Condition
Fully preserved; mended and filled.
Description
The bowl has a flaring lip; conical, cyma recta body; and flat bottom. It stands on a tall, circular base-ring formed by a single revolution of an applied coil of glass.
The vessel is made of discoid mosaic tesserae, with florets mostly of the following five types: (1) a central yellow rod surrounded in turn by red, blue, white, and blue layers; (2) a central yellow rod surrounded in turn by blue, red, white, and blue layers; (3) a central white rod set in red, surrounded by a dark blue layer with ten white rods, which in turn is surrounded by a blue layer; (4) a central white rod set in red, surrounded by a dark blue layer with ten yellow rods, which in turn is surrounded by a blue layer; (5) a central red rod surrounded in turn by white, blue, white, and blue layers of glass.
In addition, one tessera of the following type of floret appears: a central green rod surrounded in turn by yellow, red, white, and blue layers of glass.
The coil of the base is ribbon mosaic comprising roughly ten parallel layers of glass in red, white, and blue.
Comments and Comparanda
For the production technique, see Dawes, Susan. 2002. “Hellenistic and Roman Mosaic Glass: A New Theory of Production.” Annual of the British School at Athens 97: 413–428. and comments on cat. 86. On cast, angular vessels, see comments on cat. 89.
Provenance
By 1974–1988, Erwin Oppenländer, 1901–1988 (Waiblingen, Germany), by inheritance to his son, Gert Oppenländer, 1988; 1988–2003, Gert Oppenländer (Waiblingen, Germany), sold to the J. Paul Getty Museum, 2003
Bibliography
Saldern von, Axel, Birgit Nolte, Peter La Baume, and Thea Elisabeth Haevernick. 1974. Gläser der Antike. Sammlung Erwin Oppenländer. Mainz: von Zabern., p. 118, no. 314; p. 111, plate no. 31.
Exhibitions
Molten Color: Glassmaking in Antiquity (Malibu, 2005–2006; 2007; 2009–2010)
Pompeii and the Roman Villa: Art and Culture around the Bay of Naples (Los Angeles, 2009)
Gläser der Antike: Sammlung Erwin Oppenländer (Hamburg and Cologne, 1974–1975)