George Brecht often made sculptural realizations of his event scores, as in this iteration, an adjustable dripping faucet designed for the garden of German collectors Wolfgang and Ute Feelisch. Brecht once remarked, “Once in a while I would make an object first and then make a card later . . . . I don’t feel very much one way or the other since every object is an event anyway and every event has [an] object-like quality” (Michael Nyman, “An Interview with George Brecht” [1976], in Henry Martin, An Introduction to George Brecht’s Book of the Tumbler on Fire [Milan: Multhipla, 1978], 106).
© 2022 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn.