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Object Index

  1. Science of English Verse Sidney Lanier (American, 1842–81) 1880
  2. Risveglio di una Cittá (Awakening of a City) Luigi Russolo (Italian, 1855–1947) 1914
  3. Hugo Ball performing Karawane at the Cabaret Voltaire, Zürich Hugo Ball (German, 1886–1927) 1916
  4. Ursonate, in Merz 24 (Hanover, 1932) Kurt Schwitters (German, 1887–1948) 1922–32
  5. Four “Indeterminate” Notation Systems
  6. A Realization of Earle Brown’s December 1952 David Tudor (American, 1926–96) 1950s
  7. David Tudor as a young man at the piano 1950s
  8. David Tudor as young man at the piano 1950s
  9. David Tudor performing in Spain 1950s
  10. Embryonic graph score, likely for Projection 1 Morton Feldman (American, 1926–87) early 1950s
  11. Realization of Morton Feldman’s Intersection 2 David Tudor (American, 1926–96) early 1950s
  12. Score for Projection 1 for solo cello Morton Feldman (American, 1926–87) 1950
  13. Transparency sheet with graph guidelines Morton Feldman (American, 1926–87) early 1950s
  14. Intersection 2 Morton Feldman (American, 1926–87) ca. 1951–52
  15. Letter from John Cage to David Tudor John Cage (American, 1912–92) 1951
  16. Score for December 1952 from Folio and 4 Systems inscribed “for David Tudor” Earle Brown (American, 1926–2002) 1952
  17. Prefatory notes for December 1952, published in Folio and 4 Systems Earle Brown (American, 1926–2002) 1952
  18. Animated score of David Tudor’s Intersection 3 performance 1953
  19. David Tudor’s typescript of M. C. Richards’s English translation of Antonin Artaud’s “An Affective Athleticism” David Tudor (American, 1926–96), Antonin Artaud (French, 1896–1948) mid 1950s
  20. Audio sampler of David Tudor’s sonorities for Intersection 3 1953
  21. Christian Wolff, Earle Brown, John Cage, David Tudor, and Morton Feldman at the Capitol Records building in New York ca. 1953
  22. Envelope with notes written by Morton Feldman Morton Feldman (American, 1926–87) 1953
  23. Intersection + Morton Feldman (American, 1926–87) 1953
  24. Intersection 3 Morton Feldman (American, 1926–87) 1953
  25. Intersection 3 with a dedication to David Tudor Morton Feldman (American, 1926–87) 1953
  26. Realization of Morton Feldman’s Intersection + (32nd-note Realization) David Tudor (American, 1926–96) ca. 1953
  27. Realization of Morton Feldman’s Intersection + (Alternative 32nd-note Realization) David Tudor (American, 1926–96) ca. 1953
  28. Realization of Morton Feldman’s Intersection + (Quarter-note Realization) David Tudor (American, 1926–96) ca. 1953
  29. Realization of Morton Feldman’s Intersection + (Sketches of Clusters) David Tudor (American, 1926–96) ca. 1953
  30. Realization of Morton Feldman’s Intersection + (Sketches of Numbered Boxes) David Tudor (American, 1926–96) ca. 1953
  31. Realization of Morton Feldman’s Intersection 3 David Tudor (American, 1926–96) 1953
  32. Undated recording of David Tudor performing Intersection 3 David Tudor (American, 1926–96)
  33. “‘Magnetic Music’ Not Ready,” Daily Illini Duffy Defibaugh March 1953
  34. Program for a concert featuring David Tudor at the Festival of Contemporary Arts, University of Illinois School of Music 22 March 1953
  35. “Cage to Perform ‘Abstract’ Music,” Daily Illini 24 March 1953
  36. Letter from Morton Feldman to David Tudor Morton Feldman (American, 1926–87) 15 June 1953
  37. “Concerts Are Arranged at College,” Asheville Citizen-Times 21 June 1953
  38. “Tapesichord: The Music of Whistle and Bang,” Vogue, 78–81, 108 Peggy Glanville-Hicks July 1953
  39. “Merce Cunningham of New York” August 1953?
  40. “David Tudor Program Opens Sunday Afternoon Series,” Hartford Times George W. Stowe November 1953
  41. David Tudor performing a work by John Cage in London 1954
  42. “Concert and Recital: David Tudor, Pianist,” New York Herald Tribune L. T. 15 April 1954
  43. “Concert and Recital: David Tudor, Pianist,” New York Herald Tribune, 22 T. M. S. 29 April 1954
  44. “Musical Events: Old Horizons,” New Yorker, 125–33 8 May 1954
  45. Program for Musik der Zeit, featuring David Tudor and John Cage at Nordwestdeutscher Rundfunk Köln 26 November 1954
  46. Typescript of “Biblical Poems” 1–3, enclosed with a letter to M. C. Richards Jackson Mac Low (American, 1922–2004) 1955
  47. Program for a performance featuring David Tudor and John Cage late 1950s
  48. Typescript of “Biblical Poems” 4–5, enclosed with a letter to M. C. Richards Jackson Mac Low (American, 1922–2004) 1955
  49. Letter from Jackson Mac Low to M. C. Richards in Stony Point, NY Jackson Mac Low (American, 1922–2004) 1 February 1955
  50. Envelope for a letter from Jackson Mac Low to David Tudor, John Cage, and M. C. Richards in Stony Point, NY Jackson Mac Low (American, 1922–2004) 10 February 1955
  51. Fragment of a letter from Jackson Mac Low to David Tudor, John Cage, and M. C. Richards in Stony Point, NY Jackson Mac Low (American, 1922–2004) 10 February 1955
  52. Letter from Jackson Mac Low to David Tudor in Stony Point, NY Jackson Mac Low (American, 1922–2004) ca. 10 February 1955
  53. Letter from Jackson Mac Low to John Cage in Stony Point, NY Jackson Mac Low (American, 1922–2004) ca. 10 February 1955
  54. Letter from Jackson Mac Low to M. C. Richards in Stony Point, NY Jackson Mac Low (American, 1922–2004) ca. 10 February 1955
  55. Three-page leaflet distributed by New York Catholic Workers for their protest against mandatory participation in the city’s civil defense drill 15 June 1955
  56. Program for a concert featuring David Tudor and John Cage at the University of British Columbia 2 December 1955
  57. David Tudor performing John Cage’s Water Music at Darmstadt 1956
  58. “WHRB Presents David Tudor, Pianist, & John Cage in a Program for ‘New’ Music for Piano at Harvard University” 20 April 1956
  59. “John Cage Offers Stereophonic Concert Including Eight Radios and Four Pianos,” New York Times R. P. 31 May 1956
  60. “New Music Concert Given at the Carl Fischer Hall,” New York Herald Tribune, 15 Jay S. Harrison 31 May 1956
  61. Program for a concert featuring David Tudor at the Vortragssaal at the Akademie für Musik und darstellende Kunst 30 November 1956
  62. “Music of the Future: Science Fiction for the Piano,” The Times (London) 19 December 1956
  63. Bassoon and baritone saxophone parts from Concert for Piano and Orchestra John Cage (American, 1912–92) 1957–58
