Condition
Intact. Iridescent weathering on some areas; many pinprick bubbles.
Description
The bracelet is made of an irregular, seamless ring of glass, D-shaped in cross section. There are no signs of painted or other decoration on any part of it.
Comments and Comparanda
Glass bracelets appear sporadically from the second half of the first millennium BCE (Spaer, Maud. 1988. “The Pre–Islamic Glass Bracelets of Palestine.” Journal of Glass Studies 30: 51–61., pp. 51–61). They are found in large numbers for the first time in the last centuries of the first millennium BCE in central Europe, in Celtic regions (Haevernick, T. E. [1952] 1981. “Antike Glasarmringe und ihre Herstellung.” In Beiträge zur Glasforschung: Die wichtigsten Aufsätze von 1938 bis 1981, ed. Axel von Saldern, 8–12. Mainz: von Zabern, 1981. [Originally published in Glastechnische Berichte 25: 212–215.], pp. 8–12). Seamless and decorated with tooling and applied colored glass, they become fashionable in the eastern Mediterranean region in the third century, and in the fourth century they spread to the entire Roman Empire. These are dark-colored, probably in imitation of corresponding products of jet, a particularly popular material during this period. Most of them are plain, continuous rings, although examples with impressed decoration, such as ribbing (like cat. 565), protuberances, and stamped symbolic motifs are known as well (Jovanović, Aleksandar. 1978. Nakit u rimskoj Dardaniji. Belgrade: Savez arheoloških Društava jugoslavije., pp. 27–28; Marijanski-Manojlović, Mirjana. 1987. Rimska nekropola kod Beške u Sremu. Novi Sad: Vojvođanski muzej., p. 33;Riha, Emilie. 1990. Der römische Schmuck aus Augst und Kaiseraugst. Forschungen in Augst 10. Augst: Römermuseum., pp. 64–66; Golofast, Larisa A. 1996. “Steklannie brasletii III–IV vv. iz raskopok Hersonesa.” Hersonesskii sbornik 7: 183–185., pp. 183–185; Spaer, Maud. 2001. Ancient Glass in the Israel Museum: Beads and Other Small Objects. Jerusalem: Israel Museum., pp. 193–205, nos. 437–66; Dautova-Ruševljan, Velika. 2003. Kasnoantička nekropola kod Sviloša u Sremu. Matica Srpska: Odeljenje za Društvene Nauke., plate XXVIII G. 48/5; Radulović, Lidija. 2006. “Tipološka analiza narukvica sa Viminacijuma.” Glasnik Srpskog Arheološkog Društva 22: 355–374., p. 367; Mandruzzato, Luciana, Annalisa Giovannini, Alessandra Marcante, and Fulvia Ciliberto. 2008. Vetri antichi del Museo Archeologico Nazionale di Aquileia: Ornamenti e oggettistica di età romana, vetro pre- e post-romano. Corpus delle Collezioni del Vetro in Friuli Venezia Giulia 4. Venice: Comitato Nazionale Italiano, AIHV., pp. 54–58, nos. 40–66; Antonaras, Anastassios. 2010. “Glassware in Late Antique Thessalonikē.” In From Roman to Early Christian Thessalonikē: Studies in Religion and Archaeology, ed. Laura Nasrallah, Charalampos Bakirtzis, and Steven J. Friesen, 301–334. Harvard Theological Studies 64. Cambridge, MA: Harvard Divinity School., p. 323; Cosyns, Peter. 2011. “The Production, Distribution, and Consumption of Black Glass in the Roman Empire during the 1st–5th Century AD: An Archaeological, Archaeometric, and Historical Approach.” PhD diss., Vrije Universiteit, Brussels., pp. 147–155; Arveiller-Dulong, Véronique, and Marie-Dominique Nenna. 2011. Les verres antiques du Musée du Louvre 3: Parure, instruments et éléments d’incrustation. Paris: Somogy Editions., pp. 249–260, esp. pp. 249–250; Antonaras, Anastassios. 2019. The Art of Glass: Works from the Collection of the Museum of Byzantine Culture. Thessaloniki: Museum of Byzantine Culture., pp. 226–228, nos. 323–328).
Provenance
1979, Edwin A. Lipps, 1922–1988 (Pacific Palisades, California), donated to the J. Paul Getty Museum, 1979
Bibliography
Unpublished
Exhibitions
None