Condition
Intact.
Description
Vertical, smooth, fire-rounded rim; deep convex body decorated with 21 vertical ribs, slightly slanting to the left and relatively evenly spaced. Ribs begin 1.5 cm below the rim and are visible to the center of the bottom. In the interior, one groove on the lip and two more 1.5 cm from the bottom.
Composite mosaic pattern formed from polygonal sections of a composite cane of amber-colored glass in which a fine, opaque white thread was spiraled two times. The sections were fused together into a single mass, which was slumped over a former mold, and the ribs were formed by tooling, while the form was on a rotating base, probably a potter’s wheel.
Comments and Comparanda
For agate and marbled vessels, see comments on cat. 132. Mosaic glass ribbed bowls are mostly found in the western Roman provinces, and it is assumed that they were probably made in Italy (Stern, Eva Marianne, and Birgit Schlick–Nolte. 1994. Early Glass of the Ancient World, 1600 B.C.–A.D. 50: Ernesto Wolf Collection. Ostfildern: Gerd Hatje., pp. 73–74, 320), while monochrome ribbed bowls were made and predominantly used in the eastern Mediterranean. Preserved mosaic ribbed bowls imitate usually onyx, using either elongated, ribbon patterns or large spirals like both examples from Getty collection (this vessel and cat. 134). Both patterns were probably preferred because the distortion created by the ribs enhanced the imitation of veining typical for agate. For direct comparanda, see Isings, Clasina. 1957. Roman Glass from Dated Finds. Groningen: Wolters., pp. 19–20, form 3b; Berger, Ludwig. 1960. Römische Gläser aus Vindonissa. Veröffentlichungen der Gesellschaft Pro Vindonissa IV. Basel: Birkhäuser., pp. 13–16, plate 2:20–21; Goethert-Polaschek. Karin. 1977. Katalog der römischen Gläser des Rheinischen Landesmuseums Trier. Trierer Grabungen und Forschungen Band IX. Mainz am Rhein: Zabern., pp. 16–17, nos. 8–9; Follmann-Schulz, Anna-Barbara. 1988. Die römischen Gläser aus Bonn. Cologne: Rheinland Verlag., p. 113, no. 423, fig. 48; Grose, David Frederick. 1989. Early Ancient Glass: Core-Formed, Rod-Formed, and Cast Vessels and Objects from the Late Bronze Age to the Early Roman Empire, 1600 B.C. to A.D. 50. New York: Hudson Hills Press., pp. 279, 282–283, nos. 290, 304, 306, 308–309; Follmann-Schulz, Anna-Barbara. 1992. Die römischen Gläser im Rheinischen Landesmuseum Bonn. Landschaftsverband Rheinland. Cologne: Rheinland-Verlag; Bonn: Habelt., pp. 11–12, nos. 4–5; Stern, Eva Marianne, and Birgit Schlick–Nolte. 1994. Early Glass of the Ancient World, 1600 B.C.–A.D. 50: Ernesto Wolf Collection. Ostfildern: Gerd Hatje., nos. 95–96, pp. 320–323, 78; Lazar, Irena. 2003. Rimsko steklo Slovenije. Ljubljana: Založba ZRC., p. 37, form 2.1.4, fig. 11; Antonaras, Anastassios. 2017. Glassware and Glassworking in Thessaloniki: First Century BC–Sixth Century AD. Oxford: Archaeopress., pp. 54–56, form 6b.
Provenance
1764, Found: park of the Château de Ripaille, Thonon-les-Bains, France, inside a round lead container holding the ashes and partially burnt bones of a cremation burial (Lullin 1787); 1764–1892, Found on the grounds of the Château de Ripaille, Thonon-les-Bains, France, in 1764 and transferred with the estate when sold to Frédéric Engel-Gros, 1892; 1892–1918, Frédéric Engel-Gros, French, 1843–1918 (Château de Ripaille, Thonon-les-Bains, France), by inheritance to his heirs, 1918; 1918–still in 1925, Heirs of Frédéric Engel-Gros, French, 1843–1918; 1972, Private Collection [sold, Objets d’art et de bel ameublement, Palais Galliera, Paris, March 7, 1972, lot 42, to Robin Symes, Limited]; 1972, Robin Symes, Limited, founded 1977, dissolved 2005 (London, England), sold to the J. Paul Getty Museum, 1972
Bibliography
Lullin, Jean. 1787. Notice historico-topographique sur la Savoie, suivie d’une généalogie raisonnée de la maison royale de ce nom; . . . Chambéry: J. Lullin., p. 68.
“Bulletin de la Société savoisienne d’histoire et d’archéologie: 1861–1862: I. Procés-Verbaux des Séances.” Mémoires et documents publiés par la Société savoisienne d’histoire et d’archéologie 6: I–XLVIII., p. XI.
Bruchet, Max. 1907. Le Chateau de Ripaille. Paris: Delagrave., p. 20; ill. (no plate number) [cited as being in the Engel-Gros Collection].
Ganz, Paul. 1925. L’oeuvre d’un amateur d’art: La collection de Monsieur F. Engel-Gros; catalogue raisonné. Geneva: Art Boissonnas., vol. I, pp. 7, 26, no. 56; vol. II, plate 8a.
Objets d’art et de bel ameublement, Palais Galliera, Paris, March 7, 1972, sale cat. Paris., lot 42.
“Conseils aux amateurs: 1972, année florissante pour les curiosités.” Connaissance des arts 250, December., p. 165, no. 2, ill.
Morgan, Sandra, ed. 1978. Guidebook: The J. Paul Getty Museum. 4th ed. Malibu: J. Paul Getty Museum., p. 36.
The J. Paul Getty Museum Handbook of the Antiquities Collection. Los Angeles: J. Paul Getty Museum, 2002., p. 204.
The J. Paul Getty Museum Handbook of the Antiquities Collection. Rev. ed. Los Angeles: J. Paul Getty Museum, 2010., p. 216.
Wight, Karol. 2011. Molten Color: Glassmaking in Antiquity. Los Angeles: J. Paul Getty Museum., pp. 42, 51, fig. 30.
Lapatin, Kenneth. 2015. Luxus: The Sumptuous Arts of Greece and Rome. Los Angeles: J. Paul Getty Museum., p. 111, fig. 23.
Del Bufalo, Dario. 2016. Murrina Vasa: A Luxury of Imperial Rome. Bibliotheca Archaeologica 53. Rome: “L’Erma” di Bretschneider., p. 185, fig. 5.
Exhibitions
Ancient Art from the Permanent Collection (Los Angeles, 1999–2004)