After George Brecht’s intensive period of composing event scores had ceased, he wrote this piece, titled Event Score, in August of 1965. As a reflection on the meaning and function of the intermedial format he had developed and honed, it considers the event score’s relationship to conscious and unconscious perception. Around the same time, one finds the following reflection in his notebook:
These notices are thoughts that came from zero. Very few of the hundred or so that were written down came directly from a specific experience. Though they are simply what they are (appropriately poems for some), they are connected in my mind with musical scores; they have so far seemed to me scores for events. (Why only listen?) They are thoughts that can float around in your head, and then sometime perhaps
There is a woman with a yellow hat sitting on a white chair.
There is steam on top of my ice water.
A phone rings rooms away.
(George Brecht, Notebook no. 13, 1964–Summer 1965, Gilbert and Lila Silverman Fluxus Collection Archives, Museum of Modern Art, New York).
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