity.” Report, Smithsonian Museum Conservation
Institute, Washington, DC.
https://repository.si.edu/handle/10088/7056.
Mecklenburg 2007b
Mecklenburg, Marion F. 2007b. “Determining the Acceptable
Ranges of Relative Humidity and Temperature in Museums and
Galleries: Part 2, Structural Response to Temperature.”
Report, Smithsonian Museum Conservation Institute,
Washington, DC.
https://repository.si.edu/handle/10088/7055.
Mecklenburg 2007c
Mecklenburg, Marion F. 2007c.
Meccanismi di cedimento nei dipinti su tela: approcci
per lo sviluppo di protocolli di consolidamento.
Saonara, Italy: Il Prato.
Mecklenburg and Tumosa 1991a
Mecklenburg, Marion F., and Charles S. Tumosa. 1991a.
“Introduction into the Mechanical Behavior of Paintings
under Rapid Loading Conditions.” In
Art in Transit: Studies in the Transport of
Paintings, edited by Marion F. Mecklenburg. Washington, DC:
National Gallery of Art.
Mecklenburg and Tumosa 1991b
Mecklenburg, Marion F., and Charles S. Tumosa. 1991b.
“Mechanical Behavior of Paintings Subjected to Changes in
Temperature and Relative Humidity.” In
Art in Transit: Studies in the Transport of
Paintings, edited by Marion F. Mecklenburg, 137–72. Washington,
DC: National Gallery of Art.
Mecklenburg, Fuster-López, and Ottolini 2012
Mecklenburg, Marion F., L. Fuster-López, and Silvia
Ottolini. 2012. “A Look at the Structural Requirements of
Consolidation Adhesives for Easel Paintings.” In
Adhesives and Consolidants in Painting Conservation, edited by Angelina Barros D’Sa, Lizzie Bone, Rhiannon
Clarricoates, and Alexandra Gent, 7–23. London: Archetype.
Mecklenburg, McCormick-Goodhart, and Tumosa 1994
Mecklenburg, Marion, Mark McCormick-Goodhart, and Charles
S. Tumosa. 1994. “Investigation into the Deterioration of
Paintings and Photographs Using Computerized Modeling of
Stress Development.”
Journal of the American Institute for Conservation
33, no. 2: 153–70.
Mehra 1972
Mehra, Vishwa R. 1972. “Comparative Study of Conventional
Relining Methods and Materials and Research towards Their
Improvement.” Unpublished interim report for the Central
Research Laboratory for Objects of Art and Science,
Amsterdam, and ICOM Committee for Conservation. Published
in
Interim Report of ICOM Conference, Committee for the
Care of Painting, 18–19, and
ICOM Committee for Conservation: 3rd Triennial Meeting,
Madrid, Spain, 1972: Preprints, 72/21/4. Paris: International Council of Museums;
Amsterdam: Central Research Laboratory for Objects of Art
and Science.
Mehra 1975a
Mehra, Vishwa R. 1975a. “Further Developments in
Cold-Lining (Nap-Bond System).” In
ICOM Committee for Conservation 4th Triennial Meeting,
Venice, 13–18 October 1975: Preprints, 75/11/5/1-26. Paris: International Council of Museums.
Mehra 1975b
Mehra, Vishwa R. 1975b. “Nap-Bond Cold Lining on a
Low-Pressure Table.”
Maltechnik Restauro: Internationale Zeitschrift Für
Farb- Und Maltechniken, Restaurierung Und Museumsfragen:
Mitteilungen Der IADA
81, no. 2: 87–95.
Mehra 1978
Mehra, Vishwa R. 1978. “Cold-Lining and the Care of the
Paintlayer in a Triple-Stretcher System: Also: Answers to
Some Questions and Doubts about the Cold-Lining System.”
In
ICOM Committee for Conservation: 5th Triennial Meeting,
Zagreb, Yugoslavia, 1–8 October 1978: Preprints, 78/2/5/1–19. Paris: International Council of Museums.
Mehra 1981a
Mehra, Viswha R. 1981a. “The Cold Lining of Paintings.”
The Conservator 5, no. 1: 12–14.
Mehra 1981b
Mehra, Vishwa R. 1981b. “Minimizing Strain and Stress in
Lining Canvas Paintings.” In
ICOM Committee for Conservation: 6th Triennial Meeting:
Ottawa, Canada, 21–25 September 1981: Preprints, 81/2/14-1–8. Paris: ICOM.
Mehra 1984
Mehra, V. R. 1984. “Cold Lining and Its Scope: Some Case
Histories.” In
ICOM-CC: 7th Triennial Meeting, 10–14 September
1984, edited by D. Froment. Copenhagen: ICOM.
Mehra 1995
Mehra, V. R. 1995.
Foderatura a freddo, i testi fondamentali per la
metodologia e la pratica. Florence: Nardini Editore.
Mehra 2003
Mehra, Vishwa R. 2003. “A Low-Pressure Cold-Relining
Table.” In
Lining Paintings: Papers from the Greenwich Conference
on Comparative Lining Techniques, edited by Caroline Villers, 121–24. London: Archetype.
Melchiorre Di Crescenzo et al. 2019
Melchiorre Di Crescenzo, Marta, John K. Delaney, Catherine
Higgitt, Joanna Russell, and Marika Spring. 2019.
“Artemisia Gentileschi’s Self-Portrait as Saint Catherine
of Alexandria: Hyperspectral Imaging and Technical
Investigation of a New National Gallery Acquisition.”
Paper presented at Technart 2019, Brugges, 7–10 May 2019.
Melià Angulo, Fuster-López, and Vicente Escuder
2017
Melià Angulo, Ana, Laura Fuster-López, and Angel Vicente
Escuder. 2017. “Study of the Mechanical Properties of
Selected Animal Glues and Their Implication When Designing
Conservation Strategies.”
CeROArt: Conservation, exposition, restauration
d’objets d’art, HS 2017.
https://doi.org/10.4000/ceroart.5152.
Messens 2003
Messens, Georges. 2003. “Hand Lining with Wax-Resin Using
an Iron.” In
Lining Paintings: Papers from the Greenwich Conference
on Comparative Lining Techniques, edited by Caroline Villers, 70–76. London: Archetype.
Michalski 1984
Michalski, Stefan. 1984. “The Suction Table II: A Physical
Model.” In
Preprints of the 12th Annual Meeting of the AIC,
102–10. Washington, DC: American Institute for
Conservation.
Michalski 1991
Michalski, Stefan. 1991. “Paintings: Their Response to
Temperature, Relative Humidity, Shock, and Vibration.” In
Art in Transit: Studies in the Transport of
Paintings, edited by Marion Mecklenburg, 223–48. Washington, DC:
National Gallery of Art.
Michalski 2008
Michalski, Stefan. 2008. “A Physical Model of the
Consolidation Process, Particularly of Paintings (with
Errata).” In
The Care of Painted Surfaces: Materials and Methods for
Consolidation, and Scientific Methods to Evaluate Their
Effectiveness: Proceedings of the CESMAR7 Conference,
Milan, November 10–11, 2006, 23–47. Saonara, Italy: Il Prato.
Michalski 2022
Michalski, Stefan. 2022. “A Quantitative Review of
Tensions Affecting Tear Repair Decisions.” In
Structural Treatments on Double-Sided Paintings.
Case-Studies and Professional Experiences on
Double-Sided Paintings (18 November 2020) and Expert
Meeting (23, 24, 25 November 2020) Proceedings, special issue 1, 228–32. Venaria, Italy: Centro la
Conservazione e Restauro La Venaria Reale.
Michalski and Daly Hartin 1996
Michalski, Stefan, and Debra Daly Hartin. 1996. “CCI
Lining Project: Preliminary Testing of Lined Model
Paintings.” In
ICOM Committee for Conservation: 11th Triennial
Meeting, Edinburgh, Scotland, 1–6 September, 1996:
Preprints, edited by Janet Bridgland, 288–96. London: James &
James; ICOM Committee for Conservation.
Michalski and Rossi-Doria 2011
Michalski, Stefan, and Matteo Rossi-Doria. 2011. “Using
Decision Diagrams to Explore, Document, and Teach
Treatment Decisions, with an Example of Their Application
to a Difficult Painting Consolidation Treatment.” In
ICOM-CC Lisbon 2011: Preprints: 16th Triennial
Conference, Lisbon, September 19–23, 2011. Lisbon: Critério.
Michalski et al. 2014
Michalski, Stefan, Debra Daly Hartin, Eric Hagan, and
Mylène Choquette. 2014. “The CCI Lining Project Final
Results: Extreme Temperatures, Extreme Humidities and
Complete Master Curves.” Poster presented at ICOM
Committee for Conservation 17th Triennial Conference,
Melbourne, Australia, September 19–23, 2014.
Miller 1976
Miller, David A. 1976.
Investigation of the Mechanical Properties of the
Wax-Resin Adhesive for the Lining of Paintings Currently
in Use at the Cooperstown Graduate Programs Art
Conservation Library. Cooperstown, NY: Cooperstown Graduate Program in the
Conservation of Historic and Artistic Works.
Mills and White 1994
Mills, John, and Raymond White. 1994.
Organic Chemistry of Museum Objects. Boston:
Butterworth-Heinemann.
Missirini 1823
Missirini, M. 1823.
Memorie per servire alla romana Accademia di S
Luca.
Rome: Stamperia de Romanis.
Mitka 1985
Mitka, W. 1985. “Portable Mini Low-Pressure Apparatus for
the Treatment of Paintings.”
Studies in Conservation 30, no. 4: 167–70.
Modugno and Ribechini 2009
Modugno, Francesca, and Erika Ribechini. 2009. “GC/MS in
the Characterisation of Resinous Materials.” In
Organic Mass Spectrometry in Art and Archaeology,
edited by Maria Perla Colombini and Francesca Modugno,
215–35. Chichester: Wiley.
Mues Orts, Paula. 2017. “Tradition and Innovation in New
Spain.” In
Painted in Mexico. 1700-1790. Pinxit Mexici,
edited by Ilona Katzew, 52–75. Los Angeles: Los Angeles
County Museum of Art; Mexico City: Fomento Cultural
Banamex.
Muhammad Sayem et al. 2020
Muhammad Sayem, Abu S., Siew Hon Teay, Hasan Shahariar,
Paula Luise Fink, and Alhussein Albarbar. 2020. “Review on
Smart Electro-Clothing Systems (SeCSs).”
Sensors 20, no. 3: 587.
Muñoz Viñas 2005
Muñoz Viñas, S. 2005.
Contemporary Theory of Conservation. Oxford:
Butterworth-Heinemann.
Mureșan and L-Șt. Szemkovics 2018
Mureșan, Augustin, and L-Șt. Szemkovics. 2018.
Bibliografia vexilologiei românești. Arad,
Romania: Vasile Goldiș University Press.
