Condition
Severely weathered and reassembled. The surface bears some patchy iridescence, accretions, and flaking. Small chips missing near the rim.
Description
Cracked-off, vertical, slightly everted rim; cylindrical body; flat bottom.
Crisp relief. The body is divided into three friezes separated by single horizontal ridges. Six stylized wreaths are represented on each of the upper and lower friezes. Each wreath consists of two concentric circles joined by radial lines rendering the foliage, probably laurel leaves; wavy lines below each wreath indicate the ends of the ribbons dangling below the wreath.
The central frieze contains an inscription in capital Greek. Two diametrically opposed vertical palm fronds divide the inscription into two almost equal parts: ΛΑΒΕ ΤΗΝ // ΝΕΙΚΗΝ labe ten neiken (“seize the victory”). The Ν in ΤΗΝ is inverted.
Flat bottom, with a faint sunken dot in the center surrounded by a slightly raised ring placed at 1 cm from the outer edge of the bottom.
Comments and Comparanda
This beaker belongs to a larger group of first-century mold-blown cylindrical beakers (Harden, Donald Benjamin. 1935. “Romano-Syrian Glasses with Mould-Blown Inscriptions.” Journal of Roman Studies 25: 163–186., pp. 163–186, groups E, F, Ki, L), usually decorated with inscriptions, wreaths, and palm fronds (cats. 160–161), straight plants (cat. 162), or vine scrolls (cat. 163). Mold-blowing in general had probably already appeared in the first decade CE (Stern, Eva Marianne. 1995. The Toledo Museum of Art. Roman Mold-Blown Glass: The First through Sixth Centuries. Rome: “L’Erma” di Bretschneider., pp. 65–66; Lightfoot, Christopher S., Zrinka Buljević, Yael Israeli, Karol Wight, and Mark T. Wypyski. 2014. Ennion: Master of Roman Glass, exh. cat. New York: Metropolitan Museum of Art., p. 26) and seems to die out by the end of the first century (Price, Jennifer. 1991. “Decorated Mould-Blown Glass Tablewares in the First Century AD.” In Two Centuries of Art and Invention, ed. Martine Newby and Kenneth Painter, 56–75. Occasional Papers from the Society of Antiquaries of London 13. London: Society of Antiquaries of London., p. 74). There is a known example from Pompeii that obviously predates the eruption of Vesuvius in 79 CE (Scatozza Höricht, Lucia Amalia. 1995. I vetri romani di Ercolano. Cataloghi. Rome: “L’Erma” di Bretschneider., p. 79, fig. 13a). An additional clue regarding a closer date for the beakers is provided by the type of glass used for their manufacture. They are made of “naturally colored” glass, which became popular after the middle of the century, mainly during the third quarter of the first century CE.
There are many published cylindrical beakers with wreaths and the inscription ΛΑΒΕ ΤΗΝ Ν(Ε)ΙΚΗΝ. They constitute Harden’s (Harden, Donald Benjamin. 1935. “Romano-Syrian Glasses with Mould-Blown Inscriptions.” Journal of Roman Studies 25: 163–186., pp. 176–179) group K1, with different spellings (ΝΙΚΗΝ vs. ΝΕΙΚΗΝ) or the inversion of Ν in ΤΗΝ, like in this particular example, as well as different arrangements of the inscription, which is probably the most numerous of all other groups. This particular beaker belongs to subgroup K1iii, identified by the six wreaths on each frieze and the inscription in one single line. Numerous examples are known and most of them were found on the Syro-Palestinian coast and Cyprus, and a few in Greece, the Black Sea coast, and Sardinia, indicating a production site on the Syro-Palestinian coast, as has already been proposed by other glass researchers (Harden, Donald Benjamin. 