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252

Title The text on the opposite page may be used in any way as a score for solo or group readings, musical or dramatic performances, looking, smelling, anything else &/or nothing at all (July 1961), performed by Jackson Mac Low and Jeanne Lee at Town Hall, New York, NY
Maker Jackson Mac Low (American, 1922–2004)
Date 13 September 1966
Type audio

This recording of one of Jackson Mac Low’s scores included in An Anthology features the experimental vocalist Jeanne Lee alongside Mac Low. Following studies in literature and dance, Lee collaborated extensively with jazz pianist Ran Blake in the early 1960s before pushing her practice in increasingly intermedial directions, ultimately working between music, poetry, and dance. Here we can appreciate the ways in which Lee incorporates vocal jazz techniques, such as scatting, into a broader palette of sound poetry. In addition to collaborating with Mac Low, Lee worked with John Cage, Dick Higgins, Alison Knowles, and Dieter Roth before returning to the jazz world in the 1970s. Lee’s remarkable extended vocal practice unsettled the boundaries between the multiple experimental performance worlds in which she participated, from jazz to sound poetry.

The score for The text on the opposite page can be found in the Getty Research Institute’s unique copy of An Anthology of Chance Operations (1962), published by Jackson Mac Low and George Maciunas and edited by La Monte Young.

Cite

Mac Low, Jackson. The text on the opposite page may be used in any way as a score for solo or group readings, musical or dramatic performances, looking, smelling, anything else &/or nothing at all (July 1961), performed by Jackson Mac Low and Jeanne Lee at Town Hall, New York, NY, 13 September 1966. . In The Scores Project: Experimental Notation in Music, Art, Poetry, and Dance, 1950–1975, ed. Michael Gallope, Natilee Harren, and John Hicks. Los Angeles: Getty Research Institute, 2025. https://www.getty.edu/publications/scores/object-index/252/.