Condition
Intact; minor chipping on the rim; areas covered with iridescence and whitish incrustation.
Description
Cut-off, vertical rim on a mildly overblown, cylindrical body; flat bottom. The body is covered by a scrolling grapevine of six oval tendrils, alternately filled with a trefoil leaf or a cluster consisting of 18 and 19 berries arranged in six rows. Two vine leaves and one bunch are depicted on one of the mold parts and on the second part two bunches and one leaf. The upper and lower parts of the body are encircled by a palm frond, the upper pointing leftward, the lower rightward. The seam between the two vertical sections of the mold is not concealed. One raised ring at the middle of the bottom forms a base-ring.
Comments and Comparanda
The exact decoration appears to be quite rare: one beaker from Cyprus is long known (Froehner, Wilhelm. 1879. La verrerie antique: Description de la Collection Charvet. Le Pecq: Jules Charvet., p. 65 n. 2, 79 n. 11, 120, 139, plate XXVII.112; Cesnola, Luigi Palma di. 1903. A Descriptive Atlas of the Cesnola Collection of Cypriote Antiquities in the Metropolitan Museum of Art, New York. Vol. 3. Boston: James R. Osgood and Company., vol. 3, plate LXXVIII.2; Lightfoot, Christopher S. 2017. The Cesnola Collection of Cypriot Art: Ancient Glass. New York: Metropolitan Museum of Art. http://www.metmuseum.org/art/metpublications/The_Cesnola_Collection_of_Cypriot_Art_Ancient_Glass., pp. 14, 53, fig. 3 upper right). Another beaker from a controlled excavation, namely from a grave in ed-Dur (Whitehouse, David B. 1998. Excavations at ed-Dur (Umm al-Qaiwain, United Arab Emirates) 1: The Glass Vessels. Leuven: Peeters., title page and fig. 12, plate 15, no. 116), is dated to the first century CE. Another example appeared in 1970 (No author. 1970. “Recent Important Acquisitions: Made by Public and Private Collections in the United States and Abroad.” Journal of Glass Studies 12: 171–182., p. 171, no. 5 Milo Cripps collection). Another, squatter cup where the scroll is not framed with palm fronds appeared in the Cinzano Collection (Lazarus, Peter. 1974. Cinzano Glass Collection. London: Cinzano., no. 6). Furthermore, the same scroll appears on three “harvest” beakers with convex sides (Kunz, Martin, ed. 1981. 3000 Jahre Glaskunst: Von der Antike bis zum Jugendstil, exh. cat. Lucerne: Kunstmuseum., p. 81, no. 272; Benzian, Hans, Dragisa Momirovic, and Sotheby’s. 1994. The Benzian Collection of Ancient and Islamic Glass, 7 July 1994, sale cat. London: Sotheby’s., p. 80, lot 139 = ex Constable-Maxwell Collection 1979, The Constable-Maxwell Collection of Ancient Glass, June 4–5, 1979, sale cat. London: Sotheby’s., p. 168, lot 301; Bonhams, July 14, 2004, lot 15 [= ex Constable-Maxwell Collection, London, ex British Rail Pension Fund Collection, London]). Finally, on identical cylindrical cups two similar friezes of wine scrolls bordered by double lines appear on vessels dated to the first century CE (Israeli, Yael. 2011. Made by Ennion: Ancient Glass Treasures from the Shlomo Moussaieff Collection. Jerusalem: Israel Museum., pp. 70–73).
This beaker, based on its shape and size, belongs to a larger group of first-century mold-blown beakers (Harden, Donald Benjamin. 1935. “Romano-Syrian Glasses with Mould-Blown Inscriptions.” Journal of Roman Studies 25: 163–186., pp. 163–186, groups E, F, Ki, L), usually decorated with inscriptions, wreaths and palm fronds (cats. 160–161), unbending plants (cat. 162), and vine scrolls (cat. 163). Mold-blowing in general had probably already appeared by the first decade of the first century CE (Stern, Eva Marianne. 1995. The Toledo Museum of Art. Roman Mold-Blown Glass: The First through Sixth Centuries. Rome: “L’Erma” di Bretschneider., pp. 65–66; Lightfoot, Christopher S., Zrinka Buljević, Yael Israeli, Karol Wight, and Mark T. Wypyski. 2014. Ennion: Master of Roman Glass, exh. cat. New York: Metropolitan Museum of Art., p. 26) and seems to die out by the end of the century (Price, Jennifer. 1991. “Decorated Mould-Blown Glass Tablewares in the First Century AD.” In Two Centuries of Art and Invention, ed. Martine Newby and Kenneth Painter, 56–75. Occasional Papers from the Society of Antiquaries of London 13. London: Society of Antiquaries of London., p. 74). There is a known example from Pompeii that obviously predates the eruption of Vesuvius in 79 CE (Scatozza Höricht, Lucia Amalia. 1986. I vetri romani di Ercolano. Rome: “L’Erma” di Bretschneider., p. 79, fig. 13a). An additional clue regarding a narrower date for these beakers is provided by the type of glass used for their manufacture. They are made of “naturally colored” glass, which became popular after the middle of the century, mainly during the third quarter of the first century CE. As to their origin, they are considered to be from the eastern Mediterranean region (Harden, Donald Benjamin. 1935. “Romano-Syrian Glasses with Mould-Blown Inscriptions.” Journal of Roman Studies 25: 163–186., pp. 180–181; Harden, Donald Benjamin. 1944. “Two Tomb-Groups of First Century AD from Yahmour, Syria, and the Supplement to the List of Romano-Syrian Glasses with Mould-Blown Inscriptions” and “Romano-Syrian Glass: A Postscript.” Syria 24: 81–95, 291–292., pp. 86–87); this hypothesis is corroborated by the find places of two of the leaf beakers, one in Cyprus and another probably on the Black Sea coast (Wight, Karol. 2000. “Leaf Beakers and Roman Mold-Blown Glass Production in the First Century A.D.” Journal of Glass Studies 42: 61–79., pp. 68–69).
Provenance
By 1966–1988, Erwin Oppenländer, 1901–1988 (Waiblingen, Germany), by inheritance to his son, Gert Oppenländer, 1988; 1988–2003, Gert Oppenländer (Waiblingen, Germany), sold to the J. Paul Getty Museum, 2003
Bibliography
No author. 1966. “Recent Important Acquisitions Made by Public and Private Collections in the United States and Abroad.” Journal of Glass Studies 8: 128–140., pp. 128–129, no. 5.
Saldern von, Axel, Birgit Nolte, Peter La Baume, and Thea Elisabeth Haevernick. 1974. Gläser der Antike. Sammlung Erwin Oppenländer. Mainz: von Zabern., p. 162, no. 452.
Exhibitions
Molten Color: Glassmaking in Antiquity (Malibu, 2005–2006; 2007; 2009–2010)
Gläser der Antike: Sammlung Erwin Oppenländer (Hamburg and Cologne, 1974–1975)