  64. Beba Coca Cola Décio Pignatari (Brazilian, 1927–2012) 1957
  65. David Tudor’s copy of John Cage’s Solo for Piano, from Concert for Piano and Orchestra John Cage (American, 1912–92) 1957–58
  66. David Tudor’s copy of the conductor’s part for Concert for Piano and Orchestra John Cage (American, 1912–92) 1957–58
  67. Tape Score Allan Kaprow (American, 1927–2006) 1957
  68. Throat and Cough Piece Allan Kaprow (American, 1927–2006) 1957–58
  69. Trumpet part from Concert for Piano and Orchestra John Cage (American, 1912–92) 1957–58
  70. “Recorded Speech I” for Communication Allan Kaprow (American, 1927–2006) 1958
  71. Animation of David Tudor’s realization of graph AY of the Solo for Piano John Cage (American, 1912–92), David Tudor (American, 1926–96) 1958
  72. Animation of David Tudor’s realization of graph CE of the Solo for Piano John Cage (American, 1912–92), David Tudor (American, 1926–96) 1958
  73. Animation of David Tudor’s realization of graph J of the Solo for Piano John Cage (American, 1912–92), David Tudor (American, 1926–96) 1958
  74. Animation of David Tudor’s realization of graph K of the Solo for Piano John Cage (American, 1912–92), David Tudor (American, 1926–96) 1958
  75. Animation of David Tudor’s realization of graph T of the Solo for Piano John Cage (American, 1912–92), David Tudor (American, 1926–96) 1958
  76. David Tudor performing John Cage’s Concert for Piano and Orchestra 1958
  77. David Tudor preparing his second realization of John Cage’s Solo for Piano 1958
  78. Douglass College survey about the Voorhees Assembly program 1958
  79. Final version of the second realization of John Cage’s Solo for Piano for the Indeterminacy recording David Tudor (American, 1926–96) 1958
  80. First realization of John Cage’s Solo for Piano David Tudor (American, 1926–96) 1958
  81. Flipbook: David Tudor’s first realization of John Cage’s Concert for Piano and Orchestra John Cage (American, 1912–92), David Tudor (American, 1926–96) 1958
  82. Handwritten notes for Communication Allan Kaprow (American, 1927–2006) 1958
  83. Live performance of the first realization of John Cage’s Concert for Piano and Orchestra at Town Hall David Tudor (American, 1926–96) 1958
  84. Loose score sheets for Sylvano Bussotti’s Pièces de chair II Sylvano Bussotti (Italian, 1931–2021) 1958–60
  85. Pencil draft of the second realization of John Cage’s Solo for Piano David Tudor (American, 1926–96) 1958
  86. Performance notes for Sylvano Bussotti’s Pièces de chair II Sylvano Bussotti (Italian, 1931–2021) 1958–59
  87. Program for Village Vanguard performance 1958
  88. Supplementary score pages for the first realization of John Cage’s Solo for Piano David Tudor (American, 1926–96) 1958
  89. Unidentified sequence sketch for the first realization of John Cage’s Solo for Piano David Tudor (American, 1926–96) 1958
  90. Letter from John Cage to David Tudor John Cage (American, 1912–92) 29 January 1958
  91. Auxiliary sound inventory for the first realization of John Cage’s Solo for Piano David Tudor (American, 1926–96) May 1958
  92. David Tudor’s Sonorities for No. 1 from Sylvano Bussotti’s Five Piano Pieces for David Tudor Sylvano Bussotti (Italian, 1931–2021), David Tudor (American, 1926–96) 1959
  93. David Tudor’s sketches for individual graphs of the first realization of Cage’s Solo for Piano David Tudor (American, 1926–96) May 1958
  94. Flyer for John Cage’s twenty-five-year retrospective concert at Town Hall May 1958
  95. Grids and templates for the first realization of John Cage’s Solo for Piano David Tudor (American, 1926–96) May 1958
  96. Index of graphs and pages from John Cage’s Solo for Piano David Tudor (American, 1926–96) May 1958
  97. John Cage, Merce Cunningham, and David Tudor at the Town Hall premiere of Concert for Piano and Orchestra Aram Avakian (American, 1926–87) May 1958
  98. Map of graphs for the first realization of John Cage’s Solo for Piano David Tudor (American, 1926–96) May 1958
  99. Notes for tape A for the first realization of John Cage’s Solo for Piano David Tudor (American, 1926–96) May 1958
  100. Notes for tape B for the first realization of John Cage’s Solo for Piano David Tudor (American, 1926–96) May 1958
  101. Press release for John Cage’s twenty-five-year retrospective concert at Town Hall May 1958
  102. Program for John Cage’s twenty-five-year retrospective concert at Town Hall May 1958
  103. Realization fragment for the first realization of John Cage’s Solo for Piano David Tudor (American, 1926–96) May 1958
  104. Reverse sequence of John Cage’s Solo for Piano David Tudor (American, 1926–96) May 1958
  105. Unidentified sketches for the first realization of John Cage’s Solo for Piano David Tudor (American, 1926–96) May 1958
  106. “Cage, Composer, Shows Calligraphy of Note,” review of the Stable Gallery show, New York Times Dore Ashton 6 May 1958
  107. “A Whistle, a ‘Slinky’ and a Bunch of Screws,” photograph by Sy Friedman, New York Times, X9 11 May 1958
  108. Graph sequence for the Town Hall rehearsal and premiere of John Cage’s Solo for Piano David Tudor (American, 1926–96) 15 May 1958
  109. Merce Cunningham conducting John Cage’s Concert for Piano and Orchestra at Town Hall 15 May 1958
  110. “Cage’s Music Still a Phenomenon,” New York Journal-American, 12 Milew Kastendieck 16 May 1958
  111. “John Cage Gives Review of Work,” New York World-Telegram and Sun, 25 Louis Biancolli 16 May 1958
  112. “John Cage Retrospective Is Presented at Town Hall,” New York Herald Tribune, 12 Jay S. Harrison 16 May 1958
  113. “Music: Experimenter: Zounds! Sound by John Cage at Town Hall,” New York Times, 20 Ross Parmenter 16 May 1958
  114. Graph sequence for the Village Vanguard performance of John Cage’s Solo for Piano David Tudor (American, 1926–96) 25 May 1958
  115. John Cage leading his experimental composition class, New School for Social Research, New York, New York summer 1958
  116. Students in John Cage’s experimental composition class, New School for Social Research, New York, New York summer 1958
  117. Students in John Cage’s experimental composition class, New School for Social Research, New York, New York summer 1958
  118. Students in John Cage’s experimental composition class, New School for Social Research, New York, New York summer 1958
  119. Students in John Cage’s experimental composition class, New School for Social Research, New York, NY summer 1958
