Condition
Mended: a concealed join at the transition from the neck to the body. Iridescence on the exterior and incrustation on the interior. The bottom is probably a modern amendment.
Description
Ground, vertical rim; cylindrical neck; horizontal shoulder; seven-sided body. All facets are ground. The bottom is made of a glue- glass disk.
Comments and Comparanda
Facet-cut, small-size vessels are a well-known form, reflecting the fashion that appreciated cut decoration on various forms of tableware and smaller flasks. They have been attributed to Iranian workshops, since this technique was known in sixth-century Sassanian glassware, although they may have been produced in other regions as well (Carboni, Stefano. 2001. Glass from Islamic Lands: The Al-Sabah Collection. London: Thames & Hudson., p. 131, no. 2.34b; Brosh, Naahma. 2003. “Early Islamic Glass.” In Ancient Glass in the Israel Museum: The Eliahu Dobkin Collection and Other Gifts, ed. Yael Israeli, 325–370. Jerusalem: Israel Museum., p. 363, no. 491). Sites yielding finds include Fustat in Egypt (Scanlon, George T., and Ralph H. Pinder-Wilson. 2001. Fustat Glass of the Early Islamic Period: Finds Excavated by the American Research Center in Egypt, 1964–1980. London: Altajir World of Islam Trust., pp. 86–88, form 41, and especially 41c–f, which are elongated examples like 79.AF.184.15, dated in the ninth–tenth centuries); Sabra al-Mansuriyya, Tunisia (Foy, Danièle. 2020. Le verre de Sabra al-Mansuriya (Kairouan, Tunisie), milieu Xe–milieu XIe siècle. Production et consommation: Vaisselle–contenants–vitrages. Archaeology of the Maghreb 1. Oxford: Archaeopress., p. 98, type Sb23, fig. 42); a flask in the Israel Museum (Brosh, Naahma. 2003. “Early Islamic Glass.” In Ancient Glass in the Israel Museum: The Eliahu Dobkin Collection and Other Gifts, ed. Yael Israeli, 325–370. Jerusalem: Israel Museum., p. 363, no. 495); and two more in the Khalili Collection (Goldstein, Sidney M., J. M. Rogers, Melanie Gibson, and Jens Kröger. 2005. Glass: From Sasanian Antecedents to European Imitations. Nasser D. Khalili Collection of Islamic Art 15. London: Nour Foundation., p. 159, nos. 185–186).
Provenance
1979, Edwin A. Lipps, 1922–1988 (Pacific Palisades, California), donated to the J. Paul Getty Museum, 1979
Bibliography
Unpublished
Exhibitions
None