Site Title: Conserving Canvas

Contributors: Edited by Cynthia Schwarz, Ian McClure, and Jim Coddington

Table of Contents

Contents
Foreword — Joan Weinstein and Timothy P. Whalen
Introduction — Ian McClure, Jim Coddington, and Cynthia Schwarz
I. History, Principles, and Theory
II. Present Practice
III. Open Questions and Research
IV. Case Studies
V. The Adhesives Question
VI. Local Interventions and Collections
VII. Conserving Modern and Contemporary Art
VIII. Posters
Glossary
Bibliography
About

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Chicago “II. Present Practice.” In Conserving Canvas. Los Angeles: Getty Conservation Institute, 2023. https://www.getty.edu/publications/conserving-canvas/ii-present-practice/.

MLA “II. Present Practice.” Conserving Canvas, by Cynthia Schwarz et al., Getty Conservation Institute, 2023, https://www.getty.edu/publications/conserving-canvas/ii-present-practice/. Accessed 14 July 2025.

© 2023 J. Paul Getty Trust
Glossary © 2023 J. Paul Getty Trust and Archetype Publications Ltd

The text of this work is licensed under a Creative Commons Attribution‑NonCommercial 4.0 International License. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. All images are reproduced with the permission of the rights holders acknowledged in captions and are expressly excluded from the CC BY-NC license covering the rest of this publication. These images may not be reproduced, copied, transmitted, or manipulated without consent from the owners, who reserve all rights.

The text of this work is licensed under a Creative Commons Attribution‑NonCommercial 4.0 International License. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. All images are reproduced with the permission of the rights holders acknowledged in captions and are expressly excluded from the CC BY-NC license covering the rest of this publication. These images may not be reproduced, copied, transmitted, or manipulated without consent from the owners, who reserve all rights.

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II. Present Practice

II. Present Practice

8. The Relining of Van Dyck’s Equestrian Portrait of Charles I — Paul Ackroyd
9. Demystifying Mist-Lining — Kate Seymour, Joanna Strombek, and Jos van Och
10. Linking Past and Future: Forty Years a Liner in Italy — Matteo Rossi-Doria
11. Customized Methodologies Developed to Solve Conservation Issues with Large Paintings on Canvas — Barbara Lavorini and Luigi Orata
12. Puvis de Chavannes’s Philosophy Mural: Tactics for the Reversal of a Beva 371b Marouflage Lining from an Aluminum Honeycomb Panel — Ian Hodkinson, Gianfranco Pocobene, and Corrine Long
13. Lining as a Last Resort for a Large-Format Canvas Painting of the Early Nineteenth Century — Julia Brandt and Carina Volbracht
14. Structural Stabilization of Large Paintings on Canvas: A History of Approaches in the Kunsthistorisches Museum Vienna — Elke Oberthaler

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