During the final stages of An Anthology’s design and assembly, George Maciunas corresponded with Jackson Mac Low and La Monte Young from Wiesbaden, West Germany, where he worked as a graphic designer for the U.S. military. In a series of letters written between late 1961 and early 1963, we see Maciunas offering multiple design ideas for An Anthology’s cover and binding, including several that would deliberately create a difficult reading experience, and pleading for copies to be sent to him for distribution in Europe. (Mac Low and Young ultimately chose a conventional perfect-bound paperback format whose cover features the book’s title repeated tightly in black against a vibrant red background.) These letters also show that Maciunas was already busy collecting materials for a new series of anthologies that would be published under the name of Fluxus and include many of the same artists brought together in An Anthology.
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Title | Chart of artistic movements and media including optic, acoustic, kinetic, and semantic/symbolic arts, mailed by George Maciunas to Jackson Mac Low |
Maker | George Maciunas (Lithuanian American, 1931–78) |
Date | ca. 1961–62 |
Type | correspondence |
Location | UC San Diego Special Collections and Archives, Jackson Mac Low Papers, MSS 180 |
Cite
Maciunas, George. Chart of artistic movements and
media including optic, acoustic, kinetic, and
semantic/symbolic arts, mailed by George Maciunas to
Jackson Mac Low, ca. 1961–62. UC San Diego Special
Collections and Archives, Jackson Mac Low Papers, MSS
180. In
The Scores Project: Experimental Notation in Music,
Art, Poetry, and Dance, 1950–1975, ed. Michael Gallope, Natilee Harren, and John
Hicks. Los Angeles: Getty Research Institute, 2025.
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