Condition
Severely weathered. The lower part of the head, below the lips, is missing. Surface is covered with brownish accretions and green patina.
Description
Miniature head of a bearded man. Hair rendered with eight parallel, horizontal tiers divided by vertical grooves, each one indicating a lock. The man has a rope-shaped band on his head. Two oblique grooves below the band on the back of the head may be interpreted as ends of the band hanging down, if they are not remnants of broken-off pieces. His facial features consist of wide forehead, pronounced eyebrows, oval eyes, wide and short nose, and full upper lip.
The seams of the mold are very well concealed, although possibly visible in the area behind the ears, particularly on the left side of the head.
Comments and Comparanda
The rope-shaped band the man wears is a strophion, a symbol of priesthood, worn also by rulers, athletes, and gods such as Aesculapius (Bieber, M. 1931. RE 4Α: 378–381, s.v. “Strophium.”; Krug, Αntje. 1968. “Binden in der griechischen Kunst: Untersuchungen zur Typologie (6.–1. Jh. v. Chr.).” PhD diss., Johannes-Gutenberg Universität, Mainz., pp. 41–47, 102–106, 128–130, 137–138, type 12). The head bears prosopographic features, like the rendering of the moustache, that resemble a portrait, and the original maybe from the Hellenistic era. For a dark blue glass portrait bust of Augustus dated in the second or third decade of the first century CE, see Doppelfeld, Otto. 1966. Römisches und fränkisches Glas in Köln. Schriftenreihe der Archäologischen Gesellschaft Köln 13. Cologne: Greven., pp. 7–11, plate 1–6; Harden, Donald Benjamin, Hansgerd Hellenkemper, Kenneth S. Painter, and David Whitehouse. 1987. Glass of the Caesars, exh. cat. Milan: Olivetti., pp. 21–22, no. 1. For a dark blue glass miniature male bust identified as one of the Tetrarchs, and one of a prince, dated in the late third–early fourth century CE and the first half of the fourth century CE, respectively, see La Baume, Peter. 1973. Glas der antiken Welt I: Köln, Römisch-Germanisches Museum der Stadt und archäologische Gesellschaft. Wissenschaftliche Kataloge des Römisch-Germanischen Museums 1. Cologne: Römisch-Germanisches Museum der Stadt und Archäologische Gesellschaft., H 8, plate 46.1; Glass from the Ancient World: The Ray Winfield Smith Collection. 1957. Corning, NY: Corning Museum of Glass in the Corning Glass Center., p. 115, no. 190; Harden, Donald Benjamin, Hansgerd Hellenkemper, Kenneth S. Painter, and David Whitehouse. 1987. Glass of the Caesars, exh. cat. Milan: Olivetti., pp. 23–24, nos. 3–4.
The goddess Aphrodite has also been rendered in translucent greenish glass, in a piece dated in the second century CE (von Saldern, Axel. 1968. Ancient Glass in the Museum of Fine Arts, Boston. Boston: Museum of Fine Arts., no. 28; Glass from the Ancient World: The Ray Winfield Smith Collection. 1957. Corning, NY: Corning Museum of Glass in the Corning Glass Center., pp. 112–113, no. 188; Harden, Donald Benjamin, Hansgerd Hellenkemper, Kenneth S. Painter, and David Whitehouse. 1987. Glass of the Caesars, exh. cat. Milan: Olivetti., p. 29, no. 7).
A male head in red glass, much simpler in execution, dated to the first half of the fourth century is in the Metropolitan Museum of Art (17.194.1474: https://www.metmuseum.org/art/collection/search/250141; Froehner, Wilhelm. 1903. Collection Julien Gréau. Verrerie antique, émaillerie et poterie appartenant à M. John Pierpont Morgan. Paris., no. 257, p. 45, plate 31.6–7).
Provenance
By 1974–1988, Erwin Oppenländer, 1901–1988 (Waiblingen, Germany), by inheritance to his son, Gert Oppenländer, 1988; 1988–2003, Gert Oppenländer (Waiblingen, Germany), sold to the J. Paul Getty Museum, 2003
Bibliography
Saldern von, Axel, Birgit Nolte, Peter La Baume, and Thea Elisabeth Haevernick. 1974. Gläser der Antike. Sammlung Erwin Oppenländer. Mainz: von Zabern., p. 193, no. 528a.
Exhibitions
Gläser der Antike: Sammlung Erwin Oppenländer (Hamburg and Cologne, 1974–1975)