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Although Jackson Mac Low had academic training in Western musical composition, his artist self-image, at least initially, was that of a poet. He submitted poems relentlessly to mainstream U.S. poetry publications before and during the McCarthy Red Scare era, apparently without realizing that he was being blacklisted for his radical political views. This program for La Monte Young’s series at Yoko Ono’s loft celebrates Mac Low as a composer of performance works that, if not strictly musical in nature, are intended to be performed in a “concert” setting. While many of the other composers featured in this concert series became well-known members of the 1960s avant-garde, Mac Low’s contributions have been less frequently recognized, falling through the cracks that separate monodisciplinary narratives in art history, literary studies, and performance studies.