Murillo-Fuentes and Alba 2018
Murillo-Fuentes, J. J., and L. Alba. 2018. “Thread
Counting in X-Rays of Plain-Weave Painting Canvas.” In
Advanced Characterization Techniques: Diagnostic Tools
and Evaluation Methods in Heritage Science, edited by David M. Bastidas and Emilio Cano, chapter 7.
Cham, Germany: Springer.
Nadeau et al. 2020
Nadeau, Marie-Helene, Teresa Schreibweis Torrents, Lucie
Kourilova, Josefina López, Lynne Harrison, Joanna
Strombek, Luigi Orata, Rita Costabile, Lisette Vos, Suvi
Kervinen, Danica Stojkovicova, Cynthia Schwarz, and Kate
Seymour. 2020. “Review: Mist-Lining Workshop: A Two-Phase
Programme with Support from The Getty Foundation’s
Conserving Canvas Initiative, 25th–29th March and Summer
2019.” The Picture Restorer 57 (Autumn 2020):
58–64.
Nahum, McGuirk, and Watson 2019
Nahum, Andrew, Justin McGuirk, and Eleanor Watson, eds.
2019.
Moving to Mars: Design for the Red Planet.
Exhibition catalogue. London: Design Museum.
Nappi 1984
Nappi, E. 1984. “Le chiese dei Gesuiti a Napoli.” In
Seicento napoletano: Arte, costume, ambiente,
edited by R. Pane, 318–37. Milan: Ed. di Comunitá.
National Gallery 2019
National Gallery. 2019. “Repairing a 17th Century Canvas:
Art Restoration of Artemisia Gentileschi’s Self-Portrait.”
Video. London: The National Gallery.
National Museum of Modern Art, Tokyo 1977
National Museum of Modern Art, Tokyo, ed. 1977.
Senso kirokuga shūfuku hōkoku 戦争記録画修復報告,
Tokyo: National Museum of Modern Art.
Nazarova 1984
Nazarova, Olga. 1984. “Studies in Physicomechanical and
Physicochemical Properties of Fish Glue with Additives of
Catamine AB and Honey.”
Express Information: Culture and Art in USSR: Museum
Studies and Preservation of Cultural Heritage:
Restoration and Conservation of Museum Valuable
9: 27–28.
Nazarova, Malachevskaya, and Yashkina 1990
Nazarova, Irina, Elena Malachevskaya, and Larisa Yashkina.
1990. “Technique of Restoring Paintings on Canvas without
Lining.” In
ICOM Committee for Conservation, 9th Triennial Meeting,
Dresden, German Democratic Republic, 26-31 August 1990:
Preprints, 130–32. Los Angeles: Getty Conservation Institute.
Nazarova and Potapov 1984
Nazarova, Olga, and Evgeniy Potapov. 1984. “Using Infrared
Spectroscopy to Investigate the Process of Degradation of
Fish Glue, Containing Catamine AB and Honey.”
Express Information: Culture and Art in USSR: Museum
Studies and Preservation of Cultural Heritage.
Restoration and Conservation of Museum Valuable
7: 6–8.
Nechyporchuk et al. 2018
Nechyporchuk, Oleksandr, Krzysztof Kolman, Alexandra
Bridarolli, Marianne Odlyha, Laurent Bozec, Marta Oriola,
Gema Campo-Francés, Michael Persson, Krister Holmberg, and
Romain Bordes. 2018. “On the Potential of Using
Nanocellulose for Consolidation of Painting Canvases.”
Carbohydrate Polymers 194: 161–69.
https://doi.org/10.1016/j.carbpol.2018.04.020.
New Bedford Whaling Museum 2018
New Bedford Whaling Museum. 2018.
A Spectacle in Motion: The Grand Panorama of a Whaling
Voyage ’Round the World. Vol. 1. New Bedford, MA: Old Dartmouth Historical
Society and New Bedford Whaling Museum.
Nicita 2009
Nicita, P. 2009.
Musei e storia dell’arte a Roma. Rome: Campisano.
Nicolaus 1999
Nicolaus, Knut. 1999.
Manuel de restauration des tableaux. Also
published as The Restoration of Paintings. Edited
by Christine Westphal. Translated by Judith Hayward et al.
Cologne: Konemann.
Nieder, Hendricks, and Burnstock 2011
Nieder, Emily, Ella Hendricks, and Aviva Burnstock. 2011.
“Colour Change in Sample Reconstructions of Vincent van
Gogh’s Grounds Due to Wax-Resin Lining.”
Studies in Conservation 56, no. 2: 94–103.
Nielsen and Landel 1994
Nielsen, L. E., and R. F. Landel. 1994.
Mechanical Properties of Polymers and Composites.
2nd ed. New York: Marcel Dekker.
Nougaret and Leprince 1776
Nougaret, Pierre-Jean-Baptiste, and Nicolas-Thomas
Leprince. 1776.
Anecdotes des beaux-arts . . . avec des notes par
M*** . . .
Paris: J. F. Bastien.
Oberthaler 2008
Oberthaler, Elke. 2008. “Zur Restaurierung von Tizians
Nymphe und Schäfer.” In Technologische Studien,
vol. 5, 182–207. Vienna: Wilfried Seipel.
Odlyha, Chan, and Pages 1995
Odlyha, M., T. Y. A. Chan, and O. Pages. 1995. “Evaluation
of Relative Humidity Effects on Fabric-Supported Paintings
by Dynamic Mechanical and Dielectric Analysis.”
Thermochimica Acta 263, no. 1: 7–21.
https://doi.org/10.1016/0040-6031(94)02387-4.
Olin and Carter ca. 1967–1974a
Olin, Charles, and Tom Carter. ca. 1967–1974a. “Lab
Formulas—Mixtures.” Unpublished internal document,
National Collection of Fine Arts, Smithsonian American Art
Museum, Washington, DC.
Olin and Carter ca. 1967–1974b
Olin, Charles, and Tom Carter. ca. 1967–1974b. “Supplies:
NCFA/NPG Cons. Lab.” Unpublished internal document,
National Collection of Fine Arts, Smithsonian American Art
Museum, Washington, DC.
Olsson and Markevičius 2010
Olsson, N., and T. Markevičius. 2010. “Flexible Thermal
Blanket and Low-Pressure Envelope System in the Structural
Treatment of Paintings on Canvas.” In
Postprints of the Paintings Specialty Group, American
Institute for Conservation Meeting, Milwaukee, edited by B. Buckley, 63–71. Washington, DC: AIC.
Olsson and Markevičius 2017
Olsson, N., and T. Markevičius. 2017. “Studio Tip:
Innovative Applications of Heating Mat and Low-Pressure
Systems for Lining and Minimal Structural Treatment of
Paintings.” In
Postprints of the Painting Specialty Group, American
Institute for Conservation Meeting, Chicago, edited by W. Partridge, 127–35. Washington, DC: AIC.
Orata 2009
Orata, Luigi, 2009.
Tagli e strappi nei dipinti su tela, metodologie di
intervento
[Cuts and tears on canvas paintings: Treatment methods].
Florence: Nardini.
Orata 2010
Orata, Luigi. 2010.
Tagli e strappi nei dipinti su tela, metodologie di
intervento.
Florence: Nardini Editore.
Orata and Capellaro 2013
Orata, Luigi (ed.), and Filippo Capellaro. 2013. “Un
adesivo termoplastico modulabile secondo le
caratteristiche dell’opera, La foderatura di un grande
formato particolare” [A thermoplastic adhesive modulated
according to the characteristics of the work. The lining
of a particular large format]. Edited by Luigi Orata.
Kermes: La rivista del restauro 26, no. 90:
57–66.
Oriola et al. 2011
Oriola, Marta, Gema Campo, Matija Strlič, Linda
Csefalvayova, Marianne Odlyha, and Alenka Možir. 2011.
“Non-Destructive Condition Assessment of Painting Canvases
Using Near Infrared Spectroscopy.” In
ICOM Committee for Conservation: 16th Triennial
Conference, Lisbon, Portugal, 19–23 September 2011:
Preprints, edited by Janet Bridgland and Catherine Antomarchi,
408. Almada, Portugal: Artes Gráficas Critério; Paris:
ICOM.
Oriola-Folch et al. 2020
Oriola-Folch, Marta, Gema Campo-Francés, Anna
Nualart-Torroja, Cristina Ruiz-Recasens, and Iris
Bautista-Morenilla. 2020. “Novel Nanomaterials to
Stabilise the Canvas Support of Paintings Assessed from a
Conservator’s Point of View.” Heritage Science 8,
art. 23.
https://doi.org/10.1186/s40494-020-00367-2.
Orlandi 1753
Orlandi, P. A. 1753.
Abecedario pittorico. Venice: Guarienti.
Ormsby and Learner 2009
Ormsby, Bronwyn, and Tom Learner. 2009. “The Effects of
Wet Surface Cleaning Treatments on Acrylic Emulsion
Artists’ Paints: A Review of Recent Scientific Research.”
Reviews in Conservation 54, supp1: 29–41.
https://doi.org/10.1179/sic.2009.54.Supplement-1.29.
Ormsby, B., E. Hagan, P. Smithen, and T. Learner. 2008.
“Comparing Contemporary Titanium White-Based Acrylic
Emulsion Grounds and Paints: Characterisation, Properties
and Conservation.” In
Preparation for Painting: The Artists’ Choice and Its
Consequences, edited by Joyce Townsend, 163–71. London: Archetype.
Ormsby et al. 2010
Ormsby, Bronwyn, Alexia Soldano, Melinda H. Keefe, Alan
Phenix, and Tom Learner. 2010. “An Empirical Evaluation of
a Range of Cleaning Agents for Removing Dirt from Artists’
Acrylic Emulsion Paints.”
AIC Paintings Specialty Group Postprints 23:
77–87.
Ormsby et al. 2019
Ormsby, B., J. Lee, I. Bonaduce, and A. Lluveras-Tenorio.
2019. “Evaluating Cleaning Systems for Use on Water
Sensitive Modern Oil Paints: A Comparative Study.” In
Conservation of Modern Oil Paintings, 11–35.
Cham, Switzerland: Springer.
Osmond 2019
Osmond, G. 2019. “Zinc Soaps: An Overview of Zinc Oxide
Reactivity and Consequences of Soap Formation in Oil-Based
Paintings.” In
Metal Soaps in Art: Conservation and Research,
edited by Francesca Casadio, Katrien Keune, Petria Noble,
Annelies Van Loon, Ella Hendriks, Silvia A. Centeno, and
Gillian Osmond, 25–46. Cham: Springer.
Our Choices Art. 2017. Interview with Chéri Samba.
Three-part video: “Congo Imagination,” “Assert Your
Style,” and “From Africa to the World.”
https://www.youtube.com/watch?v=0loCX-b8hGQ.
Pacheco [1638] 1990
Pacheco, Francisco. [1638] 1990.
Arte de la Pintura. Madrid: “Cátedra.”
