Condition
Intact.
Description
Perforated, truncated conical object of dark green (seemingly black) glass. Around the sloping sides of the body, 12 vertical ribs are tooled. A white thread is wound spirally seven or eight times; the lower and upper revolutions are straight, and the six central ones are combed and appear wavy. The lower side is slightly irregular and retains the profile of the surface where the mass of glass was shaped into the whorl. The walls of the hole are smooth; both edges are mildly curved, especially the one on the bottom surface, from the intrusion of the metal rod that pierced it.
Comments and Comparanda
Glass spindle whorls are relatively common finds from the Early Roman period, and this particular form in particular, with a white thread wound spirally from bottom to top, is well-studied, with hundreds of published examples from all of Europe and the Mediterranean dated to the first century CE (Haevernick, Thea Elisabeth. [1972] 1981. “Nadelköpfe vom Typ Kempten.” In Beiträge zur Glasforschung: Die wichtigsten Aufsätze von 1938 bis 1981, ed. Axel von Saldern, 221–227. Mainz: von Zabern. [Originally published in Germania 50: 136–148.], pp. 136–148; Ravagnan, Giovanna Luisa. 1994. Vetri antichi del Museo Vetrario di Murano. Collezioni dello Stato. Corpus delle collezioni archeologiche del vetro nel Veneto 1. Venice: Comitato Nazionale Italiano, AIHV., p. 175, no. 339; Barkóczi, László. 1996. Antike Gläser. Rome: “L’Erma” di Bretschneider., p. 111, no. 364; Larese, Annamaria, and Enrico Zerbinati. 1998. Vetri antichi di raccolte concordiesi e polesane. Venice: Comitato Nazionale Italiano, AIHV., p. 92, no. 169; Spaer, Maud. 2001. Ancient Glass in the Israel Museum: Beads and Other Small Objects. Jerusalem: Israel Museum., pp. 259–260; Beretta, Marco, and Giovanni Di Pasquale. 2004. Vitrum: Il vetro fra arte e scienza nel mondo Romano. Florence: Giunti., p. 334, no. 4.69; Foy, Danièle. 2010. Les verres antiques d’Arles: La collection du Musée départemental d’Arles antique. Paris: Errance., p. 484, nos. 1005–1007; Arveiller-Dulong, Véronique, and Marie-Dominique Nenna. 2011. Les verres antiques du Musée du Louvre 3: Parure, instruments et éléments d’incrustation. Paris: Somogy Editions., pp. 332–335; Antonaras, Anastassios. 2019. The Art of Glass: Works from the Collection of the Museum of Byzantine Culture. Thessaloniki: Museum of Byzantine Culture., p. 263 no. 423).
Provenance
Found: Olbia, Ukraine (first recorded in von Saldern, Axel. 1974. Glassammlung Hentrich. Antike und Islam. Düsseldorf: Kunstmuseum.); Pierre Mavrogordato, Greek, 1870–1948 (Berlin, Germany); by 1974–1988, Erwin Oppenländer, 1901–1988 (Waiblingen, Germany), by inheritance to his son, Gert Oppenländer, 1988; 1988–2003, Gert Oppenländer (Waiblingen, Germany), sold to the J. Paul Getty Museum, 2003
Bibliography
Saldern von, Axel, Birgit Nolte, Peter La Baume, and Thea Elisabeth Haevernick. 1974. Gläser der Antike. Sammlung Erwin Oppenländer. Mainz: von Zabern., p. 253, no. 739.
Exhibitions
Gläser der Antike: Sammlung Erwin Oppenländer (Hamburg and Cologne, 1974–1975)