  120. Graph sequence for the Antic Meet performance of John Cage’s Solo for Piano at the American Dance Festival David Tudor (American, 1926–96) August 1958
  121. Program for Antic Meet performance of John Cage’s Concert for Piano and Orchestra, Eleventh American Dance Festival, Connecticut College 14 August 1958
  122. “Modern American Dance in Connecticut: Contrasting Styles Seen in Eleventh Annual,” Christian Science Monitor Margaret Lloyd 23 August 1958
  123. Graph sequence for the Cologne performance of John Cage’s Solo for Piano David Tudor (American, 1926–96) September 1958
  124. Sketch of the graph sequence for the Cologne performance of John Cage’s Solo for Piano David Tudor (American, 1926–96) September 1958
  125. Program for Musik der Zeit, Westdeutscher Rundfunk Köln, Germany 19 September 1958
  126. “In der Werkstatt der direktiven Freiheit,” Kölnische Rundschau H. R. 21 September 1958
  127. “Ein Ding mit Pfiff: Avantgardisten im ersten Abend ‘Musik der Zeit,’” Neue Rhein Zeitung M. F. 22 September 1958
  128. “Im Klavierkonzert ging es absunderlich her,” Westdeutsche Rundschau Wuppertal HvL 23 September 1958
  129. “Musik der Zeit: Demonstration neuer Kompositionstechniken,” Rheinische Post Diether de la Motte 23 September 1958
  130. “Nicht mehr der Ton macht die Musik,” Der Mittag Herbert Schultz 23 September 1958
  131. “Alibi für die Gestrigen,” Kölner Stadt-Anzeiger Friedrich Berger 24 September 1958
  132. “Mäßiger Auftakt in Köln: Drei Premieren, darunter eine mit Wäscheklammern,” Neue Rhein Zeitung H. G. 25 September 1958
  133. “Was man hörte, war verwirrend: Fragwürdiges Funk-Konzert aus Köln mit ‘Musik der Zeit,’” Die Welt Heinrich Lindlar 25 September 1958
  134. “‘Avantgardistische Musik’ am Abgrund: Europäische Erstauffühurng von John Cage’s ‘Klavierkonzert’ in Köln,” Rhein Neckar-Azeitung Kurt Driesch 30 September 1958
  135. “Sessions on Modern Music Held Near Darmstadt,” Musical America, 18–19, 34 H. H. Stuckenschmidt October 1958
  136. David Tudor performing at Galerie 22 in Düsseldorf, Germany Manfred Leve (German, 1936–2012) 14 October 1958
  137. Notebook page, reprinted in George Brecht—Notebooks, ed. Dieter Daniels and Hermann Braun, vol. 2 (Cologne: Walther König, 1991), 35–36 George Brecht (American, 1926–2008) 26 October 1958
  138. Notebook page, reprinted in George Brecht—Notebooks, ed. Dieter Daniels and Hermann Braun, vol. 2 (Cologne: Walther König, 1991), 64–66 George Brecht (American, 1926–2008) ca. December 1958
  139. Piano Piece Terry Jennings (American, 1940–81) December 1958
  140. “Der Kampf mit dem Drachen. In der Musikakademie wurde ein Klavier mit dem Stock geschlagen,” The Observer 5 December 1958
  141. “Mozart bevorzugte für das Spiel von Hausmusik. . . ,” The Observer 15 December 1958
  142. Announcement for the George Brecht solo exhibition toward EVENTS: an arrangement, at the Reuben Gallery, New York, NY 1959
  143. Antonin Artaud lecture for the Living Theatre Mary Caroline Richards (American, 1916–99) 1959
  144. David Tudor performing live Sylvano Bussotti’s Five Piano Pieces for David Tudor Sylvano Bussotti (Italian, 1931–2021), David Tudor (American, 1926–96) ca. 1959
  145. David Tudor performing No. 3 from Sylvano Bussotti’s Five Piano Pieces for David Tudor Sylvano Bussotti (Italian, 1931–2021), David Tudor (American, 1926–96) 1959
  146. David Tudor performing Nos. 3, 2, and 5 from Sylvano Bussotti’s Five Piano Pieces for David Tudor at the Internationale Ferienkurse für Neue Musik, Darmstadt Sylvano Bussotti (Italian, 1931–2021), David Tudor (American, 1926–96) 1959
  147. David Tudor’s personal copy of Sylvano Bussotti’s Five Piano Pieces for David Tudor Sylvano Bussotti (Italian, 1931–2021) 1959
  148. David Tudor’s press materials 1959?
  149. David Tudor’s realization of No. 1 from Sylvano Bussotti’s Five Piano Pieces for David Tudor David Tudor (American, 1926–96) 1959
  150. David Tudor’s realization of No. 3 from Sylvano Bussotti’s Five Piano Pieces for David Tudor David Tudor (American, 1926–96) 1959
  151. David Tudor’s realization of No. 4 from Sylvano Bussotti’s Five Piano Pieces for David Tudor David Tudor (American, 1926–96) 1959
  152. David Tudor’s tables and sketches for his realizations of No. 4 from Sylvano Bussotti’s Five Piano Pieces for David Tudor David Tudor (American, 1926–96) 1959
  153. Drip Music (Drip Event) George Brecht (American, 1926–2008) 1959–62
  154. Envelope from Sylvano Bussotti to David Tudor Sylvano Bussotti (Italian, 1931–2021) 1959
  155. Liner notes for Indeterminacy recording John Cage (American, 1912–92), Richard Kostelanetz (b. 1940) 1959; reissued 1992
  156. Music for Piano No. 2 Toshi Ichiyanagi (Japanese, b. 1933) 1959
  157. Pages from a composition notebook labeled “Theater Pieces” Allan Kaprow (American, 1927–2006) 1959
  158. Performance note for No. 5 from Piano Pieces for David Tudor Sylvano Bussotti (Italian, 1931–2021) 1959
  159. Postcard from Sylvano Bussotti and other avant-garde composers to David Tudor Sylvano Bussotti (Italian, 1931–2021) 1959
  160. Signature on score fragment to David Tudor Sylvano Bussotti (Italian, 1931–2021) 1959
  161. Studio recording of the second realization of John Cage’s Solo for Piano for Cage’s Indeterminacy stories David Tudor (American, 1926–96) 1959
  162. Typed instructions (in Italian and German) for Sylvano Bussotti’s Five Pieces for David Tudor Sylvano Bussotti (Italian, 1931–2021) 1959
  163. Notebook page, reprinted in George Brecht—Notebooks, ed. Dieter Daniels and Hermann Braun, vol. 2 (Cologne: Walther König, 1991), 107 George Brecht (American, 1926–2008) 21 January 1959
  164. “David Tudor in Piano Recital,” New York Herald Tribune, 11 A. H. 20 March 1959
  165. “‘Advanced’ Music Beeps and Plinks: Experimenters Use Bottle, Ratchets, Toy Machine Gun in Concert at ‘Y,’” review of David Tudor and the Audio-Visual Group, New York Times Harold C. Schonberg 8 April 1959
  166. Review of a performance by David Tudor and the Audio-Visual Group, New York Herald Tribune Paul Henry Lang 8 April 1959
  167. “Pong Bong,” review of a performance by David Tudor and the Audio-Visual Group, The Village Voice Nancy K. Siff 15 April 1959
  168. Notebook page, reprinted in George Brecht—Notebooks, ed. Dieter Daniels and Hermann Braun, vol. 3 (Cologne: Walther König, 1991), 24–25 George Brecht (American, 1926–2008) 28 April 1959