Pacoud-Reme 1981
Pacoud-Reme, E. 1981. “Trois cas de rentoilage transparent
faits par G. Ten Kate au service de la restauration des
peintures des musées nationaux.” In
ICOM Committee for Conservation: 6th Triennial Meeting,
Ottawa, Canada, 21–25 September 1981: Preprints. Paris: ICOM.
Palladino et al. 2020
Palladino, Nicoletta, Marei Hacke, Giovanna Poggi,
Oleksandr Nechyporchuk, Krzysztof Kolman, Qingmeng Xu,
Michael Persson, Rodorico Giorgi, Krister Holmberg, Piero
Baglioni, and Romain Bordes. 2020. “Nanomaterials for
Combined Stabilisation and Deacidification of Cellulosic
Materials—The Case of Iron-Tannate Dyed Cotton.”
Nanomaterials 10, no. 5: 900.
https://doi.org/10.3390/nano10050900.
Palomino [1715] 1947
Palomino, Antonio. [1715] 1947.
El museo pictórico y escala óptica. Madrid:
“Aguilar.”
Pandian and Jailani 2019
Pandian, A., and S. Jailani. 2019. “Development and
Investigation of Jute/Linen Fibre Reinforced Polymer
Composite.” No. 2019-28-0171. SAE International.
https://saemobilus.sae.org/content/2019-28-017/.
Pataki-Hundt 2018
Pataki-Hundt, Andrea. 2018. “Characteristics of Natural
and Synthetic Adhesives.” In
Konsolidieren und Kommunizieren. Materialien und
Methoden zur Konsolidierung von Kunst- und Kulturgut im
interdisziplinären Dialog, edited by Angela Weyer, 122–30. Petersberg, Germany:
Michael Imhof Verlag.
Pavone 1994
Pavone, M. A. 1994. “Pittori napoletani del’700: Nuovi
documenti.” Documentary appendix, edited by U. Fiore.
Naples: Liguori.
Payne 2013
Payne, E. M. 2013. “Imaging Techniques in Conservation.”
Journal of Conservation and Museum Studies 10,
no. 2: 17–29.
Pearson 2003
Pearson, C. 2003. “Animal Glues and Adhesives,” In
Handbook of Adhesive Technology, 2nd ed., edited
by K. L. Mittal and A. Pizzi, 479–94. Boca Raton, FL: CRC
Press.
Peirce, Frederick Thomas. 1937. “The Geometry of Cloth
Structure.” Journal of the Textile Institute 27:
T45–T96.
Penzel, Rieger, and Schneider 1997
Penzel, E., J. Rieger, and H. Schneider. 1997. “The Glass
Transition Temperature of Random Copolymers.”
Polymer 38, no. 2: 325–37.
Percival-Prescott 1975
Percival-Prescott, Westby. 1975. “Report on the Greenwich
Lining Conference.” In
ICOM Committee for Conservation, 4th Triennial Meeting,
Venice, 13–18 October 1975: Preprints. Paris: ICOM.
Percival-Prescott 2003a
Percival-Prescott, Westby. 2003a. “Foreword: Origins and
Outcome of the Lining Conference.” In
Lining Paintings: Papers from the Greenwich Conference
on Comparative Lining Techniques, edited by Caroline Villers, v–x. London: Archetype.
Percival-Prescott 2003b
Percival-Prescott, Westby. 2003. “The Lining Cycle: Causes
of Physical Deterioration in Oil Paintings on Canvas:
Lining from the 17th Century to the Present Day.” In
Lining Paintings: Papers from the Greenwich Conference
on Comparative Lining Techniques, edited by Caroline Villers, 1–15. London: Archetype.
Originally published as W. Percival-Prescott. 1974. “The
Lining Cycle.” In
Lining Paintings: Papers from the Greenwich Conference
on Comparative Lining Techniques, unpaginated. Greenwich: National Maritime Museum, 1974.
Percival-Prescott and Lewis 2003
Percival-Prescott, W., and G. Lewis, eds. 2003. Glossary.
In
Lining Paintings: Papers from the Greenwich Conference
on Comparative Lining Techniques, edited by Caroline Villers, 155–70. Originally
published as
Handbook of Terms Used in the Lining of Paintings, edited by Westby Percival-Prescott and Gillian Lewis.
Conference on Comparative Lining Techniques, Greenwich,
London, 1974. London: Archetype.
Peresin et al. 2010
Peresin, Maria S., Youssef Habibi, Arja-Helena Vesterinen,
Orlando J Rojas, Joel J. Pawlak, and Jukka V Seppa. 2010.
“Effect of Moisture on Electrospun Nanofiber Composites of
Poly(vinyl alcohol) and Cellulose Nanocrystals,”
Biomacromolecules 11, no. 9: 2471–77.
https://doi.org/10.1021/bm1006689.
Petcu 2017
Petcu, Filip Adrian. 2017. “Retouching a Double-Sided
19th-Century Processional Flag-Icon.” In
International Meeting on Retouching of Cultural
Heritage, Rech4-Split, 4th ed., edited by Ana Bailão and Sandra Sustic. Split,
Croatia: Academy of Arts, University of Split.
Petéus 1984
Petéus, T. 1984. “En lågtrycksapparat för använding på
värme-vaccuumbordet.”
Meddelelser om konservering 3, no 8: 295–302.
Phenix 1995
Phenix, Alan. 1995. “The Lining of Paintings: Traditions,
Principles, and Developments.” In
Lining and Backing: The Support of Paintings, Paper and
Textiles: Papers Delivered at the UKIC Conference, 7–8
November 1995, UKIC, Hampshire, edited by Andrew Durham, 21–33. London: United Kingdom
Institute for Conservation of Historic and Artistic Works.
Phenix 2002
Phenix, Alan. 2002. “The Swelling of Artists’ Paints in
Organic Solvents, Part 2: Comparative Swelling Powers of
Selected Organic Solvents and Solvent Mixtures.”
Journal of the American Institute for Conservation
41, no. 1: 61–90.
Phenix 2011
Phenix, Alan. 2011. “Thermal Mechanical Transitions in
Artists’ Oil Paints and Selected Conservation Materials: A
Study by Dynamic Mechanical Analysis (DMA).” In
Postprints of the Paintings Specialty Group, American
Institute for Conservation Meeting, Los Angeles,
2009, edited by B. Buckley, 72–89. Washington, DC: AIC.
Phenix and Hedley 1984
Phenix, Alan, and Gerry Hedley. 1984. “Lining without Heat
or Moisture.” In
Preprints of ICOM 7th Triennial Meeting, Copenhagen,
10–14 September 1984, edited by Diana de Froment, 84.2.38–44. Paris: ICOM, in
association with the J. Paul Getty Trust.
Phenix and Hedley 1993
Phenix, Alan, and Gerry Hedley. 1993. “Lining without Heat
or Moisture.” In
Measured Opinions: Collected Papers on the Conservation
of Paintings, edited by Caroline Villers. London: United Kingdom
Institute for Conservation of Historic and Artistic Works.
Piotrowska and Amann 2009
Piotrowska, Kinga, and Sandra Amann. 2009.
“Minimal-Adhesive Mend and Cast In-painting: A Treatment
of a Tear on an Ed Ruscha Painting.” In
AIC Paintings Specialty Group Postprints, vol.
22, edited by Barbara Buckley, Meg Newburger, and American
Institute for Conservation of Historic and Artistic Works,
AIC Paintings Specialty Group, 48–57. Washington, DC:
American Institute for Conservation.
Plahter 1999
Plahter, L. E. 1999. “Nordisk center for restaurering i
Firenze.” In
Conservare necesse est: Festskrift til Leif Einar
Plahter på hans 70-årsdag, edited by International Institute for Conservation of
Historic and Artistic Works, Nordic Group, 68–72. Oslo:
Nordisk Konservatorforbund, IIC Nordic Group.
Plenderleith 1956
Plenderleith, H. J. 1956.
The Conservation of Antiquities and Works of Art:
Treatment, Repair, and Restoration.
London: Oxford University Press.
Plesters 1981
Plesters, J. 1981. “Titian’s Poesie: A Note on the
Condition of Some of the Pictures.” Unpublished
manuscript, Scientific Department, National Gallery,
London.
Ploeger, McGlinchey, and de la Rie 2015
Ploeger, R., C. W. McGlinchey, and E. René de la Rie.
2015. “Original and Reformulated BEVA® 371:
Composition and Assessment as a Consolidant for Painted
Surfaces.” Studies in Conservation 60, no. 4:
217–26.
Poggendorf 2015
Poggendorf, Renate. 2015. “Was
Street in Åsgårdstrand and a Woman in Red Dress
by Edvard Munch Restored by the Artist?” In
Public Paintings by Edvard Munch and His
Contemporaries: Change and Conservation Challenges, edited by Tine Frøysaker, Noëlle L. W. Streeton, Harmut
Kutzke, Françoise Hanssen-Bauer, and Biljana
Topalova-Casadiego, 230–40. London: Archetype.
Poleró [1853 and 1866] 2018
Poleró, Vicente. [1853 and 1866] 2018.
Arte de la Restauración y otros textos sobre
conservación de cuadros. Edited by Ana Macarrón. Seville: Athenaica Ediciones
Universitarias.
Pollak 2003
Pollak, Nancy R. 2003. “Moving Pictures: Adapting Painting
Conservation Techniques to the Treatment of Painted
Textiles.” In
Tales in the Textile: The Conservation of Flags and
Other Symbolic Textiles, Preprints of the NATCC, Albany,
6–8 November 2003, edited by Jan Vuori, 127–34. New York: North American
Textile Conservation Conference.
Portue 1978
Portue, Thomas T. 1978.
The Degradation of a Wax-Resin Adhesive: Multiwax 445
and Zonerez B-85. Cooperstown, NY: Cooperstown Graduate Program in the
Conservation of Historic and Artistic Works.
Poulis, Seymour, and Mosleh 2020
Poulis, J. A., Kate Seymour, and Yasmine Mosleh. 2020.
“The Influence of Loading, Temperature and Relative
Humidity on Adhesives for Canvas Lining.”
IOP Conference Series: Materials Science and
Engineering
949, no. 1 (International Conference Florence Heri-Tech:
The Future of Heritage Science and Technologies, 14–16
October 2020): 949 012086.
https://iopscience.iop.org/article/10.1088/1757-899X/949/1/012086/meta.
Proctor 1994
Proctor, Robert. 1994. “Repairing Tears in Canvas
Paintings by a Reweaving Process.”
AIC Painting Specialty Group Postprints, 56–60.
Nashville: AIC.
Prohaska and Swoboda 2010
Prohaska, Wolfgang, and Gudrun Swoboda. 2010.
Caravaggio und der Internationale Caravaggismus.
Milan: Sylvana Editoriale; Vienna: Kunsthistorisches
Museum.
Przybylo 2006
Przybylo, Maria. 2006. “Langzeit-Löslichkeit von Störleim.
