Site Title: Conserving Canvas

Contributors: Edited by Cynthia Schwarz, Ian McClure, and Jim Coddington

Table of Contents

Contents
Foreword — Joan Weinstein and Timothy P. Whalen
Introduction — Ian McClure, Jim Coddington, and Cynthia Schwarz
I. History, Principles, and Theory
II. Present Practice
III. Open Questions and Research
IV. Case Studies
V. The Adhesives Question
VI. Local Interventions and Collections
VII. Conserving Modern and Contemporary Art
VIII. Posters
Glossary
Bibliography
About

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Chicago “IV. Case Studies.” In Conserving Canvas. Los Angeles: Getty Conservation Institute, 2023. https://www.getty.edu/publications/conserving-canvas/iv-case-studies/.

MLA “IV. Case Studies.” Conserving Canvas, by Cynthia Schwarz et al., Getty Conservation Institute, 2023, https://www.getty.edu/publications/conserving-canvas/iv-case-studies/. Accessed DD Mon. YYYY.

© 2023 J. Paul Getty Trust
Glossary © 2023 J. Paul Getty Trust and Archetype Publications Ltd

The text of this work is licensed under a Creative Commons Attribution‑NonCommercial 4.0 International License. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. All images are reproduced with the permission of the rights holders acknowledged in captions and are expressly excluded from the CC BY-NC license covering the rest of this publication. These images may not be reproduced, copied, transmitted, or manipulated without consent from the owners, who reserve all rights.

The text of this work is licensed under a Creative Commons Attribution‑NonCommercial 4.0 International License. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. All images are reproduced with the permission of the rights holders acknowledged in captions and are expressly excluded from the CC BY-NC license covering the rest of this publication. These images may not be reproduced, copied, transmitted, or manipulated without consent from the owners, who reserve all rights.

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IV. Case Studies

IV. Case Studies

22. Self-Portrait as Saint Catherine of Alexandria by Artemisia Gentileschi: A Recent Glue-Paste Relining Treatment at the National Gallery, London — Lynne Harrison
23. Conserving the History and Fabric of the New Bedford Whaling Museum’s Grand Panorama of a Whaling Voyage ’Round the World — Kathryn S. Tarleton and Charlotte Hamlin
24. Working around The Hours: The Structural Treatment of a Twelve-Foot-Round Ceiling Painting by Edwin Austin Abbey — Cynthia Schwarz, Kelsey Wingel, Julianna Ly, and Ian McClure
25. Issues with Congolese Paintings in Belgium’s Africa Museum: Condition Assessment and Research in Transparent Lining — Emilie Desbarax
26. Eighteenth-Century Canvases of Easel Painting from New Spain: The Case of the Apostolate Series of Atizapan, Mexico — Claudia Alejandra Garza Villegas and Naitzá Santiago Gómez

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