  169. Letter from Sylvano Bussotti to David Tudor Sylvano Bussotti (Italian, 1931–2021) 22 May 1959
  170. Notebook page showing draft of Time-Table Music (1963), reprinted in George Brecht—Notebooks, ed. Dieter Daniels and Hermann Braun, vol. 3 (Cologne: Walther König, 1991), 105–7 George Brecht (American, 1926–2008) July 1959
  171. Notebook page, reprinted in George Brecht—Notebooks, ed. Dieter Daniels and Hermann Braun, vol. 3 (Cologne: Walther König, 1991), 127 George Brecht (American, 1926–2008) ca. late July 1959
  172. “Little Thing Like Mushroom Can Change Destiny,” Oregon Journal Edward Cannel 5 July 1959
  173. Notebook page, reprinted in George Brecht—Notebooks, ed. Dieter Daniels and Hermann Braun, vol. 3 (Cologne: Walther König, 1991), 123 George Brecht (American, 1926–2008) ca. late July 1959
  174. Notebook page, reprinted in George Brecht—Notebooks, ed. Dieter Daniels and Hermann Braun, vol. 3 (Cologne: Walther König, 1991), 125 George Brecht (American, 1926–2008) ca. late July 1959
  175. Program for Antic Meet performance of John Cage’s Concert for Piano and Orchestra, Twelfth American Dance Festival, Connecticut College 13 August 1959
  176. Course description for a course on electronic music at the New School for Social Research, New York, NY Richard Maxfield (American, 1927–69) 7 September 1959
  177. “The ‘Good Guys’ Versus the ‘Bad Guys’: Twelfth American Dance Festival,” Dance Magazine, 31–35, 82 Doris Hering October 1959
  178. “John Cage: Indeterminacy,” Time, 65 2 November 1959
  179. Letter from Sylvano Bussotti to David Tudor Sylvano Bussotti (Italian, 1931–2021) 2 November 1959
  180. Musica d’Oggi, Conservatorio B. Marcello, Concerto del pianista David Tudor; Nos. 5, 2, and 3 from Sylvano Bussotti’s Piano Pieces for David Tudor 12 November 1959
  181. “Concerto di Tudor a Venezia,” L’Unità, 4 U. D. 13 November 1959
  182. Centro d’Arte degli Studenti dell’Università di Padova, 266 Concerto, David Tudor pianista, Sylvano Bussotti, Piano Pieces for David Tudor 14 November 1959
  183. “Tre concerti in Italia di musiche d’avanguardia,” Giornale del Mattino, 5 Lodovico Mamprin 15 November 1959
  184. Graph sequence for the Vienna performance of John Cage’s Solo for Piano David Tudor (American, 1926–96) 19 November 1959
  185. Program for Die Reihe III [Third series], Musikalische Jugend Österreichs, Internationale Gesellschaft für Neue Musik 19 November 1959
  186. “Tumulte im Mozart-Saal des Konzerthauses,” Neues Österreich 21 November 1959
  187. “Class Moving Definitions: For Yvonne Rainer” Yvonne Rainer (American, b. 1934) ca. 1960s
  188. Ink drawing by Sylvano Bussotti to David Tudor Sylvano Bussotti (Italian, 1931–2021) early 1960s
  189. “Situations” for 3 Pianos Benjamin Patterson (American, 1934–2016) 1960
  190. Signature on score fragment Sylvano Bussotti (Italian, 1931–2021) early 1960s
  191. Alternate two-page score for Paper Piece Benjamin Patterson (American, 1934–2016) 1960
  192. Envelope from Sylvano Bussotti to David Tudor Sylvano Bussotti (Italian, 1931–2021) early 1960s
  193. Ants Benjamin Patterson (American, 1934–2016) 1960
  194. Ink drawing by Sylvano Bussotti to David Tudor Sylvano Bussotti (Italian, 1931–2021) early 1960s
  195. Collage created from a flyer designed by Remy Charlip for recitals by David Tudor at the Living Theatre, New York, NY, plus an envelope Ray Johnson (American, 1927–95) ca. 1960
  196. Score fragment Sylvano Bussotti (Italian, 1931–2021) early 1960s
  197. Duet I, with notes sent to John Cage and David Tudor Christian Wolff (American, b. 1934) 1960
  198. Miscellaneous scores by Sylvano Bussotti sent to David Tudor Sylvano Bussotti (Italian, 1931–2021) early 1960s
  199. Handwritten score of Paper Piece in English on musical staff paper Benjamin Patterson (American, 1934–2016) 1960
  200. Letter from Sylvano Bussotti to David Tudor Sylvano Bussotti (Italian, 1931–2021) early 1960s
  201. Handwritten score of Paper Piece in English on paper Benjamin Patterson (American, 1934–2016) 1960
  202. Notes on equivalencies and objects Yvonne Rainer (American, b. 1934) ca. early 1960s
  203. Lecture notes on David Tudor’s performance practice as a pianist during the late 1950s and early ’60s David Tudor (American, 1926–96) early 1960s
  204. Letter from La Monte Young to David Tudor La Monte Young (American, b. 1935) 1960–61
  205. Letter from La Monte Young to David Tudor La Monte Young (American, b. 1935) 1960–61
  206. Note from Alison Knowles to Emmett Williams on verso of “Wheat Hearts” cardboard label Alison Knowles (American, b. 1933) ca. 1960s
  207. Notebook page related to Watering Place Yvonne Rainer (American, b. 1934) ca. 1960
  208. Benjamin Patterson’s notes on philosophy and art (selections) Benjamin Patterson (American, 1934–2016) 1960s
  209. Pages from the score for Watering Place Yvonne Rainer (American, b. 1934) ca. 1960
  210. Poems Benjamin Patterson (American, 1934–2016) 1960s
  211. Printed score of Paper Piece in English Benjamin Patterson (American, 1934–2016) 1960
  212. Photostat copy of printed score of Paper Piece in German Benjamin Patterson (American, 1934–2016) 1960
  213. Printed score of Paper Piece in German with a handwritten note Benjamin Patterson (American, 1934–2016) 1960
  214. Recipe for Buttermilk David Tudor (American, 1926–96) ca. 1960s
  215. Recipe for Lime Pickle David Tudor (American, 1926–96) ca. 1960s
  216. Recipe for Milk au Diable David Tudor (American, 1926–96) ca. 1960s
  217. Recipe for Rum Coconut David Tudor (American, 1926–96) ca. 1960s
  218. String Music Benjamin Patterson (American, 1934–2016) 1960
  219. Typed score of Paper Piece in English Benjamin Patterson (American, 1934–2016) 1960
  220. Flyer for concert by John Cage and David Tudor at the Living Theatre, New York, NY 25 January 1960
  221. “John Cage in Story Hour for Some Friends,” New York Times Eric Salzman 26 January 1960
  222. “Cage Without Bars,” The Reporter, 35, 37 Fred Grunfeld 4 February 1960
  223. Letter from George Brecht to The Village Voice editor Daniel Wolf, reprinted in George Brecht—Notebooks, ed. Dieter Daniels and Hermann Braun, vol. 4 (Cologne: Walther König, 1991), 178 George Brecht (American, 1926–2008) 9 February 1960
  224. Graph sequence for the Antic Meet performance of John Cage’s Concert for Piano and Orchestra at the Phoenix Theatre, New York David Tudor (American, 1926–96) 16 February 1960
