Condition
Fragment; one straight edge of the original is preserved.
Description
Plaque with floral decoration. Set on a translucent dark green-blue ground, the following motifs are discernible: one green and yellow poppy-like lotus fruit; a quatrefoil rosette formed by sequential layers (read from center to outer edge) of yellow, white, and red glass; a six-petal white flower with yellow center.
On the back side are visible the reinforcements of irregular pieces of ribbed glass of the different florets that compose the decorative theme.
Comments and Comparanda
For the historical and technological evolution of glass inlays in Pharaonic Egypt and the Roman Empire, see comments on cat. 449.
This object is part of the largest known group of mosaic plaques, those decorated with floral motifs. They are almost exclusively found in Egypt, where they were made between the end of the first century BCE and the early first century CE. It has been estimated that the plaques were rectangles about 12–15 cm in height and 6–7 cm in width. The front side of the plaques is always ground and polished (Grose, David Frederick. 1989. Early Ancient Glass: Core-Formed, Rod-Formed, and Cast Vessels and Objects from the Late Bronze Age to the Early Roman Empire, 1600 B.C. to A.D. 50. New York: Hudson Hills Press., pp. 355–356). The motifs extend through the thickness, and the back side is partially covered by a backing of waste and chips of mosaic glass. The plaques adorned architectural elements and furniture. Two groups are distinguished on the basis of their quality: the finer and rarer one is characterized by a translucent cobalt blue or dark blue ground and carefully executed mosaic motifs; the second group, which is much more numerous, consists of thicker plaques with a translucent to transparent greenish-blue ground, with the motifs less regularly shaped and the backings usually made from a crude, uneven matrix of short, rectangular cane lengths.
Among the pieces in the Getty collection those on dark blue background prevail, with five examples (cats. 462, 464–466, 479), while those on greenish background number only two (cats. 460–461). The plants depicted are mostly lotus stalks and flowers (Nelumbo nucifera), ears of wheat, a bunch of grapes, all in profile; a four-petaled red and white flower, a star-shaped white flower, white and yellow circles, all three motifs as would be viewed from above.
For parallels, see Cooney, John Ducey. 1976. Catalogue of Egyptian Antiquities in the British Museum. Vol. 4: Glass. London: British Museum., pp. 132–134, nos. 1642–1663; Grose, David Frederick. 1989. Early Ancient Glass: Core-Formed, Rod-Formed, and Cast Vessels and Objects from the Late Bronze Age to the Early Roman Empire, 1600 B.C. to A.D. 50. New York: Hudson Hills Press., pp. 355–356, nos. 646–653, Ptolemaic cast floral plaques; Tatton-Brown, Veronica A. 1991. “The Roman Empire.” In Five Thousand Years of Glass, ed. Hugh Tait, 21–97. London: British Museum., p. 61, fig. 74; The “Per-neb” Collection (Part I): Highly Important Egyptian Antiquities, Dec. 9, 1992, sale cat. London: Christie’s London., p. 11, no. 7; Stern, Eva Marianne, and Birgit Schlick–Nolte. 1994. Early Glass of the Ancient World, 1600 B.C.–A.D. 50: Ernesto Wolf Collection. Ostfildern: Gerd Hatje., pp. 404–407, nos. 146–147; Allen, Susan, Marsha Hill, Diana Craig Patch, Catharine H. Roehrig, and Christine Lilyquist. 2001. “Egyptian Art.” In Ars Vitraria: Glass in the Metropolitan Museum of Art. Metropolitan Museum of Art Bulletin 59: 11–17., p. 17; Ancient Glass / Kodai garasu. 2001. Shigaraki: Miho Museum., p. 86, no. 118; Spaer, Maud. 2001. Ancient Glass in the Israel Museum: Beads and Other Small Objects. Jerusalem: Israel Museum., pp. 248–249, nos. 600–603; Platz-Horster, Gertrud. 2002. “Mosaic Glass Inlays in the Antikensammlung.” In Hyalos Vitrum Glass: History, Technology, and Conservation of Glass and Vitreous Materials in the Hellenic World. First International Conference, ed. George Kordas, 147–150. Athens: Glassnet., pp. 147–149, fig. 1; Arveiller-Dulong, Véronique, and Marie-Dominique Nenna. 2011. Les verres antiques du Musée du Louvre 3: Parure, instruments et éléments d’incrustation. Paris: Somogy Editions., pp. 393–395, nos. 649–651; Antonaras, Anastassios. 2012. Fire and Sand: Ancient Glass in the Princeton University Art Museum. New Haven, CT: Yale University Press., pp. 288–289, nos. 478–482.
Provenance
Pierre Mavrogordato, Greek, 1870–1948 (Berlin, Germany); by 1974–1988, Erwin Oppenländer, 1901–1988 (Waiblingen, Germany), by inheritance to his daughter, Ingrid Reisser, 1988; 1988–2004, Ingrid Reisser (Böblingen, Germany), sold to the J. Paul Getty Museum, 2004
Bibliography
Saldern von, Axel, Birgit Nolte, Peter La Baume, and Thea Elisabeth Haevernick. 1974. Gläser der Antike. Sammlung Erwin Oppenländer. Mainz: von Zabern., p. 123, no. 332.
Exhibitions
Gläser der Antike: Sammlung Erwin Oppenländer (Hamburg and Cologne, 1974–1975)