Condition
Large parts are restored. Iridescence and pitting on glass sections. Stress marks on the underside.
Description
Free-formed mosaic glass snake made up of sections of glass. Curvilinear body of a snake, hemispherical in cross section, underside flat but uneven. Yellow marvered trails were applied on the body (which may be modern) to represent the scales. The head in its current condition is in profile and is made of dark blue canes embedded in opaque white glass, with a section of axially cut opaque white for the mouth and a section of black for the pupil of the eye.
Comments and Comparanda
This is a rare surviving product of modeled Roman glass, consisting of colored threads marvered into a colorless or lightly colored matrix and tooled into a serpentine, wavy shape. In its original form it showed the lozenge-shaped head of the reptile from above, as the rest of the body is presented. The single fully preserved known example (Ancient Glass / Kodai garasu. 2001. Shigaraki: Miho Museum., p. 96, no. 128 [A. Yoko]: H. 13, W. 10.6 cm, reddish brown glass wrapped in white and pale blue cords of glass) has its body curling into two large folds, assuming an approximately figure eight–shaped form that is evident in other partly preserved examples (Corning 1962, p. 8, fig. 5; Goldstein, Sidney M. 1979. Pre-Roman and Early Roman Glass in the Corning Museum of Glass. Corning, NY: Corning Museum of Glas., pp. 212–213, nos. 601–604; Grose, David Frederick. 1989. Early Ancient Glass: Core-Formed, Rod-Formed, and Cast Vessels and Objects from the Late Bronze Age to the Early Roman Empire, 1600 B.C. to A.D. 50. New York: Hudson Hills Press., pp. 359, 372, nos. 678–680; also, New Orleans Museum of Art 69.79, illustrated in Grose, David Frederick. 1989. Early Ancient Glass: Core-Formed, Rod-Formed, and Cast Vessels and Objects from the Late Bronze Age to the Early Roman Empire, 1600 B.C. to A.D. 50. New York: Hudson Hills Press., p. 359, fig. 174). Finally, six partly preserved examples, possibly included among the previously mentioned examples, were part of the Collection Julien Gréau, bought by Pierpont Morgan and donated to the Metropolitan Museum of Art (Froehner, Wilhelm. 1903. Collection Julien Gréau. Verrerie antique, émaillerie et poterie appartenant à M. John Pierpont Morgan. Paris., plate LXXI, nos. 10–15).
The exact use is not known, but the flat underside indicates that it was or could have been a decorative inlay in furniture or an architectural element. It seems logical to connect this statuette with depictions of Agathodaimon, a lesser god in the form of a benevolent serpent. In urban contexts, it appears as a household god, protector of the home in which it was worshiped. Agathodaimon in different contexts was a guarantor of agrarian fertility (LIMC I, pp. 277–282, s.v. “Agathodaimon” by F. Dunand). For a relief snake in the wall of a lararium in a Pompeian house in Regio IX that predates the Vesuvian eruption of 79 CE, see Curuz, Maurizio Bernardelli. “Trovato a Pompei altorilievo di un serpente agatodemone: Indica la presenza di un larario che sarà portato alla luce,” In STILEarte. June 24, 2023. https://stilearte.it/trovato-a-pompei-altorilievo-di-un-serpente-agatademone-indica-la-presenza-di-un-larario-che-sara-portato-alla-luce/..
Provenance
By 1974–1988, Erwin Oppenländer, 1901–1988 (Waiblingen, Germany), by inheritance to his son, Gert Oppenländer, 1988; 1988–2003, Gert Oppenländer (Waiblingen, Germany), sold to the J. Paul Getty Museum, 2003
Bibliography
Saldern von, Axel, Birgit Nolte, Peter La Baume, and Thea Elisabeth Haevernick. 1974. Gläser der Antike. Sammlung Erwin Oppenländer. Mainz: von Zabern., p. 123, no. 331.
Wight, Karol. 2011. Molten Color: Glassmaking in Antiquity. Los Angeles: J. Paul Getty Museum., pp. 103, 110, fig. 78.
Exhibitions
Molten Color: Glassmaking in Antiquity (Malibu, 2005–2006; 2007; 2009–2010)
Gläser der Antike: Sammlung Erwin Oppenländer (Hamburg and Cologne, 1974–1975)