Condition
Intact.
Description
Vertical, rounded rim, ground back to create a narrow ledge on which the lid sits. Deep cylindrical body, flat bottom.
On the upper side of the lid are two concentric cut grooves: a smaller central one, 1.3 cm, and a wider one, 3.6 cm, toward the edge. A fine, horizontal groove is cut on the body, right below the ledge of the rim.
Composite mosaic pattern formed from polygonal sections of a composite cane of amber-colored glass in which a fine, opaque white thread was spiraled. The sections were fused together and tooled into a single mass, which was slumped over a former mold and further tooled to the desired shape.
Comments and Comparanda
For the production technique, see comments on cat. 86. On the trade of small fragments of mosaic glass in nineteenth-century Rome and on the different techniques and classes of mosaic glass present in the Getty collection, see comments on cat. 95. On agate and marbled vessels, see comments on cats. 132–133. For direct comparanda, see Grose, David Frederick. 1989. Early Ancient Glass: Core-Formed, Rod-Formed, and Cast Vessels and Objects from the Late Bronze Age to the Early Roman Empire, 1600 B.C. to A.D. 50. New York: Hudson Hills Press., pp. 239, 335, no. 587.
Provenance
By 1974–1988, Erwin Oppenländer, 1901–1988 (Waiblingen, Germany), by inheritance to his son, Gert Oppenländer, 1988; 1988–2003, Gert Oppenländer (Waiblingen, Germany), sold to the J. Paul Getty Museum, 2003
Bibliography
Saldern von, Axel, Birgit Nolte, Peter La Baume, and Thea Elisabeth Haevernick. 1974. Gläser der Antike. Sammlung Erwin Oppenländer. Mainz: von Zabern., p. 123, no. 330; p. 124, plate no. 330.
Wight, Karol. 2011. Molten Color: Glassmaking in Antiquity. Los Angeles: J. Paul Getty Museum., pp. 2, 42, 48, fig. 1, fig. 27.
Exhibitions
Art of Alchemy (Los Angeles, 2016–2017)
Molten Color: Glassmaking in Antiquity (Malibu, 2005–2006; 2007; 2009–2010)
Gläser der Antike: Sammlung Erwin Oppenländer (Hamburg and Cologne, 1974–1975)