Used with Permission. © Yvonne Rainer.
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Notes on equivalencies and objects (ca. early
1960s)
Notes related to The Mind Is a Muscle,
including Trio A and
Trio B (1965–66)
“Materials for Performance,” notes for a
workshop in Yvonne Rainer’s studio (ca. 1969)
“Lecture for a Group of Expectant People”
(September 1968)
Notes on arms, hands, legs, and feet, from
Yvonne Rainer’s dance scripts notebook (ca.
1962)
“Class Moving Definitions: For Yvonne Rainer”
(ca. 1960s)
449
| Title | Untitled notebook pages on performer versus audience |
| Maker | Yvonne Rainer (American, b. 1934) |
| Date | ca. 1963 |
| Type | sketches and materials |
| Location | Getty Research Institute, Yvonne Rainer Papers, 2006.M.24, box 1, folder 5 |
Related
Cite
Rainer, Yvonne. Untitled notebook pages on performer
versus audience, ca. 1963. Getty Research Institute,
Yvonne Rainer Papers, 2006.M.24, box 1, folder 5. In
The Scores Project: Experimental Notation in Music,
Art, Poetry, and Dance, 1950–1975, ed. Michael Gallope, Natilee Harren, and John
Hicks. Los Angeles: Getty Research Institute, 2025.
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