Condition
Broken under the chin. The surface is severely weathered. Deep iridescent grooves and chalky accretions cover the pitted surface.
Description
Head of a mature bearded man in the round. Long, rich, curly hair surrounds the face and covers part of the god’s forehead. Facial characteristics are fine, and the heavy lips are partly covered by the high-relief beard. The base of a modius (a basket measure of grain) is visible on the crown of his head, which identifies the head, with its flowing locks and benign expression, as the god Serapis.
Sarapis was a popular Graeco-Egyptian deity venerated throughout the Roman Empire. He was depicted as a mature male in the Greek way, with wide face, long hair, and full beard, further identified by the kalathos or modius on his head and, typically, by the locks on his forehead. He was depicted either standing or, more often, seated and holding a scepter, with Cerberus, the three-headed dog and gatekeeper of the underworld, resting at his feet (Hornbostel, W. 1973. Sarapis: Studien zur Überlieferungsgeschichte, den Erscheinungsformen und Wandlungen der Gestalt eines Gottes. Brill: Leiden.; LIMC VII [1994], s.v. “Sarapis” [G. Clere and L. Leclant]).
Comments and Comparanda
This type of Sarapis bust is quite widely known in stone examples (Kater-Sibbes, G. J. F. 1973. Preliminary Catalogue of Sarapis Monuments. Études préliminaires aux religions orientales dans l’Empire romain 36. Leiden: Brill.). Among others there is a direct parallel in opaque red glass in the Metropolitan Museum of Art, dated to the first–second centuries CE, allegedly from Rome (17.194.1475: https://www.metmuseum.org/art/collection/search/250142; Richter, Gisela M. A. 1954. Catalogue of Greek Sculptures. Cambridge, MA: Harvard University Press., no. 165, p. 90, plate 118a–c.; Froehner, Wilhelm. 1903. Collection Julien Gréau. Verrerie antique, émaillerie et poterie appartenant à M. John Pierpont Morgan. Paris., p. 46, no. 271, plate 32.1–2); Hill, Dorothy Kent. 1946. “Material on the Cult of Sarapis.” Hesperia 15: 60–72., p. 66, no. 11.
For other Roman glass sculptures, see parallels listed under cat. 575.
Provenance
By 1974–1988, Erwin Oppenländer, 1901–1988 (Waiblingen, Germany), by inheritance to his son, Gert Oppenländer, 1988; 1988–2003, Gert Oppenländer (Waiblingen, Germany), sold to the J. Paul Getty Museum, 2003
Bibliography
Saldern von, Axel, Birgit Nolte, Peter La Baume, and Thea Elisabeth Haevernick. 1974. Gläser der Antike. Sammlung Erwin Oppenländer. Mainz: von Zabern., p. 192, no. 528.
Exhibitions
Gläser der Antike: Sammlung Erwin Oppenländer (Hamburg and Cologne, 1974–1975)