  225. “Cunningham Dance Group Gives Avant Garde Works,” New York Herald Tribune, 19 Walter Terry 17 February 1960
  226. Flyer for recitals by David Tudor at the Living Theatre, New York, NY Remy Charlip (American, 1929–2012) March–April 1960
  227. Motor Vehicle Sundown (Event), event score sent to David Tudor George Brecht (American, 1926–2008) spring/summer 1960
  228. Music for Piano No. 3 Toshi Ichiyanagi (Japanese, b. 1933) March 1960
  229. “David Tudor Series Set,” New York Times 8 March 1960
  230. Flyer for A Concert of New Music, Living Theatre, New York, NY, reprinted in George Brecht—Notebooks, ed. Dieter Daniels and Hermann Braun, vol. 4 (Cologne: Walther König, 1998), 230 14 March 1960
  231. Program for A Concert of New Music, Living Theatre, New York, NY 14 March 1960
  232. Program for a recital by David Tudor at the Living Theatre, New York, NY 28 March 1960
  233. “Long-Hair Critic Reviews a Glove-Wearing Pianist,” New York Herald Tribune Paul Henry Lang 29 March 1960
  234. “Recital Is Given by David Tudor,” New York Times Eric Salzman 29 March 1960
  235. Décollage Solo for Wolf Vostell, with a letter from Wolf Vostell Benjamin Patterson (American, 1934–2016) April 1960
  236. X for Henry Flynt La Monte Young (American, b. 1935) April 1960
  237. Program for a recital by David Tudor at the Living Theatre, New York, NY 4 April 1960
  238. “War on the Keys: Above Ground Test Deactivates Piano,” New York World-Telegram and Sun Ed Wallace 5 April 1960
  239. “What Is Offered by Electronic Age?,” New York Herald Tribune, 6 Paul Henry Lang 10 April 1960
  240. Program for a recital by David Tudor and Toshi Ichiyanagi at the Living Theatre, New York, NY 11 April 1960
  241. Program for A Program of Happenings ! Events ? & Situations !, Pratt Institute, New York 2 May 1960
  242. “New School’s ‘Happenings’ Proves to be ‘Hellzapoppin’-Beatnik Style,” New York World-Telegram and The Sun, reprinted in George Brecht—Notebooks, ed. Dieter Daniels and Hermann Braun, vol. 5 (Cologne: Walther König, 1998), 89 Diane de Bonneval 3 May 1960
  243. Program for a concert by David Tudor and John Cage at Ann Arbor High School, Michigan, sponsored by the Dramatic Arts Center 16 May 1960
  244. Letter from John Cage to George Brecht, reprinted in George Brecht—Notebooks, ed. Dieter Daniels and Hermann Braun, vol. 5 (Cologne: Walther König, 1998), 114 John Cage (American, 1912–92) 27 May 1960
  245. “The Far-Out Pianist,” Harper’s Magazine, 49–54 Harold C. Schonberg June 1960
  246. Announcement for a David Tudor concert at Mary Bauermeister’s atelier, Cologne, Germany 15 June 1960
  247. Benjamin Patterson, Hans G. Helms, Ursula Kagel, Khris Helms, David Tudor, and others performing George Brecht’s Card-Piece for Voice (1959) as part of the “Contre-Festival,” organized during the IGNM-Weltmusikfestes, Atelier Mary Bauermeister, Cologne, Germany Manfred Leve (German, 1936–2012) 15 June 1960
  248. David Tudor performing with gloves as part of the “Contre-Festival,” organized during the IGNM-Weltmusikfestes, Atelier Mary Bauermeister, Cologne, Germany Manfred Leve (German, 1936–2012) 15 June 1960
  249. Notes for a realization of Toshi Ichiyanagi’s Music for Piano No. 4 (for David Tudor) David Tudor (American, 1926–96) ca. late 1960
  250. Letter from David Tudor to George Brecht, reprinted in George Brecht—Notebooks, ed. Dieter Daniels and Hermann Braun, vol. 5 (Cologne: Walther König, 1998), 183 David Tudor (American, 1926–96) 27 July 1960
  251. Draft program titled “The Living Theatre presents NEW MUSIC performed by the Audio Visual Group” 1 August 1960
  252. Kaiki for Koto for John Cage Toshi Ichiyanagi (Japanese, b. 1933) October 1960
  253. “David Tudor presenta un programa de musica experimental: Jean Martinon dirige La Nacional,” 21 Enrique Franco 12 November 1960
  254. Music for Piano No. 4 (for David Tudor) Toshi Ichiyanagi (Japanese, b. 1933) December 1960
  255. Music for Piano No. 5 (for David Tudor) Toshi Ichiyanagi (Japanese, b. 1933) December 1960
  256. Letter from Benjamin Patterson to David Tudor Benjamin Patterson (American, 1934–2016) 14 December 1960
  257. “Music to Hear—and Unhear,” Minneapolis Star John K. Sherman 1961
  258. Artist index cards George Maciunas (Lithuanian American, 1931–78) 1961–64
  259. Assorted text scores Benjamin Patterson (American, 1934–2016) 1961–62
  260. Chart of artistic movements and media including optic, acoustic, kinetic, and semantic/symbolic arts, mailed by George Maciunas to Jackson Mac Low George Maciunas (Lithuanian American, 1931–78) ca. 1961–62
  261. Concert flyer for “Mvsica Antiqva et Nova Presents Evenings at AG,” sent to David Tudor from unknown sender George Maciunas (Lithuanian American, 1931–78) 1961
  262. Diagram of Sylvano Bussotti’s Pièces de chair II Sylvano Bussotti (Italian, 1931–2021) 1961
  263. Duo for Voice and a String Instrument Benjamin Patterson (American, 1934–2016) 1961
  264. Music for Piano No. 6 (for Terry Riley) Toshi Ichiyanagi (Japanese, b. 1933) January 1961
  265. Notebook sketches for Three Satie Spoons and Satie for Two Yvonne Rainer (American, b. 1934) 1961–62
  266. Notes related to Three Satie Spoons, The Bells, and Ordinary Dance Yvonne Rainer (American, b. 1934) 1961–62
  267. Pages from Kulchur magazine, no. 3, 1961, edited by Marc Schleifer George Brecht (American, 1926–2008)
  268. Variations for Double-Bass Benjamin Patterson (American, 1934–2016) 1961, rev. 1962
  269. Flyer for “Music by Toshi Ichiyanagi,” part of the concert series organized by La Monte Young at Yoko Ono’s studio, 112 Chambers Street, New York, NY 7–8 January 1961
  270. Program for “Music by Toshi Ichiyanagi,” part of the concert series organized by La Monte Young at Yoko Ono’s studio, 112 Chambers Street, New York, NY 7–8 January 1961
  271. Promotional collage of clippings and scores for a concert at the First Unitarian Society, Minneapolis, MN, printed in The Potboiler (January and February 1962) 22 January 1961
  272. Three Chair Events, event score sent to David Tudor George Brecht (American, 1926–2008) spring 1961
  273. Three Telephone Events, from Water Yam (1963) George Brecht (American, 1926–2008) spring 1961
  274. “David Tudor Plays Piano at Social Research School,” review of a recital by David Tudor of works by Richard Maxfield, John Cage, Hans Otto, and Roland Kayn at the New School for Social Research, New York, NY, New York Tribune Francis D. Perkins 24 March 1961
