Condition
This beaker is severely weathered. Its surface bears extensive iridescence, dark accretions, and flaking.
Description
Cut-off, probably mildly polished rim; conical body, standing on a low, slightly protruding bottom. The vessel is decorated with wheel-cutting. Two parallel, horizontal grooves form a rib at mid-body height. Another set of grooves forms a rib at the lower end of the body. The base is conical, wheel-cut as well. The bottom is wheel-cut at its perimeter, leaving a central raised disk (Diam. 2.5 cm). In addition, some anomalies at the center of the bottom might be interpreted as a pontil scar (1 × 0.9 cm).
Comments and Comparanda
For comments on the material, see cat. 251. For comments on the technique, see cat. 256.
Truncated conical beakers in particular, decorated at different parts exclusively with horizontal ribs, are dated to the end of the first–first half of the second century CE, and findspots of published examples include all parts of the Roman Empire (Foy, Danièle, Françoise Labaune-Jean, Caroline Leblond, Chantal Martin Pruvot, Marie-Thérèse Marty, Claire Massart, Claudine Munier, Laudine Robin, Janick Roussel-Ode, and Bernard Gratuze. 2019. Verres incolores de l’antiquité́ romaine en Gaule et aux marges de la Gaule. Archaeopress Roman archaeology 42. Oxford: Archaeopress., vol. 1, pp. 22, form IN 13; Fünfschilling, Sylvia. 2015. Die römischen Gläser aus Augst und Kaiseraugst. Kommentierter Formenkatalog und ausgewählte Neufunde 1981–2010 aus Augusta Raurica. Forschungen in Augst 51. Augst: Augusta Raurica., pp. 312–313, form AR 44).
Provenance
By 1974–1988, Erwin Oppenländer, 1901–1988 (Waiblingen, Germany), by inheritance to his son, Gert Oppenländer, 1988; 1988–2003, Gert Oppenländer (Waiblingen, Germany), sold to the J. Paul Getty Museum, 2003
Bibliography
Saldern von, Axel, Birgit Nolte, Peter La Baume, and Thea Elisabeth Haevernick. 1974. Gläser der Antike. Sammlung Erwin Oppenländer. Mainz: von Zabern., p. 184, no. 508.
Exhibitions
Gläser der Antike: Sammlung Erwin Oppenländer (Hamburg and Cologne, 1974–1975)