This review playfully and imaginatively describes David Tudor’s recital in Vienna as a “fight with a dragon,” dramatically narrating how Tudor’s use of nontraditional techniques and preparations were akin to a combat between Tudor and the piano itself, with the audience cheering the spectacle on. The critic notes Tudor’s deadpan persona despite the apparent anarchy and disorder of the music.
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Title | “Der Kampf mit dem Drachen. In der Musikakademie wurde ein Klavier mit dem Stock geschlagen,” The Observer |
Date | 5 December 1958 |
Type | press clipping |
Location | Getty Research Institute, David Tudor Papers, 980039, box 62, folder 11 |
Cite
“Der Kampf mit dem Drachen. In der Musikakademie wurde
ein Klavier mit dem Stock geschlagen,” The Observer, 5 December 1958. Getty Research Institute, David
Tudor Papers, 980039, box 62, folder 11. In
The Scores Project: Experimental Notation in Music,
Art, Poetry, and Dance, 1950–1975, ed. Michael Gallope, Natilee Harren, and John
Hicks. Los Angeles: Getty Research Institute, 2025.
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