  275. Program for a piano recital by David Tudor at the New School for Social Research, New York, NY 24 March 1961
  276. Letter from Jackson Mac Low to David Tudor Jackson Mac Low (American, 1922–2004) 30 March 1961
  277. Program for a concert of “Contemporary Japanese Music & Poetry” by Toshiro Mayuzumi, Toshi Ichiyanagi, and Yoko Ono, performed by Mayazumi, Ichiyanagi, Ono, John Cage, La Monte Young, Simone Forti, David Tudor, and others at the Village Gate, New York, NY 3 April 1961
  278. “Music: Far Out Program; Contemporary Japanese Offering at the Village Gate Proves Unusual Fare,” review of a concert of “Contemporary Japanese Music & Poetry” by Toshiro Mayuzumi, Toshi Ichiyanagi, and Yoko Ono, performed by Mayazumi, Ichiyanagi, Ono, John Cage, La Monte Young, Simone Forti, David Tudor, and others at the Village Gate, New York, NY, New York Times Ross Parmenter 4 April 1961
  279. Program for Poetry, Music, and Theatre Works: Jackson Mac Low, the fifth concert in the series organized by La Monte Young at Yoko Ono’s studio, 112 Chambers Street, New York, NY 8–9 April 1961
  280. Program for a Composers’ Showcase concert featuring the music of John Cage performed by Cage, David Tudor, Toshi Ichiyanagi, and Kenji Kobayashi, Museum of Modern Art, New York, NY 20 April 1961
  281. Program from a Wesleyan University piano recital 24 April 1961
  282. Flyer for “Three Evenings of Picnic and Electronic Music by Richard Maxfield,” part of the concert series organized by La Monte Young at Yoko Ono’s studio, 112 Chambers Street, New York, NY 28–30 April 1961
  283. Flyer for “Compositions by La Monte Young,” part of the concert series organized by Young at Yoko Ono’s studio, 112 Chambers Street, New York, NY 19–20 May 1961
  284. Program for “Compositions by La Monte Young,” part of the concert series organized by Young at Yoko Ono’s studio, 112 Chambers Street, New York, NY 19–20 May 1961
  285. Incidental Music, event score sent to David Tudor George Brecht (American, 1926–2008) summer 1961
  286. Mallard Milk, event score sent to David Tudor George Brecht (American, 1926–2008) summer 1961
  287. Three Aqueous Events, event score sent to David Tudor George Brecht (American, 1926–2008) summer 1961
  288. Letter from Toshi Ichiyanagi to George Brecht, reprinted in George Brecht—Notebooks, ed. Dieter Daniels and Hermann Braun, vol. 7 (Cologne: Walther König, 2005), 26–27 Toshi Ichiyanagi (Japanese, b. 1933) 2 July 1961
  289. Letter from George Brecht to David Tudor George Brecht (American, 1926–2008) 11 July 1961
  290. “Musikken der fik TV-Seerne til at Storme Radiohuset: Er den gale musik kun skruptosset?,” Politiken, 13 30 July 1961
  291. Score plus related notes for Duet for Piano and String Instrument Toshi Ichiyanagi (Japanese, b. 1933) August 1961
  292. Audio recording of a performance of George Brecht’s Incidental Music (summer 1961) at the Kongresssaal Mathildenhöhe, Darmstadt, Germany, as part of the 1961 Internationale Ferienkurse für Neue Musik David Tudor (American, 1926–96) 6 September 1961
  293. Letter from Toshi Ichiyanagi to David Tudor Toshi Ichiyanagi (Japanese, b. 1933) 25 September 1961
  294. Letter from George Maciunas to Jackson Mac Low on An Anthology of Chance Operations George Maciunas (Lithuanian American, 1931–78) 1 December 1961
  295. “EVENTS: scores and other occurrences,” typescript, sent to Jill Johnston George Brecht (American, 1926–2008) 28 December 1961
  296. Alison Knowles performing #2—Proposition (October, 1962) (Make a Salad), at Festival of Misfits, Institute of Contemporary Arts, London Alison Knowles (American, b. 1933) 1962
  297. AN ANTHOLOGY of chance operations, concept art anti-art indeterminacy improvisation meaningless work natural disasters plans of action stories diagrams music poetry essays dance constructions mathematics compositions La Monte Young (American, b. 1935), Jackson Mac Low (American, 1922–2004), George Maciunas (Lithuanian American, 1931–78) 1962
  298. Flyer advertising An Anthology of Chance Operations George Maciunas (Lithuanian American, 1931–78) 1962
  299. Handwritten and typed transcriptions of George Brecht event scores David Tudor (American, 1926–96) ca. 1962–63
  300. John Cage and David Tudor in the Tôkei-ji Temple Garden (Kanazawa, Japan) 1962
  301. Letter from George Maciunas to La Monte Young on An Anthology of Chance Operations George Maciunas (Lithuanian American, 1931–78) ca. 1962
  302. Materials list for An Anthology of Chance Operations George Maciunas (Lithuanian American, 1931–78) 1962
  303. Methods and Processes Benjamin Patterson (American, 1934–2016) 1962
  304. Pages from miniature mock-up for An Anthology of Chance Operations with handwritten notes, probably by Jackson Mac Low, George Maciunas, and La Monte Young ca. 1962
  305. Notes on arms, hands, legs, and feet, from Yvonne Rainer’s dance scripts notebook Yvonne Rainer (American, b. 1934) ca. 1962
  306. Pages from Jackson Mac Low’s contribution to a unique copy of An Anthology of Chance Operations (New York: George Maciunas and Jackson Mac Low, 1962) Jackson Mac Low (American, 1922–2004) 1962
  307. Photos of the Neo-Dada in der Musik festival, Kammerspiele, Düsseldorf 1962
  308. Plans for Fluxus publications and a new music festival George Maciunas (Lithuanian American, 1931–78) ca. 1962
  309. Pond Benjamin Patterson (American, 1934–2016) 1962
  310. Portrait of Benjamin Patterson Alison Knowles (American, b. 1933)
  311. Score for Satie for Two Yvonne Rainer (American, b. 1934) 1962
  312. Year (New York: Dead Language, 1962) Angus MacLise (American, 1938–79) 1962
  313. Program from a fundraising concert for An Anthology of Chance Operations at the Living Theatre, New York, NY 8 January 1962
  314. Letters from George Maciunas to Dick Higgins George Maciunas (Lithuanian American, 1931–78) 18 January 1962 and February 1963
  315. Program from a fundraising concert for An Anthology of Chance Operations at the Living Theatre, New York, NY 5 February 1962
  316. Letter from George Maciunas to Jackson Mac Low on An Anthology of Chance Operations George Maciunas (Lithuanian American, 1931–78) 20 February 1962
  317. Letter from Toshi Ichiyanagi to David Tudor Toshi Ichiyanagi (Japanese, b. 1933) 10 March 1962
