Condition
Fragment.
Description
On the front side of the preserved fragment, a male head can be seen. The head is in profile turned to the right; he is clean-shaven and wearing a laurel wreath, the upper part of the head covered with short, slightly curled locks of the Julio-Claudian style. The back side is flat, with some hardly noticeable undulation.
Comments and Comparanda
The fragment is flat and the back side shows no indication of a curve, merely some hardly noticeable undulation. If indeed from a vessel, it must have been a large or wide vessel. Compared to the majority of cameo vessels or gems, this fragment is very thin (0.2–0.3 cm). Cameo vessels are usually thicker (compare cat. 82 [Th. 0.7 cm]), although thinner (0.3–0.5 cm) vessels do appear occasionally (e.g., Whitehouse, David B. 1997. Roman Glass in the Corning Museum of Glass, vol. 1. Corning, NY: Corning Museum of Glass., pp. 58–62, nos. 60–68). If not from a vessel it could be part of a cameo gem or medallion, although these are also thicker (e.g., Whitehouse, David B. 1997. Roman Glass in the Corning Museum of Glass, vol. 1. Corning, NY: Corning Museum of Glass., pp. 42–43, nos. 37–38, medallions 1.1 and 0.9 cm thick, respectively; Roberts, Paul, William Gudenrath, Veronica Tatton-Brown, and David Whitehouse. 2010. Roman Cameo Glass in the British Museum. London: British Museum Press., p. 72, no. 62, 0.6 cm). For another cameo glass gem in the Getty Museum, see Spier, Jeffrey. 1992. Ancient Gems and Finger Rings: Catalogue of the Collections. Los Angeles: J. Paul Getty Museum., p. 158, no. 436, 81.AN.172.
Provenance
1996, Barbara Fleischman and Lawrence Fleischman, American, 1925–1997 (New York, New York), donated to the J. Paul Getty Museum, 1996
Bibliography
True, Marion, and Kenneth Hamma, eds. 1994. A Passion for Antiquities: Ancient Art from the Collection of Barbara and Lawrence Fleischman, exh. cat. Malibu: J. Paul Getty Museum., p. 356, cat. no. 270.
“The J. Paul Getty Trust Report: 98–99.” Los Angeles: J. Paul Getty Trust, 2000., p. 69.
Exhibitions
None