Tatsache oder Märchen?”
Beiträge zur Erhaltung von Kunst- und Kulturgut,
Verband der Restauratoren
1: 117–23.
Querner, Oberthaler, and Strolz 2019
Querner, Pascal, Elke Oberthaler, and Monika Strolz. 2019.
“Biological Pest Control of a Biscuit Beetle (Stegobium paniceum) Infestation in an Old Master Paintings Storage Area.”
Studies in Conservation 64, no. 7: 373–80.
Rabin 1976
Rabin, B. 1976. “A Poly(vinyl acetate) Heat Seal Adhesive
for Lining.” In
Conservation and Restoration of Pictorial Art,
edited by N. Brommelle and P. Smith, 165–68. London:
Butterworths.
Rambold and Glasbrenner 1918–19
Rambold, Franz X., and Eugen Glasbrenner. 1918–19. “Der
Wasserburger Totentanz.” Das Bayerland 30: 203–5.
Ramírez Montes 2001
Ramírez Montes, Mina. 2001. “En defensa de la pintura.
Ciudad de México, 1753.”
Anales del Instituto de Investigaciones Estéticas
78: 103–28.
Ravaud et al. 2014
Ravaud, E., M. Eveno, T. Calligaro, V. Gonzalez, G.
Wallez, W. Nowik, and J. Aufort. 2014. “Study of a
Pre-primed Canvas Bundle from the Binant Color Merchant.”
In
ICOM-CC: 17th Triennial Conference, 15–19 September
2014, Melbourne, Australia: Preprints, edited by Janet Bridgland. Paris: ICOM.
Reale Istituto d’Incoraggiamento 1855
Reale Istituto d’Incoraggiamento. 1855.
Disamina eseguita dal Reale Istituto d’Incoraggiamento
de’ saggi esposti nella solenne mostra industriale del
30 maggio 1853.
Naples: Reale Istituto d’Incoraggiamento.
Rees Jones, Stephen. 1991. “The Changed Appearance of Oil
Paintings Due to Increased Transparency.”
Studies in Conservation 36, no. 2: 151–54.
Rees Jones, Cummings, and Hedley 1975
Rees Jones, S., A. Cummings, and G. Hedley. 1975.
“Relining Materials and Techniques: Summary of Replies to
a Questionnaire.” In
ICOM Committee for Conservation: 4th Triennial Meeting,
Venice, 13–18 October 1975: Preprints, 75/11/3. Paris: ICOM.
Rees Jones, Cummings, and Hedley 2003
Rees Jones, S., A. Cummings, and G. Hedley. 2003.
“Appendix 1: Relining Materials and Techniques; Summary of
Replies to a Questionnaire.” In
Lining Paintings: Papers from the Greenwich Conference
on Comparative Lining Techniques, edited by Caroline Villers, 137–39. London: Archetype.
Reeve 1984
Reeve, Anthony. 1984. “A New Multi-Purpose Low-Pressure
Conservation Table for the Treatment of Paintings.”
Studies in Conservation 29, no. 3: 124–28.
Reeve, Ackroyd, and Stephenson-Wright 1988
Reeve, Anthony, Paul Ackroyd, and Ann Stephenson-Wright.
1988. “The Multi-Purpose Low Pressure Conservation Table.”
National Gallery Technical Bulletin 12: 4–15.
Regert 2009
Regert, Martine. 2009. “Direct Mass Spectrometry to
Characterise Wax and Lipid Materials.” In
Organic Mass Spectrometry in Art and Archaeology,
edited by Maria Perla Colombini and Francesca Modugno,
97–129. Chichester: Wiley.
Reifsnyder 1995
Reifsnyder, Joan Marie. 1995. “The Florentine Paste
Technique: What Makes It Different from Other Glue-Paste
Linings for Pictures.” In
Lining and Backing: The Support of Paintings, Paper,
and Textiles: Papers Delivered at the UKIC Conference,
1995, 77–82. London: United Kingdom Institute for
Conservation of Historic and Artistic Works.
Rella and Saccani 2006
Rella, Luigi, and Lucia Saccani. 2006.
Un restauro ragionato. La Crocifissione di Stephan
Kessler, Cuaderno 3 CESMAR7. Saonara, Italy: Il Prato.
Reumann, Ralf-Dieter. 2000. “Mechanisches
Formänderungsverhalten textiler Materialien.” In
Prüfverfahren in der Textil- und Bekleidungstechnik, edited by Ralf-Dieter Reumann, 57–125. New York:
Springer-Verlag.
Revez 2016
Revez, Maria João Cassis Valadas. 2016. “Compatibility
Matters: Assessing the Risks of Built Heritage Cleaning.”
PhD diss., Universidade Nova de Lisboa.
Ribechini 2009
Ribechini, Erika. 2009. “Direct Mass Spectrometric
Techniques: Versatile Tools to Characterise Resinous
Materials.” In
Organic Mass Spectrometry in Art and Archaeology,
edited by Maria Perla Colombini and Francesca Modugno,
77–95. Chichester: Wiley.
Ribits 2017
Ribits, Julie. 2017. “Lifting the Microfiber Veil:
Utilizing Evolon® Fabric at the Mauritshuis to Remove
Aged Varnish from Hendrick Heerschop’s
A Visit to the Doctor.” Paper presented at
Treatment 2017: Innovation in Conservation and Collection
Care: 45th Annual Meeting of the American Institute for
Conservation of Historic and Artistic Works, Chicago, May
28–June 2, 2017.
Ricci 2015
Ricci, Patricia Likos. 2015. “Edwin Austin Abbey’s ‘The
Passage of the Hours’: Astronomy as History.” In
Inspiration of Astronomical Phenomena VIII: City of
Stars, edited by Brian Patrick Abbott, 43–55. San Francisco:
Astronomical Society of the Pacific Conference Series.
Richard, Mecklenburg, and Merrill 1997
Richard, Mervin, Marion F. Mecklenburg, and Ross M.
Merrill, eds. 1997.
Art in Transit: Handbook for Packing and Transporting
Paintings, 2nd ed. Washington, DC: National Gallery of Art.
Richardson 2004
Richardson, John. 2004. “Crimes against the Cubists
(1983).” In
Issues in the Conservation of Paintings, 531–38.
Los Angeles: Getty Publications.
Rinaldi 2004
Rinaldi, S. 2004. “Il Punteggiato Di Pietro Palmaroli:
Genesi Tecnica E Teoria Cromatica.”
Studi di Storia dell’arte 15:55.
A. Roche 2003
Roche, A. 2003.
Comportement mécanique des peintures sur toile.
Dégradation et prevention. Paris: CNRS Editions.
R. Roche 1976
Roche, R. 1976. “New Materials for Lining.” In
Lining of Paintings—A Reassessment: Proceedings of a
Seminar Held at the National Gallery of Canada, Ottawa,
April 6–8, 1976, edited by Mervyn Ruggles, 1–5. Ottawa: National Gallery
of Canada.
Rodrigues and Grossi 2007
Rodrigues, J. Delgado, and Antonella Grossi. 2007.
“Indicators and Ratings for the Compatibility Assessment
of Conservation Actions.”
Journal of Cultural Heritage 8, no. 1: 32–43.
Romanova, Anastasia. 2019. “Using Different Adhesives for
Strip-Lining.” In
Materials of All-Russian Scientific and Practical
Conference “RESCON-2019,” edited by S. G Burshneva, 170–73. Kazan, Russia: Kazan
University Press.
http://www.gosniir.ru/file.ashx?objid=10fd34b6-8329-4b61-b39b-bf25c46f63e0.
Rossi-Doria 2010
Rossi-Doria, Matteo. 2010. “Diversity of Methodologies and
Decision-Making Processes in the Structural Conservation
of Oversize Paintings.” In
Actas Del Congreso Internacional de Restauración de
pinturas sobre lienzo de gran formato
[International Congress on outsize paintings
conservation], Valencia, Spain, 2010, edited by
Susana Martín Rey, Vicente Guerola Blay, and María Castell
Agust. Valencia: Universitat Politècnica de València.
Rossi-Doria 2013
Rossi-Doria, Matteo. 2013. “Requiem o recupero critico dei
metodi di foderatura tradizionali [Requiem for, or
critical recovery of, traditional lining methods].” In
XI Congresso nazionale IGIIC Lo stato dell’arte 11:
Accademia delle belle arti: Bologna, 10–12 ottobre
2013, 77–87. Florence: Nardini.
https://cbccoop.it/app/uploads/2017/05/testo-IGIIC-2013-1.pdf.
Rouba 2000
Rouba, Bogumiła. 2000.
Podobrazia płócienne w procesie konserwacji.
Toruń, Poland: Nicolaus Copernicus University Press.
Ruhemann 1953
Ruhemann, Helmut. 1953. “The Impregnation and Lining of
Paintings on a Hot Table.”
Studies in Conservation 1, no. 2: 73–76.
Rumyantsev 1953
Rumyantsev, Evgeniy. 1953. “Applying Synthetic Resins at
Archeological Excavations.”
Brief Reports of the Institute for the History of
Material Culture
49: 133–38.
Runeberg 2019
Runeberg, Ulrick. 2019. “Between Rejection, Ignorance, and
Preference: The History and Dilemma of Modern Double-Sided
(Recto/Verso) Paintings with Regard to Issues of
Conservation and Presentation.” In
Conservation of Modern Oil Paintings, edited by
Klaas Jan van den Berg, Ilaria Bonaduce, Aviva Burnstock,
Bronwyn Ormsby, Mikkel Scharff, Leslie Carlyle, Gunnar
Heydenreich, and Katrien Keune, 383–90. Cham, Switzerland:
Springer.
Russell and Berger 1982
Russell, William H., and Gustav A. Berger. 1982. “The
Behavior of Canvas as a Structural Support for Painting.”
In
Science and Technology in the Service of Conservation:
Preprints of the Contributions to the Washington
Congress, 3–9 September 1982, edited by N. S. Brommelle and Garry Thomson, 139–45.
London: International Institute for Conservation of
Historic and Artistic Works.
Russo and Avino 2012
Russo, Mario Vincenzo, and Pasquale Avino. 2012.
“Characterization and Identification of Natural Terpenic
Resins employed in
Madonna con Bambino e Angeli by Antonello da
Messina Using Gas Chromatography–Mass Spectrometry.”
Chemistry Central Journal 6, no. 59: 1–10.
Ruuben and Robbins 2011
Ruuben, Tannar, and Nina Robbins. 2011.“Two Painted Works
of Art on Diverse Supports—Adopting Paintings Conservation
Methods and Materials in Specific Cases.”
ICOM Committee for Conservation 16th Triennial
Conference Preprints, Lisbon, 19–23 September 2011, edited by J.
Bridgland, 1323–926. Paris: ICOM.
Ryder 1986
Ryder, Nichole. 1986. “Acidity on Canvas Painting
Supports: Deacidification of Two Twentieth Century
Paintings.” The Conservator 10: 31–36.