  318. Letter from Toshi Ichiyanagi to David Tudor Toshi Ichiyanagi (Japanese, b. 1933) 17 April 1962
  319. Letter from George Maciunas to Jackson Mac Low on An Anthology of Chance Operations George Maciunas (Lithuanian American, 1931–78) 13 May 1962
  320. Benjamin Patterson performing Variations for Double-Bass at Kleinen Sommerfest: Après John Cage, Galerie Parnass, Wuppertal, West Germany possibly Rolf Jährling 9 June 1962
  321. Invitation and program sent to David Tudor for the exhibition Kleinen Sommerfest: Après John Cage, organized by George Maciunas and Benjamin Patterson at Galerie Parnass, Wuppertal, West Germany 9 June 1962
  322. Lantern Extract, envelope and seventeen scores sent to M. C. Richards George Brecht (American, 1926–2008), Robert Watts (American, 1923–88) late 1962
  323. Letter from George Maciunas to Jackson Mac Low on An Anthology of Chance Operations George Maciunas (Lithuanian American, 1931–78) August 1962
  324. Letter from George Maciunas to Jackson Mac Low on An Anthology of Chance Operations George Maciunas (Lithuanian American, 1931–78) 22 August 1962
  325. Interview with Benjamin Patterson in Emmett Williams’s “Way Way Way Out,” in The Stars and Stripes, 11 Benjamin Patterson (American, 1934–2016), Emmett Williams (American, 1925–2007) 30 August 1962
  326. Flyer for Fluxus Internationale Festspiele Neuester Musik, Städtisches Museum, Wiesbaden, West Germany George Maciunas (Lithuanian American, 1931–78) 1–23 September 1962
  327. Letter from Toshi Ichiyanagi to David Tudor Toshi Ichiyanagi (Japanese, b. 1933) September, ca. 1962
  328. Archival film-to-video transfer of a 1962 German newsreel reporting on Fluxus Internationale Festspiele Neuester Musik, Wiesbaden, West Germany, Hessenschau television news program (broadcast by Hessischer Rundfunk) 11 September 1962
  329. “Cage’s Electronic Music Amazes and Amuses,” Seattle Times Louis R. Guzzo 27 September 1962
  330. Letter from George Maciunas to Jackson Mac Low on An Anthology of Chance Operations George Maciunas (Lithuanian American, 1931–78) October 1962
  331. John Cage’s Music Walk (1958), performed by John Cage, David Tudor, Yoko Ono, and Mayuzumi Toshirō, at Tokyo Bunka Kaikan Hall, Tokyo, Japan Matsuzaki Kunitoshi 9 October 1962
  332. Letter from Toshi Ichiyanagi to David Tudor Toshi Ichiyanagi (Japanese, b. 1933) 20 November 1962
  333. Dick Higgins performing George Brecht’s Drip Music (Drip Event) (1959–62) at Fluxus–Musik og Anti Musik det Instrumentale Teater, Nikolai Kirke, Copenhagen, Denmark 23 November 1962
  334. Event (Pulse Start, Pulse Stop), event score sent to David Tudor George Brecht (American, 1926–2008) December 1962
  335. Eight Piano Transcriptions (for David Tudor) George Brecht (American, 1926–2008) 1963
  336. Ekstra Bladet/Politiken, 1992 reprint by Edition Hundertmark George Maciunas (Lithuanian American, 1931–78) early 1963; reprinted in 1992
  337. Letter from Alison Knowles to [Oscar] Emmett Williams Alison Knowles (American, b. 1933) ca. 1963
  338. Letter from Alison Knowles to [Oscar] Emmett Williams Alison Knowles (American, b. 1933) ca. 1963
  339. Letter from George Maciunas to Benjamin Patterson George Maciunas (Lithuanian American, 1931–78) January 1963
  340. Letter from George Maciunas to George Brecht George Maciunas (Lithuanian American, 1931–78) ca. January 1963
  341. Letter from George Maciunas to Jackson Mac Low on An Anthology of Chance Operations, written on the back of Fluxus News leter [sic] No. 5 George Maciunas (Lithuanian American, 1931–78) January 1963
  342. Letter from Mieko (Chieko) Shiomi to George Maciunas Mieko (Chieko) Shiomi (Japanese, b. 1938) ca. 1963
  343. Letters from George Brecht to Jill Johnston George Brecht (American, 1926–2008) ca. 1963
  344. Notebook sketches related to We Shall Run (1963) Yvonne Rainer (American, b. 1934) ca. 1963
  345. Piece for Violins, Violas, and Sopranino Saxophone Terry Jennings (American, 1940–81) January 1963
  346. Untitled notebook pages on performer versus audience Yvonne Rainer (American, b. 1934) ca. 1963
  347. Water Yam George Brecht (American, 1926–2008) 1963
  348. Water Yam Cards George Brecht (American, 1926–2008) 1963
  349. Ensemble performance of George Brecht’s Drip Music (Drip Event) (1959–62), directed by George Maciunas at Festum Fluxorum, at Kunstakademie Düsseldorf, Düsseldorf, Germany 2 February 1963
  350. George Maciunas performing George Brecht’s Drip Music (Drip Event) (1959–62) at Festum Fluxorum, at Kunstakademie Düsseldorf, Düsseldorf, Germany 2 February 1963
  351. Letter from Toshi Ichiyanagi to David Tudor Toshi Ichiyanagi (Japanese, b. 1933) 15 February 1963
  352. Interactive map of locations relevant to the creation and distribution of Jackson Mac Low’s postcard scores spring 1963
  353. Letter from Alison Knowles to [Oscar] Emmett Williams Alison Knowles (American, b. 1933) April ca. 1963
  354. Postcards sent by Jackson Mac Low to Benjamin Patterson with various scores composed in 1963, including Social Projects 1–3, Architecture (for GB), Schedule (for George Brecht), and Light Rhythms for Henry Flynt Jackson Mac Low (American, 1922–2004) April 1963
  355. Concert program for Happenings, Events, and Advanced Musics, at Douglass College, Rutgers University, New Brunswick, NJ, sent by Dick Higgins to David Tudor 6 April 1963
  356. Fluxus News–Policy Letter, no. 6 George Maciunas (Lithuanian American, 1931–78) 6 April 1963
  357. George Brecht performing Three Aqueous Events/Drip Music (Drip Event) (1959–62) at the concert Happenings, Events, and Advanced Musics, at Douglass College, Rutgers University, New Brunswick, NJ 6 April 1963
  358. Postcard from George Brecht to Benjamin Patterson George Brecht (American, 1926–2008) 22 April 1963
  359. Open letter from Jackson Mac Low to George Maciunas in response to Fluxus News—Policy Letter, no. 6 Jackson Mac Low (American, 1922–2004) 25 April 1963
  360. Postcards from Jackson Mac Low to Daniel Spoerri, Emmett Williams, and Robert Filliou, with scores for Social Projects 1–3 Jackson Mac Low (American, 1922–2004) 29 April 1963
  361. Fluxus News—Policy Letter, no. 7 George Maciunas (Lithuanian American, 1931–78) 1 May 1963
  362. “Yvonne Rainer: I” and “Yvonne Rainer: II,” The Village Voice Jill Johnston (American, 1929–2010) 23 May 1963 and 6 June 1963
  363. Benjamin Patterson and Oscar van Alphen performing Paper Piece at the Fluxus Festival, Hypokriterion Theater, Amsterdam 23 June 1963
