Condition
Fully preserved; the rim was made complete with a small fill. Some iridescence; few pinprick bubbles.
Description
In-folded, tubular, flaring rim; short, cylindrical neck, crooked; body in the shape of a date. Made in a bipartite mold with two vertical sections.
Comments and Comparanda
These vessels render naturalistically the fruit of the palm tree (Phoenix dactylifera), dates. The entire surface of the vessel is covered by wrinkles, similar to those of a ripe date, and its size, which is approximately 7 cm, is also identical to the size of many of these fruits. Generally this is a widely known and distributed form of unguentarium (Isings, Clasina. 1957. Roman Glass from Dated Finds. Groningen: Wolters., p. 94, form 78d; Antonaras, Anastassios. 2009. Ρωμαϊκή και παλαιοχριστιανική υαλουργία: 1ος αι. π.Χ.\–6ος αι. μ.Χ.: Παραγωγή και προϊόντα: Τα αγγεία από τη Θεσσαλονίκη και την περιοχή της. Athens: Sideris. = Antonaras, Anastassios. 2017. Glassware and Glassworking in Thessaloniki: First Century BC–Sixth Century AD. Oxford: Archaeopress., pp. 141–142, form 117) that appears in many regions of the Roman Empire. Other comparanda include the following: Clairmont, Christoph W. 1963. The Excavations at Dura-Europos Conducted by Yale University and the French Academy of Inscriptions and Letters. Final Report 4, Pt. 5. New Haven, CT: Dura-Europos Publications., p. 40, no. 150; Carington-Smith, Jill. 1982. “A Roman Chamber Tomb on the South-East Slopes of Monasteriaki Kephala, Knossos.” Annual of the British School at Athens 77: 255–293., p. 280, nos. 65–68; Scatozza Höricht, Lucia Amalia. 1986. I vetri romani di Ercolano. Rome: “L’Erma” di Bretschneider., p. 52, no. 105; Stern, Eva Marianne. 1995. The Toledo Museum of Art. Roman Mold-Blown Glass: The First through Sixth Centuries. Rome: “L’Erma” di Bretschneider., pp. 91–94; Kunina, Nina. 1997. The Art Treasures of Russia: Ancient Glass in the Hermitage Collection. St. Petersburg: State Hermitage/ARS Publishers., nos. 146–148; Whitehouse, David B. 2001. “Cut and Engraved Glass.” In Glass of the Sultans, exh. cat., ed. Stefano Carboni and David Whitehouse, 155–198. New York: Metropolitan Museum of Art., pp. 47–48, nos. 520–521; Antonaras, Anastassios. 2012. Fire and Sand: Ancient Glass in the Princeton University Art Museum. New Haven, CT: Yale University Press., pp. 78–79, nos. 80–82.
Provenance
By 1974–1988, Erwin Oppenländer, 1901–1988 (Waiblingen, Germany), by inheritance to his son, Gert Oppenländer, 1988; 1988–2003, Gert Oppenländer (Waiblingen, Germany), sold to the J. Paul Getty Museum, 2003
Bibliography
Saldern von, Axel, Birgit Nolte, Peter La Baume, and Thea Elisabeth Haevernick. 1974. Gläser der Antike. Sammlung Erwin Oppenländer. Mainz: von Zabern., p. 174, no. 476.
Stern, Eva Marianne. 1995. The Toledo Museum of Art. Roman Mold-Blown Glass: The First through Sixth Centuries. Rome: “L’Erma” di Bretschneider., p. 92, n. 171.
Exhibitions
Molten Color: Glassmaking in Antiquity (Malibu, 2005–2006; 2007; 2009–2010)
Gläser der Antike: Sammlung Erwin Oppenländer (Hamburg and Cologne, 1974–1975)