Condition
Mended. Minor chipping on the rim, filled.
Description
Flaring rim, with unworked, slightly everted lip; short and wide neck; calyx-shaped body; and flat bottom, with three concentric raised circles around a central recessed knob. An inscription in capital Greek runs around the vessel at greatest diameter in a frieze flanked by three ridges above and two below. It reads: ΕΥΦΡΑΙΝΟΥ ΕΦΩ ΠΑΡΕΙ euphrainou epho parei (“rejoice with what you are present in”). A frieze of 35 upturned tongues in raised outline covers the lower part of the body.
Comments and Comparanda
There are two variants of this type of vessel distinguished by the contour of the walls and the relation of the height to the diameter. This one belongs to the taller, slender variant with three ridges above the inscription (Harden, Donald Benjamin. 1935. “Romano-Syrian Glasses with Mould-Blown Inscriptions.” Journal of Roman Studies 25: 163–186., group G1ii). See cat. 166.
Provenance
By 1971–1988, Erwin Oppenländer, 1901–1988 (Waiblingen, Germany), by inheritance to his son, Gert Oppenländer, 1988; 1988–2003, Gert Oppenländer (Waiblingen, Germany), sold to the J. Paul Getty Museum, 2003
Bibliography
No author. 1971. “Recent Important Acquisitions Made by Public and Private Collections in the United States and Abroad.” Journal of Glass Studies 13: 134–147., pp. 134–135, no. 7.
Saldern von, Axel, Birgit Nolte, Peter La Baume, and Thea Elisabeth Haevernick. 1974. Gläser der Antike. Sammlung Erwin Oppenländer. Mainz: von Zabern., p. 159, no. 447.
Stern, Eva Marianne. 1995. The Toledo Museum of Art. Roman Mold-Blown Glass: The First through Sixth Centuries. Rome: “L’Erma” di Bretschneider., p. 98 n. 5g.
Wight, Karol. 2011. Molten Color: Glassmaking in Antiquity. Los Angeles: J. Paul Getty Museum., pp. 104, 121, fig. 90.
Exhibitions
Gläser der Antike: Sammlung Erwin Oppenländer (Hamburg and Cologne, 1974–1975)