Condition
Fully preserved.
Description
The bowl has a flaring lip; conical, cyma recta body; and flat bottom. It stands on a tall, circular base-ring formed by a single revolution of an applied coil of glass.
The vessel is made of: (1) lengths of blue and white, single-colored canes; (2) composite canes—a fine yellow flanked by two thick green canes, a fine white flanked by two thick purple canes; and (3) a few twisted canes—purple ground with a fine white thread, and a colorless ground with a fine yellow thread.
The coil of the base is ribbon mosaic comprising wavy but parallel layers of green, white, and yellow glass.
Comments and Comparanda
For the production technique, see Dawes, Susan. 2002. “Hellenistic and Roman Mosaic Glass: A New Theory of Production.” Annual of the British School at Athens 97: 413–428. and comments on cat. 86. On cast, angular vessels, see comments on cat. 89.
Provenance
By 1974–1988, Erwin Oppenländer, 1901–1988 (Waiblingen, Germany), by inheritance to his son, Gert Oppenländer, 1988; 1988–2003, Gert Oppenländer (Waiblingen, Germany), sold to the J. Paul Getty Museum, 2003
Bibliography
Saldern von, Axel, Birgit Nolte, Peter La Baume, and Thea Elisabeth Haevernick. 1974. Gläser der Antike. Sammlung Erwin Oppenländer. Mainz: von Zabern., p. 118, no. 320; p. 111, plate no. 320.
Exhibitions
Molten Color: Glassmaking in Antiquity (Malibu, 2005–2006; 2007; 2009–2010)
Pompeii and the Roman Villa: Art and Culture around the Bay of Naples (Los Angeles, 2009)
Gläser der Antike: Sammlung Erwin Oppenländer (Hamburg and Cologne, 1974–1975)