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001

Title Four “Indeterminate” Notation Systems
Type score

Left to right: (a) Chord chart notation for guitar; (b) Henry Purcell, “Dido’s Lament” from Dido and Aeneas in figured bass notation, ca. 1968; (c) Hymn tune for the text “Come Thou Fount of Every Blessing” (1758) by Robert Robinson in Nashville number system notation, nineteenth century; and (d) Thelonious Monk, Off Minor in lead sheet notation, 1947.

© 1947 (Renewed) by Embassy Music Corporation (BMI), International Copyright Secured. All Rights Reserved, Reprinted by permission of Hal Leonard LLC ©; Courtesy of Jonathan K. Riggs.

Cite

Four “Indeterminate” Notation Systems, . . In The Scores Project: Experimental Notation in Music, Art, Poetry, and Dance, 1950–1975, ed. Michael Gallope, Natilee Harren, and John Hicks. Los Angeles: Getty Research Institute, 2025. https://www.getty.edu/publications/scores/object-index/001/.