George Brecht’s several drafts of the event score Time-Table Music from July 1959, which he performed with his experimental-composition classmates at Grand Central Station, shows the artist’s careful editing aimed at making his instructions as simple and direct as possible. Time-Table Music (1963) was the first score Brecht signed and dated in his notebooks, and the first to be typewritten on a card. It was also one of Brecht’s first scores to circulate in print, appearing in a 1961 issue of the literary magazine Kulchur. Brecht revisited the concept in April 1961 to create the slightly revised score Time-Table Event; both appear in Water Yam (1963).
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