Sanchez Villavicencio, Young, and Thompson 2022
Sanchez, Villavicencio, D., C. Young, and K. Thompson.
“How to Paint a Trade Union Banner: The Role of Sources
and Reconstructions in the Characterisation of George
Kenning’s Banners in Glasgow Museums.” In
Eighth Symposium of the ICOM-CC Working Group on Art
Technological Source Research, Cologne, Germany, 26–27
September 2019, 115–22. Glasgow: Enlighten Publications.
Sannikova 2018
Sannikova, Evgeniia. 2018. “Polyvinyl Butyral:
Composition, Properties and History of Use in Conservation
and Restoration.”
International Institute for Conservation of Historic
and Artistic Works. Austria. Papers in Conservation
35: 103–21.
Saunders, Sitwell, and Staniforth 1991
Saunders, David, Christine Leback Sitwell, and Sarah
Staniforth. 1991. “Soft Pack: The Soft Option?” In
Art in Transit: Studies in the Transport of
Paintings, edited by Marion F. Mecklenburg, 311–22. Washington,
DC: National Gallery of Art.
Scalarone and Chiantore 2004
Scalarone, D., and O. Chiantore. 2004. “FTIR Monitoring of
Surfactant Phase Separation and Stability in Waterborne
Organic Coatings and Artists’ Acrylic Paints.” In
Proceedings of the Sixth Infrared and Raman Users Group
Conference (IRUG 6): Florence, Italy, March 29th–April
1st, 2004, edited by Marcello Picollo. Padua: Il Prato.
Scalarone and Chiantore 2009
Scalarone, Dominique, and Oscar Chiantore. 2009. “Py-GC/MS
of Natural and Synthetic Resins.” In
Organic Mass Spectrometry in Art and Archaeology,
edited by Maria Perla Colombini and Francesca Modugno,
327–61. Chichester: Wiley.
Schäfer 1983
Schäfer, Phillip. 1983. El credo de nuestra fe.
Santander, Spain: Sal Terrae.
Schaible, Volker. 1983b. “Der Weg der Doubliertechniken:
Versuch einer Zwischenbilanz.”
Maltechnik Restauro 89, no. 4: 250–56.
Scharff 1980
Scharff, Mikkel. 1980. “Klimaskadet maleri fra
Badstuehuset.” Bachelor’s thesis, Royal Danish Academy of
Fine Arts, School of Conservation, Copenhagen.
Scharff 1995
Scharff, Mikkel. 1995. “The Development and Present Status
of Structural Conservation Treatments of Canvas Paintings
in Denmark.” In
Lining and Backing—The Support of Paintings, Paper and
Textiles: Papers Delivered at the UKIC Conference, 7–8
November 1995, edited by Andrew Durham and United Kingdom Institute
for Conservation of Historic and Artistic Works. London:
United Kingdom Institute for Conservation of Historic and
Artistic Works.
Scharff 1998
Scharff, Mikkel. 1998. “Training in Paintings
Conservation.” In
Royal Danish Academy of Fine Arts, School of
Conservation: The Jubilee Symposium Preprints, edited by K. Borschersen, 131–38. Copenhagen: Royal
Danish Academy of Fine Arts, School of Conservation.
Scharff 2000
Scharff, Mikkel. 2000. “Insight into Nineteenth-Century
Paintings Conservation in Denmark.” In
Tradition and Innovation: Advances in Conservation,
IIC, Contributions to the Melbourne Congress, edited by Ashok Roy and Perry Smith, 177–81. London:
IIC.
Scharff 2012
Scharff, Mikkel. 2012. “Structural Treatment of Canvas
Paintings, Especially Using Low Pressure Suction Tables.”
In Conservation of Easel Paintings, edited by
Joyce Stoner and Rebecca Rushfield, 396–408.
Abingdon-on-Thames, UK: Routledge.
Schellmann 2007
Schellmann, Nanke C. 2007. “Animal Glues: A Review of
Their Key Properties Relevant to Conservation.”
Studies in Conservation 52, no. S1: 55–66.
Schiessl 1983
Schiessl, Ulrich. 1983. “Das Leinwandgemälde auf der
starren Platte.” Maltechnik Restauro 89, no. 4:
233–49.
Schlotter 2009
Schlotter, A. 2009. “Het plafondstuk op doek uit de Grote
Zaal van Huys Amerongen & Onderzoek naar het bedoeken
van een plafondstuk.” SRAL archives, unpublished treatment
report.
Schneider 2021
Schneider, A., ed. 2021.
Michael Armitage, Paradise Edict. Exhibition
catalogue, Haus der Kunst. Cologne: Verlag der
Buchhandlung Walther und Franz König; Munich: Haus der
Kunst.
Schwartz and Kossmann 1998
Schwartz, M., and H. Kossmann. 1998. “Acrylic and
Acrylic/Styrene Copolymer Dispersions.”
European Coatings Journal 3: 134–40.
Schwartzbaum 1993
Schwartzbaum, Paul. 1993. “Fieux Linings from the 1980s.”
Paper presented at the Gerry Hedley Memorial
Forum—Mechanical Behaviour of Paintings: Experience and
Theory, Ottawa, October 22–23, 1993.
Seccaroni 2012
Seccaroni, C. 2012. “A New Survey of Caravaggio’s Canvases
and Preparatory Layers: Materials and Aesthetic Effects.”
In
Caravaggio’s Painting Technique: Proceedings of the
Charisma Workshop, edited by Marco Ciatti and Brunetto Giovanni Brunetti,
56–67. Florence: Nardini Editore.
Secco-Suardo 1866
Secco-Suardo, Giovanni. 1866.
Manuale ragionato per la parte meccanica dell’arte del
ristauratore dei dipinti. Milan: Tipografia di P. Agnelli.
Semechkina 1993
Semechkina, Elena. 1993. “Techniques of Applying Acrylic
Polymer A-45K on the Lining Cloth and Their
Effectiveness.” In
Sculpture: Applied Arts: Conservation: Research,
edited by N. N. Bankovskiy and T. I Barabanova, 122–26.
Moscow: VHNRC.
Seymour and Strombek 2022
Seymour, Kate, and Joanna Strombek. 2022.
The Mist-Lining Handbook. E-book. Maastricht:
Stichting Restauratie Atelier Limburg.
Seymour and van Och 2005
Seymour, Kate, and Jos van Och. 2005. “A Cold-Lining
Technique for Large-Scale Paintings.” In
Big Pictures: Problems and Solutions for Treating
Outsize Paintings, edited by Sally Woodcock, 96–104. London: Archetype.
Shapley 1973
Shapley, Fern Rusk. 1973.
Paintings from the Samuel H. Kress Collection: Italian
Paintings XVI–XVIII Century. London: Phaidon.
Silva, Doménech-Carbó, and Osete-Cortina 2015
Silva, Miguel F., María Teresa Doménech-Carbó, and Laura
Osete-Cortina. 2015. “Characterization of Additives of
PVAc and Acrylic Waterborne Dispersions and Paints by
Analytical Pyrolysis-GC-MS and
Pyrolysis-Silylation-GC-MS.”
Journal of Analytical and Applied Pyrolysis 113:
606–20.
Silvagni 1883
Silvagni, D. 1883.
La corte e la società romana nei secoli XVIII e XIX. Rome: Forzani.
Simon 2017
Simon, Jacob. 2017. “Restoration Practice in Museums and
Galleries in Britain in the Nineteenth Century.” In
A Changing Art: Nineteenth-Century Painting Practice
and Conservation, edited by Nicola Costaras, Kate Lowry, Helen Glanville,
Pippa Balch, Victoria Sutcliffe, and Polly Saltmarsh,
5–13. London: Archetype.
Sindlinger-Maushardt and Petersen 2007
Sindlinger-Maushardt, Kathrin, and Karin Petersen. 2007.
“Methylcellulose als Klebemittel für die
Malschichtfestigung auf Leinwandbildern - Untersuchungen
zur Klebkraft und zur mikrobiellen Resistenz.”
Zeitschrift für Kunsttechnologie und Konservierung
21, no. 2: 371–82.
Siniscalco 1979
Siniscalco, M. 1979. “Documenti sui pittori Gennaro
Pierri, Clemente Ruta, Luigi Restile, Fedele Fischetti,
Giacomo Cestaro, Girolamo Storace, Antonio Sarnelli,
Francesco Celebrano e sugli incisori Filippo Morghen e
Pietro Campana: Sulla Arazzeria e sui Palazzi reali di
Portici e Caserta.” In
Le arti figurative a Napoli nel Settecento (Documenti e
ricerche), edited by N. Spinosa, 269–99. Naples: Società Editrice
Napoletana.
Siracusano 2005
Siracusano, Gabriela. 2005.
El poder de los colores: De lo material a lo simbólico
en las prácticas culturales andinas: Siglo XVI–XVIII. Buenos Aires: Fondo de Cultura Económica.
Slabczynski 1960
Slabczynski, Stefan. 1960. “The Large Vacuum Hot-Table for
Wax Relining of Paintings in the Conservation Department
of the Tate Gallery.” Studies in Conservation 5,
no. 1: 1–16.
Smith 1965
Smith, Thor L. 1965. “Deformation and Failure of Plastics
and Elastomers,”
Polymer Engineering and Science 5, no. 4: 270–79.
Smith, Holmes-Smith, and Lennard 2019
Smith, Margaret J., A. Sheila Holmes-Smith, and Frances
Lennard. 2019. “Development of Non-destructive Methodology
Using ATR-FTIR with PCA to Differentiate between
Historical Pacific Barkcloth.”
Journal of Cultural Heritage 39: 32–41.
http://eprints.gla.ac.uk/182259/.
Smith, Thompson, and Hermens 2016
Smith, Margaret J., K. Thompson, and E. Hermens. 2016.
“Breaking Down Banners: Analytical Approaches to
Determining the Materials of Painted Banners.”
Heritage Science 4: 23.
http://eprints.gla.ac.uk/116762/.
Soppa 2018
Soppa, Karolina. 2018. “Die Klebung von Malschicht und
textilem Bildträger. Untersuchung des Eindringverhaltens
von Gelatinen sowie Störleim und Methylcellulose bei der
Klebung von loser Malschicht auf isolierter und
unisolierter Leinwand mittels vorhergehender
Fluoreszenzmarkierung – Terminologie, Grundlagenanalyse
und Optimierungsansätze.” PhD diss., Staatliche Akademie
der Bildenden Künste Stuttgart.
Soppa et al. 2014
Soppa, Karolina, Tilly Laaser, Christoph Krekel, Margaux
Genton, and Thuja Seidel. 2014. “Adhesion and Penetration
of Sturgeon Glue and Gelatines with Different Bloom
Grades.” In
ICOM Committee for Conservation: 17th Triennial
Conference: Building Strong Culture through
Conservation: Melbourne, 15–19 September 2014, Preprints, edited by Janet Bridgland, art.