  364. Performance of Benjamin Patterson’s Paper Piece at the Fluxus Festival, Hypokriterion Theater, Amsterdam 23 June 1963
  365. Letter from George Brecht to M. C. Richards George Brecht (American, 1926–2008) July 1963
  366. “Some Thoughts on Improvisation (for the Painter James [Lee] Byars)” Yvonne Rainer (American, b. 1934) December 1963
  367. Letter from Toshi Ichiyanagi to David Tudor Toshi Ichiyanagi (Japanese, b. 1933) 19 December 1963
  368. Animation of David Tudor’s realization of graph J of the Solo for Piano John Cage (American, 1912–92), David Tudor (American, 1926–96) 1964
  369. Live performance of the first realization of John Cage’s Concert for Piano and Orchestra at Mills College David Tudor (American, 1926–96) 1964
  370. Performance of Paper Piece in Nice, France Benjamin Patterson (American, 1934–2016) 1964
  371. Score for Soap in the form of a poster Allan Kaprow (American, 1927–2006) 1964–65
  372. Letter from Warner Jepson to David Tudor that includes a copy of Terry Riley’s In C (1964) Warner Jepson (1930–2011) 1964
  373. Sculptural realization of George Brecht’s Drip Music (Drip Event) (1959–62) at the New York Fluxhall/Fluxshop, New York, NY 1964
  374. Performance of Paper Piece in Nice, France Benjamin Patterson (American, 1934–2016) 1964–72
  375. Postcard from George Brecht to Benjamin Patterson George Brecht (American, 1926–2008) 21 January 1964
  376. “Far-Out at the Philharmonic,” Time, 79–80 14 February 1964
  377. Direction Music for Fingers Mieko (Chieko) Shiomi (Japanese, b. 1938) September 1964
  378. Mieko Shiomi performing Direction Music for Fingers at Washington Square Gallery, New York, NY 30 October 1964
  379. Three differently formatted scores for Soap Allan Kaprow (American, 1927–2006) December 1964
  380. “Conditions for Performing Fluxus Published Compositions, Films & Tapes” George Maciunas (Lithuanian American, 1931–78) ca. 1965
  381. Allan Kaprow’s clipping of Clyde Burnett, “History of Photography Is Reviewed,” likely printed in the Sarasota Herald-Tribune 1965
  382. Bean Rolls from Fluxkit Alison Knowles (American, b. 1933) 1965
  383. Communists Must Give Revolutionary Leadership in Culture Henry Flynt (American, b. 1940), George Maciunas (Lithuanian American, 1931–78) 1965
  384. Letter from Mieko (Chieko) Shiomi to George Maciunas Mieko (Chieko) Shiomi (Japanese, b. 1938) ca. 1965
  385. Letter from Mieko (Chieko) Shiomi to George Maciunas Mieko (Chieko) Shiomi (Japanese, b. 1938) ca. 1965
  386. Letter from Robert Carter, a graduate student in painting at Florida State University, to Allan Kaprow ca. 1965
  387. Notes related to The Mind Is a Muscle, including Trio A and Trio B Yvonne Rainer (American, b. 1934) 1965–66
  388. Notice of cancelation of Allan Kaprow’s Soap 1965
  389. Object edition of Spatial Poem No. 1 (Word Event) Mieko (Chieko) Shiomi (Japanese, b. 1938), George Maciunas (Lithuanian American, 1931–78) 1965
  390. Partial score for Parts of Some Sextets Yvonne Rainer (American, b. 1934) 1965
  391. Program for a performance by the group Theatre of Eternal Music, with La Monte Young, John Cale, Marian Zazeela, and Tony Conrad ca. 1965
  392. Score for #2—Proposition (October, 1962) (Make a Salad), in By Alison Knowles, A Great Bear Pamphlet (New York: Something Else Press, 1965), 2 Alison Knowles (American, b. 1933) 1965
  393. Score for Spatial Poem No. 2 (Direction Event) Mieko (Chieko) Shiomi (Japanese, b. 1938) 1965
  394. Star/Steer Ian Hamilton Finlay (Scottish, 1925–2006) 1965
  395. Postcard from Sylvano Bussotti to David Tudor Sylvano Bussotti (Italian, 1931–2021) 6 January 1965
  396. Photograph of Jackson Mac Low 25 January 1965
  397. Clipping of a tidal chart of waves at Sarasota Bay, from Soap 1 February 1965
  398. Notes to Soap Allan Kaprow (American, 1927–2006) February 1965
  399. Program for Florida State University’s Eighteenth Annual Symposium, which included Kaprow’s Soap Allan Kaprow (American, 1927–2006) 1–4 February 1965
  400. Yvonne Rainer’s We Shall Run (1963), performed at the Wadsworth Atheneum, Hartford, CT 7 March 1965
  401. Postcard from George Brecht to Benjamin Patterson George Brecht (American, 1926–2008) 7 April 1965
  402. Letter from Sylvano Bussotti to David Tudor Sylvano Bussotti (Italian, 1931–2021) 25 April 1965
  403. Written documentation by Alison Knowles of her performance of Benjamin Patterson’s Final Exam Benjamin Patterson (American, 1934–2016), Alison Knowles (American, b. 1933) 1 June 1965
  404. Event Score George Brecht (American, 1926–2008) August 1965
  405. Handwritten page of notes for Soap Allan Kaprow (American, 1927–2006) fall 1965
  406. Letter from Mieko (Chieko) Shiomi to George Maciunas Mieko (Chieko) Shiomi (Japanese, b. 1938) fall 1965
  407. Graphic scores related to Film, from The Mind Is a Muscle (1966–68) Yvonne Rainer (American, b. 1934) ca. 1966–68
  408. Graphic scores related to Trio B, from The Mind is a Muscle (1966–68) Yvonne Rainer (American, b. 1934) ca. 1966–68
  409. Letter from Mieko (Chieko) Shiomi to George Maciunas Mieko (Chieko) Shiomi (Japanese, b. 1938) 1966
  410. Letter from Mieko (Chieko) Shiomi to George Maciunas Mieko (Chieko) Shiomi (Japanese, b. 1938) ca. 1966
  411. Letter from Mieko (Chieko) Shiomi to George Maciunas Mieko (Chieko) Shiomi (Japanese, b. 1938) 1966
  412. Letter from Mieko (Chieko) Shiomi to George Maciunas Mieko (Chieko) Shiomi (Japanese, b. 1938) ca. 1966
  413. Letter from Mieko (Chieko) Shiomi to George Maciunas Mieko (Chieko) Shiomi (Japanese, b. 1938) ca. 1966
  414. Letter from Mieko (Chieko) Shiomi to George Maciunas Mieko (Chieko) Shiomi (Japanese, b. 1938) ca. 1966
  415. Letter from Mieko (Chieko) Shiomi to George Maciunas, with annotations by Maciunas Mieko (Chieko) Shiomi (Japanese, b. 1938) ca. 1966
  416. List of the Judson Dance Theater’s dance concerts, 1961–66 ca. 1966
  417. Notes, draft program, and cue sheets related to The Mind Is a Muscle (1966–68), including Trio A, Trio B, and Mat Yvonne Rainer (American, b. 1934) ca. 1966–68
  418. Object edition of Spatial Poem No. 2 (Direction Event) Mieko (Chieko) Shiomi (Japanese, b. 1938), George Maciunas (Lithuanian American, 1931–78) 1966
  419. Judson Dance Theater concert program for “A Dance Concert of Old and New Works by: David Gordon, Yvonne Rainer, Steve Paxton” 10–12 January 1966