Condition
Fully preserved; cracked.
Description
Mildly flaring, rounded rim; hemispherical body; and convex bottom. An incised, six-petaled rosette is set in a circle at the center of the bowl’s bottom. Probably representing lotus petals, 12 pointed leaves spring from this medallion. Each leaf is formed of three elongated grooves. In between the leaves, 12 short, vertical, slightly slanting fins project from the surface around the middle of the body. The fins differ in size, ranging from 2.8 to 3.3 cm, and they are mildly slanted. An oblique notch/tooling mark is visible below one of the fins. A pair of faint horizontal grooves is incised at the exterior, 1.7 cm below the rim, midway between the rim and the ribs. In the interior, two horizontal grooves, one at 1.7 and another at 3.3 cm below the rim.
Comments and Comparanda
This bowl belongs to a group of high-quality Hellenistic tableware vessels, predominantly plates, hemispherical bowls, sometimes footed or finned, like 2003.215, and skyphoi found in burials in Canosa, in southern Italy, the ancient Canusium (for an overview on Canosa Group vessels, see Stern, Eva Marianne, and Birgit Schlick–Nolte. 1994. Early Glass of the Ancient World, 1600 B.C.–A.D. 50: Ernesto Wolf Collection. Ostfildern: Gerd Hatje., p. 97–115). The vessels belong to two main groups: Millefiori Mosaic Glass and Cast Monochrome Tablewares, the latter made of decolorized (cat. 63), occasionally gilded glass or of strongly colored deep blue and light blue or purple glass (cat. 62) (Oliver, Andrew, Jr. 1968. “Millefiori Glass in Classical Antiquity.” Journal of Glass Studies 10: 48–70., pp. 48–55; Grose, David Frederick. 1989. Early Ancient Glass: Core-Formed, Rod-Formed, and Cast Vessels and Objects from the Late Bronze Age to the Early Roman Empire, 1600 B.C. to A.D. 50. New York: Hudson Hills Press., pp. 185–189). Occasionally they were decorated with lathe-cut bands, grooves, or fins, or gilding; a very few had gold-leaf designs set between two fine colorless bowls in a sandwich gold-glass technique. They have been dated between the late third and the late second century BCE, although individual vessels of all hoards range from the late third to late first century BCE (Stern, Eva Marianne, and Birgit Schlick–Nolte. 1994. Early Glass of the Ancient World, 1600 B.C.–A.D. 50: Ernesto Wolf Collection. Ostfildern: Gerd Hatje., pp. 100–102). This particular bowl was made of intensely colored glass by chip casting (Lierke, Rosemarie. 2009. Die nicht-geblasenen antiken Glasgefäße / The Non-Blown Ancient Glass Vessels. Offenbach: Deutsche Glastechnische Gesellschaft., p. 27–29; Stern, Eva Marianne, and Birgit Schlick–Nolte. 1994. Early Glass of the Ancient World, 1600 B.C.–A.D. 50: Ernesto Wolf Collection. Ostfildern: Gerd Hatje., pp. 49–53, 110–111).
Metal vessels served as prototypes for the shape and the decoration of finned or lobed bowls. They appear in an earlier, third-century BCE version made of decolorized glass with varying petal patterns and a number of fins around the shoulders. Published finds are known from Gordion (von Saldern, Axel. 1959. “Glass Finds at Gordion.” Journal of Glass Studies 1: 22–49., pp. 38–40, nos. 7–13, dated to the third century), Canosa (Harden, Donald Benjamin. 1968. “The Canosa Group of Hellenistic Glasses in the British Museum.” Journal of Glass Studies 10: 21–47., pp. 27–28, 31, 35, nos. 7, 2.d, 5, fig. 21; Bartoccini, Renato. 1935. “La tomba degli ori di Canosa.” Japigia 6: 225–262., pp. 246, fig. 12, plates I–II), Xanthos (Demargne, Pierre. 1958. Fouilles de Xanthos 1: Les piliers funéraires. Paris: Klincksieck., pp. 61, 64, 68f., plate XX, no. 1856), and museum collections (British Museum: Harden, Donald Benjamin. 1968. “The Canosa Group of Hellenistic Glasses in the British Museum.” Journal of Glass Studies 10: 21–47., pp. 27–28, no. 7, figs. 20–22). A later variant, a type to which this vessel belongs, has been dated to the late second–early first centuries BCE. The fins on these bowls, unlike the earlier examples, are placed between the tips of the petals of the stylized lotus that decorate the body. The petals are narrower and plainer in design compared to the earlier examples; they share the same size, rendered in sunk relief. Published examples include those from the shipwreck in Antikythera, Greece (Weinberg, Gladys D. 1965. “The Glass Vessels from the Antikythera Wreck.” Transactions of the American Philosophical Society 55, no.3: 30–39., pp. 32–33, no. 2, figs. 7–8; Weinberg, Gladys D., and Murray C. McClellan. 1992. Glass Vessels in Ancient Greece: Their History Illustrated from the Collection of the National Archaeological Museum, Athens. Athens: Archaeological Receipt Fund., pp. 104–105, no. 61), Camarat 2, France (Foy, Danièle, and Marie Dominique Nenna. 2001. Tout feu, tout sable: Mille ans de verre antique dans le midi de la France, exh. cat. Aix-en-Provence: Édisud., p. 104, nos. 129.2–3), Delos (Nenna, Marie-Dominique. 1999. Exploration archéologique de Délos 37: Les verres. Paris: de Boccard., pp. 94–97, no. C252), and museum collections (Corning Museum of Art: Goldstein, Sidney M. 1979. Pre-Roman and Early Roman Glass in the Corning Museum of Glass. Corning, NY: Corning Museum of Glas., pp. 134–135, no. 277, plate 37). For an overview of the form and the finds, see Weinberg, Gladys D. 1965. “The Glass Vessels from the Antikythera Wreck.” Transactions of the American Philosophical Society 55, no.3: 30–39., pp. 32–33; and Harden, Donald Benjamin. 1968. “The Canosa Group of Hellenistic Glasses in the British Museum.” Journal of Glass Studies 10: 21–47., pp. 43–44.
Provenance
Giorgio Sangiorgi, Italian, 1886–1965 (Rome, Italy); by 1959, Private Collection; by 1974–1988, Erwin Oppenländer, 1901–1988 (Waiblingen, Germany), by inheritance to his son, Gert Oppenländer, 1988; 1988–2003, Gert Oppenländer (Waiblingen, Germany), sold to the J. Paul Getty Museum, 2003
Bibliography
von Saldern, Axel. 1959. “Glass Finds at Gordion.” Journal of Glass Studies 1: 22–49., p. 39, no. 11, fig. 21.
Saldern von, Axel, Birgit Nolte, Peter La Baume, and Thea Elisabeth Haevernick. 1974. Gläser der Antike. Sammlung Erwin Oppenländer. Mainz: von Zabern., p. 92, no. 242; p. 98, plate no. 242.
Exhibitions
Molten Color: Glassmaking in Antiquity (Malibu, 2005–2006; 2007; 2009–2010)
Gläser der Antike: Sammlung Erwin Oppenländer (Hamburg and Cologne, 1974–1975)