Condition
Intact.
Description
The seam mark indicates that this amphoriskos was made in a mold of two vertical, hemispherical parts; edges of mold sections not carefully aligned. Along the bottom the straight seam between the two parts of the mold is visible. Slightly flaring, in-folded tubular rim; short, cylindrical neck; spherical body resting on a flat base. The entire body is decorated with mold-blown relief designs; namely, 22 elongated tongues cover the upper and lower body, and the central part of the body is covered by a frieze of 12 Xs with thickened intersection point, bordered by a groove above and below. Two blue vertical coil handles with a few white striations have been applied to the shoulder and drawn up to the mouth at 90 degrees from the seam.
Comments and Comparanda
There are several published mold-blown flasks decorated with a central band filled with Xs around the central part of their body and flanked by tongues and petals; this decoration appears in a number of variants. They have either one or two handles, and it has been convincingly suggested (Stern, Eva Marianne. 1995. The Toledo Museum of Art. Roman Mold-Blown Glass: The First through Sixth Centuries. Rome: “L’Erma” di Bretschneider., p. 151) that they were used as aryballoi, containing oil used to clean the bodies of athletes, as is indicated by the metal rings preserved on the handles of some of them, like the one in the Princeton University Art Museum (Antonaras, Anastassios. 2012. Fire and Sand: Ancient Glass in the Princeton University Art Museum. New Haven, CT: Yale University Press., p. 78, no. 78). For direct parallels, see Lightfoot, Christopher S. 1989. A Catalogue of Glass Vessels in Afyon Museum. BAR International Series 530. Oxford: BAR., p. 25, no. 8; Stern, Eva Marianne. 1995. The Toledo Museum of Art. Roman Mold-Blown Glass: The First through Sixth Centuries. Rome: “L’Erma” di Bretschneider., pp. 150–153, nos. 53–58; Froehner, Wilhelm. 1903. Collection Julien Gréau. Verrerie antique, émaillerie et poterie appartenant à M. John Pierpont Morgan. Paris., p. 156, no. 1124, plate 202.3–4; Antonaras, Anastassios. 2012. Fire and Sand: Ancient Glass in the Princeton University Art Museum. New Haven, CT: Yale University Press., p. 78, no. 78.
Provenance
By 1974–1988, Erwin Oppenländer, 1901–1988 (Waiblingen, Germany), by inheritance to his son, Gert Oppenländer, 1988; 1988–2003, Gert Oppenländer (Waiblingen, Germany), sold to the J. Paul Getty Museum, 2003
Bibliography
Saldern von, Axel, Birgit Nolte, Peter La Baume, and Thea Elisabeth Haevernick. 1974. Gläser der Antike. Sammlung Erwin Oppenländer. Mainz: von Zabern., p. 146, no. 417.
Stern, Eva Marianne. 1995. The Toledo Museum of Art. Roman Mold-Blown Glass: The First through Sixth Centuries. Rome: “L’Erma” di Bretschneider., p. 151 n. 5o.
Exhibitions
Gläser der Antike: Sammlung Erwin Oppenländer (Hamburg and Cologne, 1974–1975)