1935. “Romano-Syrian Glasses with Mould-Blown Inscriptions.” Journal of Roman Studies 25: 163–186., pp. 180–181; Harden, Donald Benjamin. 1944. “Two Tomb-Groups of First Century AD from Yahmour, Syria, and the Supplement to the List of Romano-Syrian Glasses with Mould-Blown Inscriptions” and “Romano-Syrian Glass: A Postscript.” Syria 24: 81–95, 291–292., pp. 86–87; Wight, Karol. 2000. “Leaf Beakers and Roman Mold-Blown Glass Production in the First Century A.D.” Journal of Glass Studies 42: 61–79., p. 68–69). Marianne Stern (Stern, Eva Marianne. 1995. The Toledo Museum of Art. Roman Mold-Blown Glass: The First through Sixth Centuries. Rome: “L’Erma” di Bretschneider., p. 98) has proposed that they were produced in or near Sidon. Other examples include Harden, Donald Benjamin. 1944. “Two Tomb-Groups of First Century AD from Yahmour, Syria, and the Supplement to the List of Romano-Syrian Glasses with Mould-Blown Inscriptions” and “Romano-Syrian Glass: A Postscript.” Syria 24: 81–95, 291–292., pp. 94, 292; Matheson, Susan B. 1980. Ancient Glass in the Yale University Art Gallery. New Haven, CT: Yale University Art Gallery., p. 53, no. 134; Braun, Karin, and Thea Elisabeth Haevernick. 1981. Bemalte Keramik und Glas aus dem Kabirenheiligtum bei Theben. Kabirenheiligtum bei Theben 4. Berlin: de Gruyter., p. 121, plate 44.3; McClellan, Murray. 1983. “Recent Finds from Greece of First-Century A.D. Mold Blown Glass.” Journal of Glass Studies 25: 71–78., pp. 77–78; Stern, Eva Marianne. 1995. The Toledo Museum of Art. Roman Mold-Blown Glass: The First through Sixth Centuries. Rome: “L’Erma” di Bretschneider., pp. 98–100, nos. 2–4q; Zelazowski, Jerzy. 1996. “Three Roman Mould-Blown Glasses from the Michael Tyszkiewicz and Goluchow Collections.” Bulletin du Musée national de Varsovie 37: 3–14., fig. 5; Kunina, Nina. 1997. The Art Treasures of Russia: Ancient Glass in the Hermitage Collection. St. Petersburg: State Hermitage/ARS Publishers., pp. 133–134, fig. 23; Duncan-Jones, Janet. 2000. “Roman Export Glass at Aila (Aqaba).” In Annales du 14e Congrès de l’Association Internationale pour l’Histoire du Verre, Italia/Venezia-Milano, 1998, 147–150. Lochem: AIHV., p. 148, fig. 3; Whitehouse, David B. 2001. Roman Glass in the Corning Museum of Glass, vol. 2. Corning, NY: Corning Museum of Glass., pp. 26–27, no. 491; Arveiller-Dulong, Véronique, and Marie-Dominique Nenna. 2005. Les verres antiques du Musée du Louvre 2: Vaisselle et contenants du Ier siècle au début du VIIe siècle après J.-C. Paris: Somogy., pp. 183, 194, no. 536, plate 38; Alekseeva, E. M., and N. P. Sorokina. 2007. Kollekcya stekla antichnoj Gorgippii (I–III vv.) [Collection of the glass of the antique Gorgippia (1st–3rd century)]. Moscow: Interbuk-biznes., pp. 28–29, plate 22:2; Israeli, Yael. 2011. Made by Ennion: Ancient Glass Treasures from the Shlomo Moussaieff Collection. Jerusalem: Israel Museum., p. 100; Antonaras, Anastassios. 2022. East of the Theater: Glassware and Glass Production. Corinth XIX.1. Princeton, NJ: American School of Classical Studies at Athens., p. 45, no. 144.
Provenance
By 1974–1988, Erwin Oppenländer, 1901–1988 (Waiblingen, Germany), by inheritance to his son, Gert Oppenländer, 1988; 1988–2003, Gert Oppenländer (Waiblingen, Germany), sold to the J. Paul Getty Museum, 2003
Bibliography
Saldern von, Axel, Birgit Nolte, Peter La Baume, and Thea Elisabeth Haevernick. 1974. Gläser der Antike. Sammlung Erwin Oppenländer. Mainz: von Zabern., p. 162, no. 454.
Exhibitions
Gläser der Antike: Sammlung Erwin Oppenländer (Hamburg and Cologne, 1974–1975)