These notebook pages show Yvonne Rainer using language as a tool to both deconstruct and rediscover the body’s possibilities for movement, much like the American sculptor Richard Serra would do in 1967 with his text piece Verb List, which spells out the available terms of his sculptural process. Rainer’s notes evoke the intertwined conversations between dance, object-making, poetry, and music in this time period and point to the underacknowledged influence of dance in particular on the minimal and postminimal art forms that would appear later in the decade.
Used with Permission. © Yvonne Rainer.