Site Title: Conserving Canvas

Contributors: Edited by Cynthia Schwarz, Ian McClure, and Jim Coddington

Table of Contents

Contents
Foreword — Joan Weinstein and Timothy P. Whalen
Introduction — Ian McClure, Jim Coddington, and Cynthia Schwarz
I. History, Principles, and Theory
II. Present Practice
III. Open Questions and Research
IV. Case Studies
V. The Adhesives Question
VI. Local Interventions and Collections
VII. Conserving Modern and Contemporary Art
VIII. Posters
Glossary
Bibliography
About

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Chicago “I. History, Principles, and Theory.” In Conserving Canvas. Los Angeles: Getty Conservation Institute, 2023. https://www.getty.edu/publications/conserving-canvas/i-history/.

MLA “I. History, Principles, and Theory.” Conserving Canvas, by Cynthia Schwarz et al., Getty Conservation Institute, 2023, https://www.getty.edu/publications/conserving-canvas/i-history/. Accessed DD Mon. YYYY.

© 2023 J. Paul Getty Trust
Glossary © 2023 J. Paul Getty Trust and Archetype Publications Ltd

The text of this work is licensed under a Creative Commons Attribution‑NonCommercial 4.0 International License. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. All images are reproduced with the permission of the rights holders acknowledged in captions and are expressly excluded from the CC BY-NC license covering the rest of this publication. These images may not be reproduced, copied, transmitted, or manipulated without consent from the owners, who reserve all rights.

The text of this work is licensed under a Creative Commons Attribution‑NonCommercial 4.0 International License. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. All images are reproduced with the permission of the rights holders acknowledged in captions and are expressly excluded from the CC BY-NC license covering the rest of this publication. These images may not be reproduced, copied, transmitted, or manipulated without consent from the owners, who reserve all rights.

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I. History, Principles, and Theory

I. History, Principles, and Theory

1. Understanding Structure, Changing Practice — Stephen Hackney
2. Applied Mechanics and the Structural Treatment of Paintings on Canvas — Eric Hagan
3. To Treat or Not to Treat, That Is the Question: Structural Treatment of Canvas Paintings from a Danish Perspective — Mikkel Scharff
4. Lining at the National Maritime Museum and at the Courtauld Institute of Art: Past and Present — Camille Polkownik, Clare Richardson, Maureen Cross, and Sarah Maisey
5. The Lining of Paintings on Canvas in Naples — Angela Cerasuolo
6. Structural Conservation of Canvases in Russia from the 1960s to the Present: Evolution of Methods and Approaches — Anastasia Yurovetskaya
7. Sustainable Trajectories for Terminologies, Methods, and Materials in the Structural Treatment of Paintings on Fabric Supports — Matthew Cushman

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