Condition
Complete; the handle—if it is part of the original vessel—and a chip from the rim were reattached; surface presents some iridescence, sandy accretions, and pitting on the neck.
Description
In-folded, tubular, flaring rim; lopsided cylindrical neck; mold-blown body in the shape of two heads placed back-to-back. The vessel stands on a mildly irregular, flat resting surface. The vertical seam mark indicates that this juglet was blown in a two-part mold. Coil handle with an elbow has been applied on the shoulder and drawn up onto the lip, where it forms a thumb rest. Each side of the janiform body represents a chubby clean-shaven male face. Face A smiling; heavy cheeks and lips; flat, wide nose; accentuated eyebrow ridges. A relief, smooth band across the forehead with two horseshoe-shaped loops, apparently a symposiast’s fillet. Hair is rendered as 22 rows of straight ridges diagonally arranged. Face B is similar but flatter, and the cheekbones are more accentuated, the nose appears to be shorter, and the eyes are more rounded than Face A; the forehead is smaller, and two curved horns are visible at the corners. Face A could be identified as Dionysus and the other as a satyr (Stern, Eva Marianne. 1995. The Toledo Museum of Art. Roman Mold-Blown Glass: The First through Sixth Centuries. Rome: “L’Erma” di Bretschneider., pp. 243–246, nos. 143–144).
Comments and Comparanda
Head-shaped glass vessels represent the shape of a human head in the round or of two (known as janiform) or multiple heads arranged back-to-back. They are mold-blown, almost exclusively blown in molds with two vertical parts. Predominantly they are shaped as bottles or flasks, occasionally with one or two handles; jugs; and a few are cups made only as single heads. They first appear in the early first century CE, in the late Augustan era, probably in the eastern Mediterranean, and the earlier forms are jugs and one-handled flasks. In the first century they were produced in the eastern Mediterranean and probably Italy as well, during the second and third centuries they were predominantly made on the Syro-Palestinian coast, from the third century they become common in northwestern Europe, and during the fourth century they were produced in Germany and Gaul. They render heads of deities, like Dionysus and Livia-Juno; a chubby curly-haired child, probably Eros or Dionysus; mythological creatures like Medusa; unusual and ethnic faces, e.g. grotesques or Ethiopians; and finally, heads of ordinary male Caucasian people, these last appearing only in northwestern provinces in the third–fourth centuries CE. Dionysus and the chubby child appear mostly in the eastern Mediterranean, Medusa in both east and west, and ethnic types, grotesques, and ordinary people predominantly in Italy and northwestern European provinces (Isings, Clasina. 1957. Roman Glass from Dated Finds. Groningen: Wolters., pp. 93–94, forms 78a, 78b; Stern, Eva Marianne. 1995. The Toledo Museum of Art. Roman Mold-Blown Glass: The First through Sixth Centuries. Rome: “L’Erma” di Bretschneider., pp. 201–215). On janiform unguentaria, see cat. 200 and Antonaras, Anastassios. 2009. Ρωμαϊκή και παλαιοχριστιανική υαλουργία: 1ος αι. π.Χ.\–6ος αι. μ.Χ.: Παραγωγή και προϊόντα: Τα αγγεία από τη Θεσσαλονίκη και την περιοχή της. Athens: Sideris., pp. 324–326, form 146 = Antonaras, Anastassios. 2017. Glassware and Glassworking in Thessaloniki: First Century BC–Sixth Century AD. Oxford: Archaeopress., pp. 163–164. For jugs in the shape of ordinary heads, see Antonaras, Anastassios. 2009. Ρωμαϊκή και παλαιοχριστιανική υαλουργία: 1ος αι. π.Χ.\–6ος αι. μ.Χ.: Παραγωγή και προϊόντα: Τα αγγεία από τη Θεσσαλονίκη και την περιοχή της. Athens: Sideris., pp. 256–257, form 96 = Antonaras, Anastassios. 2017. Glassware and Glassworking in Thessaloniki: First Century BC–Sixth Century AD. Oxford: Archaeopress., pp. 129–130. For handleless parallels with similar faces, see Glass from the Ancient World: The Ray Winfield Smith Collection. 1957. Corning, NY: Corning Museum of Glass in the Corning Glass Center., p. 143, no. 285; La Baume, Peter, and Jan Willem Salomonson. 1976. Römische Kleinkunst: Sammlung Karl Löffler. Wissenschaftliche Kataloge des Römisch-Germanischen Museums 3. Cologne: Bachem., p. 37, no. 70, plate 8:70; Kunz, Martin, ed. 1981. 3000 Jahre Glaskunst: Von der Antike bis zum Jugendstil, exh. cat. Lucerne: Kunstmuseum., p. 83, no. 280; Stern, Eva Marianne. 1995. The Toledo Museum of Art. Roman Mold-Blown Glass: The First through Sixth Centuries. Rome: “L’Erma” di Bretschneider., pp. 243–246, nos. 143–144.
Provenance
By 1974–1988, Erwin Oppenländer, 1901–1988 (Waiblingen, Germany), by inheritance to his son, Gert Oppenländer, 1988; 1988–2003, Gert Oppenländer (Waiblingen, Germany), sold to the J. Paul Getty Museum, 2003
Bibliography
Saldern von, Axel, Birgit Nolte, Peter La Baume, and Thea Elisabeth Haevernick. 1974. Gläser der Antike. Sammlung Erwin Oppenländer. Mainz: von Zabern., p. 170, no. 462.
Exhibitions
Gläser der Antike: Sammlung Erwin Oppenländer (Hamburg and Cologne, 1974–1975)