1313. Paris: ICOM-CC.
Soppa et al. 2017
Soppa, Karolina, Stefan Zumbühl, Manon Léchenne, and Anne
Muszynski. 2017. “A Study of Thickened Protein Glues for
the Readhesion of Absorbent Flaking Paints with
Methylcellulose and Wheat Starch Paste.” In
Gels in the Conservation of Art, edited by Lora
Angelova, Bronwyn Ormsby, Joyce H. Townsend, and Richard
C. Wolbers, 96–100. London: Archetype.
Sörries 1998
Sörries, Reiner. 1998.
Tanz der Toten—Todestanz: Der monumentale Totentanz im
deutschsprachigen Raum
[Dance of the Dead—Dance of Death: The Monumental Dance of
Death in German-Speaking Countries at the Museum of
Sepulchral Culture]. Exhibition catalogue. Kassel,
Germany: Röll.
Spear 2006
Spear, Richard. 2006. “Antoine Dubost’s ‘Sword of
Damocles’ and Thomas Hope: An Anglo-French Skirmish.”
Burlington Magazine 148, no. 1241: 520–27.
Spicer 2019
Spicer, Gwen. 2019.
Magnetic Mounting Systems for Museums and Cultural
Institutions. Delmar, NY: Spicer Art Books.
A. Spinosa 1979
Spinosa, Aurora. 1979. “Ancora sul Laboratorio di Pietre
dure e sull’Arazzeria: I documenti dell’Accademia di Belle
Arti di Napoli.” In
Le arti figurative a Napoli nel Settecento (Documenti e
ricerche), edited by Nicola Spinosa, 325–84. Naples: Società
Editrice Napoletana.
N. Spinosa 1979
Spinosa, Nicola, ed. 1979.
Le arti figurative a Napoli nel Settecento (Documenti e
ricerche). Naples: Società Editrice Napoletana.
Standeven 2011
Standeven, H. 2011.
House Paints, 1900–1960: History and Use. Los
Angeles: Getty Conservation Institute.
Standring 1988
Standring, T. J. 1988. “Some Pictures by Poussin in the
Dal Pozzo Collection: Three New Inventories.”
Burlington Magazine 130, no. 1025: 608–26.
Staniforth and Bomford 1985
Staniforth, Sarah, and David Bomford. 1985. “Lining and
Colour Change: Further Results.”
National Gallery Technical Bulletin 9: 65–69.
Straub 1965
Straub, R. E. 1965. “Nachteile des Doublierens af dem
Vakuumheiztisch und Wege zu ihrer Behebung.”
Maltechnik restauro, no. 4: 97–102.
Straub and Rees Jones 1955
Straub, R., and S. Rees Jones. 1955. “Marouflage, Relining
and Treatment of Cupping with Atmospheric Pressure.”
Studies in Conservation 2, no. 2: 55–63.
Staudinger and Reinecke 1939
Staudinger, H., and F. Reinecke. 1939. “Über den
Polymerisationsgrad von Zellulosen in alten Geweben.”
Melliand Textilberichte 20: 109–10.
Sterp Moga and Sánchez Ortiz 2019
Sterp Moga, Emanuel, and Alicia Sánchez Ortiz. 2019.
“Imanes de neodimio como propuesta de mínima intervención
para procesos de conservación en soporte de tela pintados:
corrección de deformaciones.” Ge-Conservación 1,
no. 15: 65–75.
Stoll and Fengel 1981
Stoll, Manfred, and Dietrich Fengel. 1981. “Untersuchungen
über die Alterung von Cellulose anhand von altägyptischen
Leinenproben.” Das Papier 35: 178–85.
Stols-Witlox 2017
Stols-Witlox, Maartje. 2017.
A Perfect Ground: Preparatory Layers for Oil Paintings
1550–1900. London: Archetype.
Stoner 1994
Stoner, Joyce Hill. 1994. “The Impact of Research on the
Lining and Cleaning of Easel Painting.”
Journal of the American Institute for Conservation
33, no. 2: 131–40.
Stoner 2005
Stoner, Joyce Hill. 2005. “Changing Approaches in Art
Conservation: 1925 to the Present.” In
Scientific Examination of Art: Modern Techniques in
Conservation and Analysis, 40–57. Washington, DC: National Academies Press.
https://doi.org/10.17226/11413.
Stoner and Rushfield 2012
Stoner, Joyce Hill, and Rebecca Rushfield. 2012.
Conservation of Easel Paintings: Principles and
Practice. Oxford: Butterworth-Heinemann.
Struik 1980
Struik, L. C. E. 1980.
Physical Ageing in Amorphous Polymers and Other
Materials. Amsterdam: Elsevier.
Súmano González 2010
Súmano González, Rita. 2010. “Estudio de la técnica de
factura de los soportes textiles de la pintura de
caballete en México, siglos XVII al XIX.” Bachelor’s
diss., Escuela Nacional de Conservación, Restauración y
Museografía, Mexico City.
Surovov and Yashkina 1979
Surovov, Ivan, and Larisa Yashkina. 1979. “Methods of
Treating Tears, Losses in Canvas and Edges on Easel Oil
Paintings Edge-to-Edge.”
Artistic Heritage: Storage, Research, Restoration
5, no. 35: 117–21.
Sutherland 2010
Sutherland, Ken. 2010. “Bleached Shellac Picture Varnish
Characterization and Case Studies.”
Journal of the Institute of Conservation 33, no.
2: 129–45.
Svagan, Hedenqvist, and Berglund 2009
Svagan, Anna J., Mikael S. Hedenqvist, and Lars Berglund.
2009. “Reduced Water Vapour Sorption in Cellulose
Nanocomposites with Starch Matrix.”
Composites Science and Technology 69, no. 3–4:
500–506.
https://doi.org/10.1016/j.compscitech.2008.11.016.
Swider and Smith 2005
Swider, Joseph R., and Martha Smith. 2005. “Funori:
Overview of a 300-Year-Old Consolidant.”
Journal of the American Institute for Conservation
44, no. 2: 117–26.
http://www.jstor.org/stable/40025138.
Swoboda 2008
Swoboda, Gudrun. 2008.
Die Wege der Bilder eine Geschichte der kaiserlichen
Gemäldesammlungen von 1600 bis 1800. Edited by Wilfried Seipel. Vienna: Kunsthistorisches
Museum.
Tan, Tay, and Teo 2005
Tan, V. B. C., T. E. Tay, and W. K. Teo. 2005.
“Strengthening Fabric Armour with Silica Colloidal
Suspensions.”
International Journal of Solids and Structures
42, nos. 5–6: 1561–76.
https://doi.org/10.1016/j.ijsolstr.2004.08.013.
Tandon and Weng 1986
Tandon, G. P., and G. J. Weng. 1986. “Average Stress in
the Matrix and Effective Moduli of Randomly Oriented
Composites.”
Composites Science and Technology 27, no. 2:
111–32.
https://doi.org/10.1016/0266-3538(86)90067-9.
Tantideeravit et al. 2013
Tantideeravit, D., M. N. Charalambidesa, D. S. Balinta,
and C. R. T. Young. 2013. “Prediction of Delamination in
Multilayer Artist Paints under Low Amplitude Fatigue
Loading.” Engineering Fracture Mechanics 112–13:
41–57.
https://doi.org/10.1016/j.engfracmech.2013.09.011.
TAPPI 2007
TAPPI (Technical Association of the Pulp and Paper
Industry). 2007.
Zero-Span Breaking Strength of Pulp (Dry Zero-Span
Tensile). T 231 cm-07. Atlanta: TAPPI.
Tassiniari 2003
Tassiniari, Enzo. 2003. “Characterisation of Lining
Canvases.” In
Lining Paintings: Papers from the Greenwich Conference
on Comparative Lining Techniques, edited by Caroline Villers, 96–100. London: Archetype.
Tauber et al. 2018
Tauber, Gwen, S. Smelt, P. Noble, K. Kirsch, A. Siejek, K.
Keune, H. van Keulen, S. Smulders-De Jong, and R. Erdman.
2018. “Evolon C®: Its Use from a Scientific
and Practical Conservation Perspective.”
AIC Paintings Specialty Group Postprints 31:
45–50.
Thickett et al. 2007
Thickett, David, Phillip Fletcher, Andrew Calver, and
Sarah Lambarth. 2007. “The Effect of Air Tightness on RH
Buffering and Control.” In
Museum Microclimates: Contributions to the Copenhagen
Conference, 19–23 November 2007, edited by Timothy Padfield and Karen Borchersen,
245–51. Copenhagen: National Museum of Denmark.
Timar-Balazsy and Eastop 1998
Timar-Balazsy, Ágnes, and Dinah Eastop. 1998.
Chemical Principles of Textile Conservation.
Oxford: Butterworth-Heinemann.
Timoshenko 1925
Timoshenko, S. 1925. “Analysis of Bi-Metal Thermostats.”
Journal of the Optical Society of America 11:
233–55.
Tiozzo 2000
Tiozzo, V. 2000.
Dal decalogo Edwards alla carta del restauro.
Saonara, Italy: Il Prato.
Torah et al. 2018
Torah, Russel, Jake Lawrie-Ashton, Yi Li, Sasikumar
Arumugam, Henry A. Sodano, and Steve Beeby. 2018.
“Energy-Harvesting Materials for Smart Fabrics and
Textiles.” MRS Bulletin 43, no. 3: 214–19.
Toriumi 2018
Toriumi, Hidemi. 2018. “Development of Cleaning Method for
Paintings in Europe and the United States since the
1980s.” In
Japan Society for the Conservation of Cultural Property
40th Conference Preprints, Kyoto (Japan), 16–17 June
2018, 280–81.
Townsend et al. 2008
Townsend, J., T. Doherty, G. Heydenreich, and J. Ridge,
eds. 2008.
Preparation for Painting: The Artist’s Choice and Its
Consequences. London: Archetype.
Tranquilli 1996
Tranquilli, G. 1996. “Aspetti tecnici dell’attività di
Pietro Edwards: Metodologia di intervento e materiali
utilizzati per il restauro dei dipinti su tela.”
Bollettino d’Arte 81, nos. 96–97: 173–88.
Treloar 1975
Treloar, Leslie Ronald George. 1975.
The Physics of Rubber Elasticity. 3rd ed. Oxford:
Clarendon Press.
Trostyanskaya, Tomashevich, and Sorokina 1960
Trostyanskaya, Elena, Galina Tomashevich, and Evdokiya
Sorokina. 1960. “Adhesives for Lining.” In
Issues in Restoration and Conservation of Works of
Visual Art, 173–82. Moscow: Publishing of Academy of Arts.
Tsuchiya 2018
Tsuchiya, Yuko. 2018. “Stabilization Treatment for Acrylic
Paintings on Cotton Cloth.”
