Condition
Mended, heavily reconstructed, and filled. Discolored from weathering.
Description
Short cylindrical neck; ovular body; convex bottom. Two opposing milky yellow vertical loop handles are modern restoration.
An unmarvered turquoise or translucent light blue thread around the rim. The dark-colored body is decorated with splashes of opaque turquoise and yellow glass.
Comments and Comparanda
No direct parallels are published. The vessel could be a flask (Nolte, Birgit. 1968. Die Glasgefäße im alten Ägypten. Münchner ägyptologische Studien 14. Berlin: Hessling., form I), although it cannot be excluded that it originally had handles (Nolte, Birgit. 1968. Die Glasgefäße im alten Ägypten. Münchner ägyptologische Studien 14. Berlin: Hessling., form II). Probably connected to the production of a workshop active after the Amarna period in an unknown place, during the Ramesside period (Nineteenth–Twentieth Dynasties; thirteenth–eleventh centuries BCE), where single-colored vessels were made alongside thread-decorated vases of workgroup 5 (Nolte, Birgit. 1968. Die Glasgefäße im alten Ägypten. Münchner ägyptologische Studien 14. Berlin: Hessling., pp. 127–129, workshop 6).
Provenance
By 1974–1988, Erwin Oppenländer, 1901–1988 (Waiblingen, Germany), by inheritance to his daughter, Ingrid Reisser, 1988; 1988–2004, Ingrid Reisser (Böblingen, Germany), sold to the J. Paul Getty Museum, 2004
Bibliography
von Saldern, Axel. 1968. Ancient Glass in the Museum of Fine Arts, Boston. Boston: Museum of Fine Arts., p. 12, no. 2.
Saldern von, Axel, Birgit Nolte, Peter La Baume, and Thea Elisabeth Haevernick. 1974. Gläser der Antike. Sammlung Erwin Oppenländer. Mainz: von Zabern., p. 19, no. 8.
Exhibitions
Gläser der Antike: Sammlung Erwin Oppenländer (Hamburg and Cologne, 1974–1975)
Meisterwerke der Glaskunst aus internationalem Privatbesitz (Düsseldorf, 1968–1969)