Condition
Fully preserved; mended and filled.
Description
The bowl has a flaring lip; conical, cyma recta body; and flat bottom. It stands on a tall, splayed base-ring formed by a single revolution of an applied coil of glass.
The vessel is made of rectangular mosaic tesserae, monochrome yellow, white, and blue with a thin white layer in the middle. In addition, discoid sections have been used, composed of a central white rod set in blue, around which have been spirally wound 1.5 revolutions of a translucent yellowish ground with a thin layer of opaque yellow glass on it. The lip of the rim is a twisted cane of transparent glass around which is twisted a very fine white thread.
The coil of the base is ribbon mosaic comprising wavy but parallel layers of blue, white, and yellow glass.
Comments and Comparanda
This bowl belongs to a group of late Hellenistic glass mosaic vessels, examples of which have been recovered from a shipwreck that sank about 80 BCE off the island of Antikythera in the Aegean, loaded with diverse cargo traveling from the eastern Mediterranean to Italy (Kaltsas, Nikolaos, Elena Vlachogianni, and Polyxeni Bouyia, eds. 2012. The Antikythera Shipwreck: The Ship, the Treasures, the Mechanism, exh. cat. Athens: National Archaeological Museum., with all previous bibliography). This particular shape of bowl with flaring rim is among the least represented among the late Hellenistic mosaic vessels (Oliver, Andrew, Jr. 1968. “Millefiori Glass in Classical Antiquity.” Journal of Glass Studies 10: 48–70., pp. 56–57; Stern, Eva Marianne, and Birgit Schlick–Nolte. 1994. Early Glass of the Ancient World, 1600 B.C.–A.D. 50: Ernesto Wolf Collection. Ostfildern: Gerd Hatje., pp. 300–301, no. 87). It was made with ribbon and mosaic-patterned glass, as was one from Tripoli, Libya Museum (Oliver, Andrew, Jr. 1968. “Millefiori Glass in Classical Antiquity.” Journal of Glass Studies 10: 48–70., pp. 56). A similar striped mosaic example in the British Museum (Tatton-Brown, Veronica, and Carol Andrews. 1991. “Before the Invention of Glassblowing.” In Five Thousand Years of Glass, ed. Hugh Tait, 21–61. London: British Museum Press., p. 56, color plate 65) is said to be from one of the Greek islands. In addition, there are vessels made with millefiori mosaic (examples from the Antikythera Group: Weinberg, Gladys D. 1965. “The Glass Vessels from the Antikythera Wreck.” Transactions of the American Philosophical Society 55, no.3: 30–39., pp. 35–36, nos. 4, 6, figs. 11, 14; Weinberg, Gladys D., and Murray C. McClellan. 1992. Glass Vessels in Ancient Greece: Their History Illustrated from the Collection of the National Archaeological Museum, Athens. Athens: Archaeological Receipt Fund., p. 108, no. 66; Avronidaki, Christina. 2012. “The Glassware.” In The Antikythera Shipwreck: The Ship, the Treasures, the Mechanism, exh. cat., ed. Nikolaos Kaltsas, Elena Vlachogianni, and Polyxeni Bouyia, 132–145. Athens: National Archaeological Museum., pp. 143–144, no. 105) and network glass (Oliver, Andrew, Jr. 1968. “Millefiori Glass in Classical Antiquity.” Journal of Glass Studies 10: 48–70., p. 57, fig. 11; Lightfoot, Christopher S. 2019. “Hellenistic Glass: All That Glitters Is Not Gold.” In Art of the Hellenistic Kingdoms from Pergamon to Rome, ed. Seán Hemingway and Kyriaki Karoglou, 168–176. New York: Metropolitan Museum of Art., pp. 169–170, fig. 3).
Provenance
Stroganoff Collection (Rome, Italy); by 1914, Giorgio Sangiorgi, Italian, 1886–1965 (Rome, Italy); by 1974–1988, Erwin Oppenländer, 1901–1988 (Waiblingen, Germany), by inheritance to his son, Gert Oppenländer, 1988; 1988–2003, Gert Oppenländer (Waiblingen, Germany), sold to the J. Paul Getty Museum, 2003
Bibliography
Sangiorgi, Giorgio. 1914. Collezione di vetri antichi dalle origini al V sec. D.C. Milan: Bestetti and Tumminelli., p. 62, no. 218, plate XLI.
Noted in Oliver, Andrew, Jr. 1968. “Millefiori Glass in Classical Antiquity.” Journal of Glass Studies 10: 48–70., p. 57, no. 2.
Saldern von, Axel, Birgit Nolte, Peter La Baume, and Thea Elisabeth Haevernick. 1974. Gläser der Antike. Sammlung Erwin Oppenländer. Mainz: von Zabern., pp. 117–118, no. 312; p. 116, plate no. 312.
Wight, Karol. 2011. Molten Color: Glassmaking in Antiquity. Los Angeles: J. Paul Getty Museum., pp. 42, 45, fig. 24.
Exhibitions
Molten Color: Glassmaking in Antiquity (Malibu, 2005–2006; 2007; 2009–2010)
Reflecting Antiquity: Modern Glass Inspired by Ancient Rome (Malibu, 2007–2008)
Gläser der Antike: Sammlung Erwin Oppenländer (Hamburg and Cologne, 1974–1975)