Stabilization Processing: Multi-organizational
Co-operative Project for Preserving and Restoring
Cultural Assets Damaged by Tsunami on March 11th,
2011, 33–42. Enlarged edition. Tokyo: ICOM Japan.
Tsuchiya et al. 2014
Tsuchiya, Yuko, Nobuyuki Kamba, Hiroshi Wada, Tominori
Araki, Haruhiko Suzuki, Otoyo Yonekura, Tomoe Hirakawa,
Ayako Ogawa, Hiroshi Haze, Norie Nishihara, and Kumi
Ikegam. 2014. “Conservation Treatment for Recovery Efforts
after the Disaster with Cultural Assets: Experiments of
Desalination for Canvas Paintings.” In
Japan Society for the Conservation of Cultural Property
36th Conference Preprints, Tokyo (Japan), 7–8 June
2014, 182–83.
Tsuchiya et al. 2015
Tsuchiya, Yuko, Hiroshi Haze, Eriko Nakau, Kumi Masuda,
Marie Moto, Hiroshi Wada, Tominori Araki, and Nobuyuki
Kamba. 2015. “Conservation Treatment for Recovery Efforts
after the Disaster with Cultural Assets: Experiments of
Desalination for Paintings on Linen Canvas.” In
Japan Society for the Conservation of Cultural Property
37th Conference Preprints, Kyoto (Japan), 27–28 June
2015, 86–87.
Tsuchiya et al. 2017
Tsuchiya, Yuko, Eriko Hoshi, Marie Moto, Hiroshi Haze, and
Nobuyuki Kamba. 2017. “Stabilization of Canvas Paintings
Damaged by Tsunami: Desalination of Blotter Washing to
Acrylic Paintings on Cotton Canvas.” In
Japan Society for the Conservation of Cultural Property
39th Conference Preprints, Kanazawa (Japan), 1–2 July
2017, 28–29.
Tudor-Hart 1931
Tudor-Hart, P. 1931. “Nettoyage, rentoilage et vernissage
des peintures.” Mouseion 15, no. 3: 23–40.
Tumosa and Mecklenburg 2004
Tumosa, Charles S., and Marion F. Mecklenburg. 2004.
“Moisture Isotherms of Acrylic Emulsion Paints.”
WAAC Newsletter 26, no. 3: 12–14.
Turine 2007
Turine, Roger-Pierre. 2007.
Les arts du Congo: d’Hier à nos jours. Brussels:
La Renaissance du Livre.
Urbani 1969
Urbani, G., ed. 1969. “Propositions pour un programme de
recherches sur la conservation des peintures sur toile”
[Proposals for a Research Program on the Conservation of
Paintings on Canvas]. ICOM Report 69/45. Paris: ICOM.
Utada and Morita 1968
Utada, Shinsuke, and Tsuneyuki Morita. 1968.
Tokyo geijutsu daigaku geijutsu shiryōkan nenpō
東京芸術大学芸術資料館年報, 23–24. Tokyo geijutsu daigaku geijutsu shiryōkan
東京芸術大学芸術資料館.
van den Berg et al. 1996
van den Berg, Klaas Jan, Ivana Pastorova, Leo Spetter, and
Jaap J. Boon. 1996. “State of Oxidation of Diterpenoid
Pinaceae Resins in Varnish, Wax Lining Material, 18th
Century Resin Oil Paint, and a Recent Copper Resinate
Glaze.” In
ICOM-CC 11th Triennial Meeting: Edinburgh, Scotland,
1–6 September 1996: Preprints, edited by Janet Bridgland, 930–37. London: ICOM
Committee for Conservation.
van der Donk, de Herder, and van Lier 1996
van der Donk, Herbert, Hans de Herder, and André van Lier.
1996. “Restauratie Panorama Mesdag.” In
Magisch Panorama. Panorama Mesdag, een belevenis in
ruimte en tijd, edited by Yvonne van Eekelen, Mattie Boom, Jan E.
Schierbeek, and Gerrit Willems, 151–63. Zwolle: Waanders.
van Eikema Hommes and Froment 2011
van Eikema Hommes, Margriet, and Emilie Froment. 2011.
“The Decoration Programme in the Galleries of the Royal
Palace Amsterdam: An Harmonious Interaction between
Painting, Architecture and Light?” In
The Batavian Commissions, edited by Marianna van
der Zwaag, 35–53. Amsterdam: Royal Palace Amsterdam.
van Loon 2008
van Loon, Annelies. 2008.
Color Changes and Chemical Reactivity in
Seventeenth-Century Oil Paintings. Amsterdam: University of Amsterdam.
van Loon, Noble, and Burnstock 2021
van Loon, Annelies, Petria Noble, and Aviva Burnstock.
2021. “Ageing and Deterioration of Traditional Oil and
Tempera Paints.” In
Conservation of Easel Paintings, edited by Joyce
Hill Stoner and Rebecca Rushfield, 329–56. London:
Routledge.
van Och and Hoppenbrouwers 2003
van Och, Jos, and René Hoppenbrouwers. 2003. “Mist-Lining
and Low-Pressure Envelopes: An Alternative Lining Method
for the Reinforcement of Canvas Paintings.”
Zeitschrift für Kunsttechnologie und Konservierung
17, no. 1: 116–28.
Vasari [1568] 1998
Vasari, Giorgio. [1568] 1998.
Las vidas de los más excelentes arquitectos, pintores y
escultores italianos desde Cimabue a nuestros tiempos. Anthology. Madrid: “Tecnos.”
Véliz 1982
Véliz, Z. 1982. “Francisco Pacheco’s Comments on Painting
in Oil.” Studies in Conservation, no. 2: 49–57.
Ventra 2016
Ventra, S. 2016. “Tommaso Minardi ‘Per il miglioramento e
buon sistema’ della quadreria Corsini.” In
Storie di Palazzo Corsini, edited by A. Cosma and
S. Pedone, 39–57. Rome: Campisano.
Villers 2000
Villers, Caroline. 2000.
The Fabric of Images: European Paintings on Textile
Supports in the 14th and 15th Centuries.
London: Archetype.
Villers 2003a
Villers, C. 2003. “Introduction.” In
Lining Paintings: Papers from the Greenwich Conference
on Comparative Lining Techniques, edited by Caroline Villers, xi–xvi. London: Archetype.
Villers 2003b
Villers, Caroline, ed. 2003.
Lining Paintings: Papers from the Greenwich Conference
on Comparative Lining Techniques. London: Archetype.
von Manteuffel-Szoege 1980
von Manteuffel-Szoege, D. 1980. “Jahrestagung des
Deutschen Restauratorenverbandes e.V. 1980.”
Maltechnik Restauro 86, no. 4: 247–49.
Von Perger 2013
Von Perger, Mischa. 2013.
Totentanz-Studien. Hamburg: Verlag Dr. Kovac.
Von Reden 2018
Von Reden, Anna. 2018. “Studien zum hygrischen Verhalten
gealterter Leinwände (Studies on the Hygric Behavior of
Aged Canvases.” PhD diss., Dresden University of Fine
Arts.
https://nbn-resolving.org/urn:nbn:de:bsz:14-qucosa2-340450.
Voronina 2019
Voronina, Marina. 2019. “Developing Individual Method and
Conservation of the Painting from State Historical Museum
Portrait of Duke B. A. Golitsyn.” In
Materials of All-Russian Scientific and Practical
Conference “RESCON-2019,” edited by S. G Burshneva, 120–24. Kazan, Russia: Kazan
University Press.
http://www.gosniir.ru/file.ashx?objid=10fd34b6-8329-4b61-b39b-bf25c46f63e0.
Wågberg and Bjőrklund 1993
Wågberg, L., and M. Bjőrklund. 1993. “On the Mechanism
behind Wet Strength Development in Papers Containing Wet
Strength Resins.”
Nordic Pulp and Paper Research Journal 8, no. 1:
53–58.
https://doi.org/10.3183/npprj-1993-08-01-p053-058.
Walden 1985
Walden, Sarah. 1985.
The Ravished Image: Or How to Ruin Masterpieces by
Restoration.
New York: St. Martin’s Press.
Walde, Wernitznig, and Oberthaler 2014
Walde, Gerhard, Simone Wernitznig, and Elke Oberthaler.
2014. “Ein grosses Stukh von Öhlfarb auff Leinwaeth. ‘Zur
Konservierung und Restaurierung des Stilllebens mit Büste
Erzherzog Leopold Wilhelms.’” In
Technologische Studien 11, edited by
Kunsthistorisches Museum and Sabine Haag, 172–205. Vienna:
Kunsthistorisches Museum.
Wales 1968
Wales, Carroll. 1968. “Lining Torn Paintings on Aluminum
Panel.”
Bulletin of the American Group, International Institute
for Conservation of Historic and Artistic Works
8, no. 2: 15–17.
Waller and Michalski 2004
Waller, Robert, and Stefan Michalski. 2004. “Effective
Preservation: From Reaction to Prediction.”
The Getty Conservation Institute Newsletter 19,
no. 1: 4–9.
Wang et al. 2018
Wang, Zhenzhou, Jiangbo Bai, Adam Sobey, Junjiang Xiong,
and Ajit Shenoi. 2018. “Optimal Design of Triaxial Weave
Fabric Composites under Tension.”
Composite Structures 201: 616–24.
Weddigen 1980
Weddigen, Erasmus. 1980. “Zur Fragwürdigkeit des
Doublieren.”
Mitteilungen Deutscher Restauratorenverband 1:
30–34.
Weddigen 1981
Weddigen, Erasmus. 1981. “Tagungsbericht des SKR aus La
Chaux-de-Fonds 28.-30.5.81.”
Maltechnik Restauro 87, no. 4: 276–78.
White 1978
White, Raymond. 1978. “The Application of
Gas-Chromatography to the Identification of Waxes.”
Studies in Conservation 23, no. 2: 57–68.
Whitlum-Cooper et al. 2019
Whitlum-Cooper, Francesca, Letizia Treves, and Susannah
Avery-Quash. 2019. “[In]Visible: Paintings by Women
Artists in the National Gallery, London: An Interview with
Letizia Treves and Francesca Whitlum-Cooper.”
19: Interdisciplinary Studies in the Long Nineteenth
Century
28.
https://doi.org/10.16995/ntn.850.
Wiesmann 2007
Wiesmann, Alexander. 2007. “Der Restaurator: Ein
Berufsbild im Wandel: Zur Gemälderestaurierung an Hand von
Münchner Quellen zwischen 1850 und 1950.” PhD diss.,
Julius-Maximilians-Universität Würzburg.
Williams 1989
Williams, Scott R. 1989. “Blooms, Blushes, Transferred
Images, and Mouldy Surfaces: What Are These Distracting
Accretions on Art Works?” In
Proceedings of the 14th Annual IIC-CG Conference,
Toronto, May 27–30, 1988, edited by Johanna G. Wellheiser, 65–84. Ottawa: IIC
Canadian Group.
