Condition
Intact; iridescence and pitting.
Description
In-folded, flaring rim; short, cylindrical neck; lentoid body; small, flat, rectangular base. Two bluish coil handles are applied on the shoulder, drawn upward, and attached to the underside of the rim and top of neck. Handles positioned over mold seams. Raised, mold-blown decoration on each side of the body, consisting of a large, six-petaled rosette surrounded by a wide band filled with a continuous scrolled tendril. At the meeting point of the two halves there is a wide, slightly convex band with a central rib that conceals the seam, bordered by two raised ridges, and stops at the border of the rectangular bottom.
Comments and Comparanda
Mold-blown lenticular flasks decorated with a rosette at the center of each side are known in four variants. They are mostly decorated with six-petaled rosettes, one with a seven-petaled rosette, and one with a five-petaled rosette. The distribution of the parallels, which were unearthed in the eastern Mediterranean, indicates that the production site of these flasks was also situated in that region dated to the first century CE (Stern, Eva Marianne. 1995. The Toledo Museum of Art. Roman Mold-Blown Glass: The First through Sixth Centuries. Rome: “L’Erma” di Bretschneider., pp. 154–156, nos. 60–61; Stern, Eva Marianne. 2001. Roman, Byzantine, and Early Medieval Glass, 10 BCE–700 CE: Ernesto Wolf Collection. Ostfildern-Ruit: Hatje Cantz., pp. 52–53). For parallels, see Saginašvili, М. Н. 1970. Steklânnye sosudy Urbnisskogo mogil’nika. Tblisi., pp. 51, 96, no. 10; Israeli, Yael. 1964. “Sidonian Mould Blown Glass Vessels in the Museum Haaretz.” Journal of Glass Studies 6: 34–41., p. 41, no. 10, fig. 15; von Saldern, Axel. 1968. Ancient Glass in the Museum of Fine Arts, Boston. Boston: Museum of Fine Arts., no. 32; Dusenbery, Εlsbeth. 1971. “Ancient Glass in the Collections of Wheaton College.” Journal of Glass Studies 13: 9–33., p. 13, no. 10, fig. 7; Platz-Horster, Gertrud. 1976. Antike Gläser: Ausstellung, November 1976–Februar 1977, Antikenmuseum Berlin, Staatliche Museen Preussischer Kulturbesitz. Berlin: Antikenmuseum Berlin., p. 40, no. 58; Auth, Susan Handler. 1976. Ancient Glass at the Newark Museum from the Eugene Schaefer Collection of Antiquities. Newark, NJ: Newark Museum., p. 70, no. 67; La Baume, Peter, and Jan Willem Salomonson. 1976. Römische Kleinkunst: Sammlung Karl Löffler. Wissenschaftliche Kataloge des Römisch-Germanischen Museums 3. Cologne: Bachem., p. 36, no. 64; von Saldern, Axel. 1980. Glas von der Antike bis zum Jugendstil: Sammlung Hans Cohn, Los Angeles/Cal. = Glass 500 B.C. to A.D. 1900: The Hans Cohn Collection, Los Angeles/Cal. Mainz: von Zabern., p. 50, no. 43; Kunz, Martin, ed. 1981. 3000 Jahre Glaskunst: Von der Antike bis zum Jugendstil, exh. cat. Lucerne: Kunstmuseum., p. 79, no. 263; British Museum, 1868,0501.187 = Slade, Felix. 1871. Catalogue of the Collection of Glass formed by Felix Slade Esq, F S A. With Notes on the History of Glass Making by Alexander Nesbitt, Esq, F S A. London: Slade, p. 31, no. 187, fig. 44: https://www.britishmuseum.org/collection/object/G_1868–0501-187; Whitehouse, David B. 2001. Roman Glass in the Corning Museum of Glass, vol. 2. Corning, NY: Corning Museum of Glass., pp. 43–44, no. 514. Examples with five-petaled rosettes: Stern, Eva Marianne. 2001. Roman, Byzantine, and Early Medieval Glass, 10 BCE–700 CE: Ernesto Wolf Collection. Ostfildern-Ruit: Hatje Cantz., no. 49; Israeli, Yael. 2003. Ancient Glass in the Israel Museum: The Eliahu Dobkin Collection and Other Gifts. Jerusalem: Israel Museum., p. 137, no. 142. Examples with seven-petaled rosettes: Ravagnan, Giovanna Luisa. 1994. Vetri antichi del Museo Vetrario di Murano. Collezioni dello Stato. Corpus delle collezioni archeologiche del vetro nel Veneto 1. Venice: Comitato Nazionale Italiano, AIHV., p. 33, no. 23.
Provenance
By 1974–1988, Erwin Oppenländer, 1901–1988 (Waiblingen, Germany), by inheritance to his son, Gert Oppenländer, 1988; 1988–2003, Gert Oppenländer (Waiblingen, Germany), sold to the J. Paul Getty Museum, 2003
Bibliography
Saldern von, Axel, Birgit Nolte, Peter La Baume, and Thea Elisabeth Haevernick. 1974. Gläser der Antike. Sammlung Erwin Oppenländer. Mainz: von Zabern., p. 154, no. 436.
Stern, Eva Marianne. 1995. The Toledo Museum of Art. Roman Mold-Blown Glass: The First through Sixth Centuries. Rome: “L’Erma” di Bretschneider., p. 155, n. 2k.
Wight, Karol. 2011. Molten Color: Glassmaking in Antiquity. Los Angeles: J. Paul Getty Museum., pp. 76, 84, fig. 54.
Exhibitions
Molten Color: Glassmaking in Antiquity (Malibu, 2005–2006; 2007; 2009–2010)
Gläser der Antike: Sammlung Erwin Oppenländer (Hamburg and Cologne, 1974–1975)