Williams, Landel, and Ferry 1955
Williams, Malcolm L., Robert F. Landel, and John D. Ferry.
1955. “The Temperature Dependence of Relaxation Mechanisms
in Amorphous Polymers and Other Glass-Forming Liquids.”
Journal of the American Chemical Society 77, no.
14: 3701–7.
https://doi.org/10.1021/ja01619a008.
Wingel et al. 2019
Wingel, Kelsey, Richard Hark, Katherine Schilling, Marcie
Wiggins, Pablo Londero, Anikó Bezur, and Cynthia Schwarz.
2019. “Hazy Conditions: Revealing the Materials and
Techniques of Edwin Austin Abbey’s Efflorescing Oil
Paintings and Exploring New Approaches to Treatment.” In
AIC Paintings Specialty Group Postprints 32,
edited by Wendy Partridge, 131–56. Washington, DC: AIC.
Witte, Florquin, and Goessens-Landrie 1984
Witte, E. de, S. Florquin, and M. Goessens-Landrie. 1984.
“Influence of the Modification of Dispersions on Film
Properties.” Studies in Conservation 29, supp1:
32–35.
Wolbers 2006
Wolbers, Richard. 2006. “Proprietà meccaniche a breve
termine degli adesivi: effetto dei solventi e dei
plastificanti.” In
L’attenzione alle superfici pittoriche: materiali e
metodi per il consolidamento e metodi scientifici per
valutarne l’efficacia: atti del congresso, Milano, 10–11
novembre 2006, 115–22. Padua: Il Prato.
Wolbers 2008
Wolbers, Richard. 2008. “Short Term Mechanical Properties
of Adhesives: Solvent and Plasticizer Effects.” In
The Care of Painted Surfaces: Materials and Methods for
Consolidation, and Scientific Methods to Evaluate Their
Effectiveness; Proceedings of the Conference, Milan,
10-11 November 2006; Third International Congress on
Color and Conservation, Materials and Methods of
Restoration of Movable Polychrome Works, CESMAR7: The
Center for the Study of Materials Restoration.
Saonara, Italy: Il Prato.
Wolters 1960
Wolters, Christian. 1960. “Some Notes on Vacuum
Hot-Tables. Doerner-Institut, Bayerische
Staatsgemäldesammlungen.”
Studies in Conservation 1, no. 5: 18–20, fig. 20.
Wood et al. 2018
Wood, Joseph D., Cécilia Gauvin, Christina R. T. Young,
Ambrose C. Taylor, Daniel S. Balint, and Maria N.
Charalambides. 2018. “Cracking in Paintings Due to
Relative Humidity Cycles.”
Procedia Structural Integrity 13: 379–84.
https://doi.org/10.1016/j.prostr.2018.12.063.
Xu, Liyun, Jiawen Deng, Ying Guo, Wei Wang, Ruiyun Zhang,
and Jianyong Yu. 2019. “Fabrication of Super-hydrophobic
Cotton Fabric by Low-Pressure Plasma-Enhanced Chemical
Vapor Deposition.” Textile Research Journal 89,
no. 10: 1853–62.
Xu et al. 2020
Xu, Q., G. Poggi, C. Resta, M. Baglioni, and P. Baglioni.
2020. “Grafted Nanocellulose and Alkaline Nanoparticles
for the Strengthening and Deacidification of Cellulosic
Artworks.”
Journal of Colloid and Interface Science 576:
147–57.
https://doi.org/10.1016/j.jcis.2020.05.018.
Yabrova 1975
Yabrova, Roza. 1975. “A Study of Effectiveness of Glutine
(Sturgeon) Glue Plastification.”
Artistic Heritage: Storage, Research, Restoration
1, no. 31: 3–20.
Yashkina 2003
Yashkina, Larisa. 2003. “Relining of Easel Oil Paintings
with Sturgeon Glue.” In
Lining Paintings: Papers from the Greenwich Conference
on Comparative Lining Techniques, edited by Caroline Villers, 101–4. London: Archetype.
Yashkina and Churakova 2013
Yashkina, Larisa, and Maria Churakova. 2013. “Methods of
Tear Mending, Filling Losses in Canvas and Edges on Easel
Oil Paintings by Jointing Threads: 1978–2008.” In
Artistic Heritage: Storage, Research, Restoration
27 (57).
Young 1996
Young, Christina. 1996. “Biaxial Properties of Sized
Cotton-Duck.” In
ICOM Committee for Conservation 11th Triennial Meeting,
Edinburgh, 1–6 September 1996, 322–31. London: James & James.
http://eprints.gla.ac.uk/137319/.
Young 1999
Young, Christina. 1999. “Towards a Better Understanding of
the Physical Properties of Lining Materials for Paintings:
Interim Results.” The Conservator 23, no. 1:
83–91.
Young 2003
Young, Christina. 2003. “The Mechanical Requirements of
Tear Mends.” In
Alternatives to Lining: Structural Treatment of
Paintings on Canvas without Lining: A Conference Held
Jointly by the British Association of Paintings
Conservator-Restorers and the United Kingdom Institute
for Conservation Paintings Section, 19 September 2003:
Preprints, edited by Mary Bustin and Tom Caley, 55–58. London:
United Kingdom Institute for Conservation of Historic and
Artistic Works.
Young 2005
Young, Christina. 2005. “Accelerated Aging of Fabric
Supports: Is It Possible?” In
Scientific Analysis of Ancient and Historic Textiles:
Informing Preservation, Display and Interpretation:
Postprints, edited by Rob Janaway and Paul Wyeth, 111–17. London:
Archetype.
Young 2012
Young, Christina. 2012. “History of Fabric Supports.” In
Conservation of Easel Paintings, edited by J. H.
Stoner and R. A. Rushfield, 116–47. Abingdon-on-Thames,
UK: Routledge.
Young 2013
Young, Christina. 2013. “The Use of 3D ESPI for the
Structural Analysis of Paintings on Canvas.” In
LACONA IX: Lasers in the Conservation of Artworks, edited by David Saunders, Matija Strlič, Capucine
Korenberg, Naomi Luxford, and Karen Birkhölzer, 108–15.
London: Archetype.
Young and Ackroyd 2001
Young, Christina, and Paul Ackroyd. 2001. “The Mechanical
Behavior and Environmental Response of Paintings to Three
Types of Lining Treatment.”
National Gallery Technical Bulletin 22: 85–104.
Young and Hibberd 1999
Young, Christina R. T., and Roger D. Hibberd. 1999.
“Biaxial Tensile Testing of Paintings on Canvas.”
Studies in Conservation 44, no. 2: 129–41.
Young and Hibberd 2000
Young, Christina R. T., and Roger D. Hibberd. 2000. “The
Role of Attachments in the Degradation and Strain
Distribution of Canvas Paintings.” In
Tradition and Innovation: Advances in Conservation, edited by Ashok Roy and Perry Smith, 212–20. London:
International Institute for Conservation of Historic and
Artistic Works.
Young, Hibberd, and Ackroyd 2002
Young, Christina, Roger Hibberd, and Paul Ackroyd. 2002.
“An Investigation into the Adhesive Bond and Transfer of
Tension in Lined Canvas Paintings.” In
13th ICOM-CC Triennial Meeting, Rio de Janeiro, Brazil,
22–27 September 2002, 370–78. London: James & James.
Young and Jardine 2012
Young, Christina, and Suzanne Jardine. 2012. “Fabrics for
the Twenty-First Century: As Artist Canvas and for the
Structural Reinforcement of Easel Paintings on Canvas.”
Studies in Conservation 57, no. 4: 237–53.
Yurovetskaya 2016
Yurovetskaya, Anastasia. 2016. “Application of the
Techniques of the State Research Institute for Restoration
on the Example of Structural Conservation of the Painting
Portrait of a Woman in Black from the Collection
of I. Mashkov Fine Art Museum in Volgograd.” In
Materials of the 3rd International Scientific and
Practical Seminar: The Preservation of Cultural
Heritage: The Scientific Study and Conservation of
17th–19th Century Dutch and Flemish Painting, 8–12 June
2015, edited by A. Chernyavskaya, E. Reutova, I. Simonova,
and B. Vermet, 144–52. Amsterdam: Maarten Spruyt.
Yushkevich 1995
Yushkevich, Galina. 1995. “Repairing the Mechanical
Damages on Easel Oil Paintings on Canvas without Lining.”
In
Reposts of the State Tretyakov Gallery: Art of the
Second Part of the 19th–20th Centuries: Issues on
Conservation and Museology, edited by L. I. Iovleva, 176–81. Moscow: State
Tretyakov Gallery.
Zavala Cabello 2013
Zavala Cabello, Mónica Marisol. 2013. “La paleta del
pintor novohispano. Los pigmentos y la representación del
color.” Master’s diss., Universidad Nacional Autónoma de
México, Mexico City.
Zawadzki et al. 2012
Zawadzki, Witold, Marcin Bartosik, Krzysztof Dzierżga,
Łukasz Bratasz, Michał Łukomski, and Elizabeth Peacock.
2012. “Application of Fiber Bragg Gratings for Strain
Measurement in Historic Textiles and Paintings on Canvas.”
Optica Applicata 42: 503–17.
Zaycev 1977
Zaycev, Alexander. 1977. “Stretchers.” In
Restoration of Easel Oil Paintings, 206–12.
Moscow: Iskusstvo.
Zeng et al. 2014
Zeng, Xuesen, Louise P. Brown, Andreas Endruweit, Mikhail
Matveev, and Andrew C. Long. 2014. “Geometrical Modelling
of 3D Woven Reinforcements for Polymer Composites:
Prediction of Fabric Permeability and Composite Mechanical
Properties.”
Composites Part A: Applied Science and
Manufacturing
56: 150–60.
Zhuravlev 2000
Zhuravlev, L. 2000. “The Surface Chemistry of Amorphous
Silica: Zhuravlev Model.”
Colloids and Surfaces A: Physicochemical and
Engineering Aspects
173: 1–38.
Ziegler 1677
Ziegler, Marx. 1677.
Weber Kunst und Bild Buch. Ulm: Augspurg.
Zou et al. 1994
Zou, X., N. Gurnagul, T. Uesaka, and J. Bouchard. 1994.
“Accelerated Aging of Papers of Pure Cellulose: Mechanism
of Cellulose Degradation and Paper Embrittlement.”
Polymer Degradation and Stability 43, no. 3:
393–402.
Zumbühl et al. 2007
Zumbühl, Stefan, Francesca Attanasio, Nadim C. Scherrer,
Wolfgang Müller, Nicolai Fenners, and Walter Caseri. 2007.
“Solvent Action on Dispersion Paint Systems and the
Influence on Morphology: Changes and Destruction of the
Latex Microstructure.” In
Modern Paints Uncovered, edited by Thomas J. S.
Learner, Patricia Smithen, Jay W. Krueger, and Michael
Schilling, 257–68. Los Angeles: Getty Conservation
Institute.