Condition
Mended and filled. Incrustation from weathering, and iridescence.
Description
Cracked-off, vertical, slightly everted rim; cylindrical body; flat bottom. At top and bottom, two pairs of raised lines form a frieze covered with four vertical plants, each with a straight stem with nine alternating plain and decorated leaves. The stems of the plants start in the space between the bottom bands.
Each plant has two different types of lanceolate leaves. The three larger leaves of the first type have a smooth interior and an exterior band with oblique short lines, possibly imitating the undulations of a serrated edge. The fourth of these leaves, on the top right of the plant, is smaller and it has opposing paired veins branching from a central vein, ending on the exterior line (pinnate venation). The difference probably should be ascribed either to the small size of the motif that prevented the mold-maker from curving the details depicted on the larger leaves, or to the fact that it renders a feature of the actual plant—in other words, the immature leaf presents a different physiology as opposed to the mature leaves that are depicted on the lower part of the plant.
The leaves of the second type, with five on each plant, are completely smooth; the leaf on the top of the plant is squatter and in two cases is bisected by the mold seam, which makes it rounder. On the flat bottom, a central ring (W. 0.3 cm) and a wide raised concentric ring (W. 0.7 cm) at the middle (W. 3.7 cm) form a base-ring.
Comments and Comparanda
Five identical beakers have been published. One was found in Cyprus at Idalion (Froehner, Wilhelm. 1879. La verrerie antique: Description de la Collection Charvet. Le Pecq: Jules Charvet., pp. 63, 65; Cesnola, Luigi Palma di. 1903. A Descriptive Atlas of the Cesnola Collection of Cypriote Antiquities in the Metropolitan Museum of Art, New York. Vol. 3. Boston: James R. Osgood and Company., plate LXXVIII.1; Lightfoot, Christopher S. 2017. The Cesnola Collection of Cypriot Art: Ancient Glass. New York: Metropolitan Museum of Art. http://www.metmuseum.org/art/metpublications/The_Cesnola_Collection_of_Cypriot_Art_Ancient_Glass., pp. 52–53, fig. 3 upper left). The second was once kept in the Kaiser Friedrich Museum (Congrès international d’archéologie. 1939. Kunst der Spätantike im Mittelmeerraum: Spätantike und byzantinische Kleinkunst aus Berliner Besitz: Ausstellung aus Anlass des VI. Internationalen Kongresses für Archäologie, Berlin, Kaiser-Friedrich-Museum, 22. August bis 30. September 1939. Berlin: W. de Gruyter., p. 70, no. 200, plate 73) and possibly was found on the Black Sea coast. The third example was allegedly from Syria, once in the Kofler-Truniger Collection (Kunz, Martin, ed. 1981. 3000 Jahre Glaskunst: Von der Antike bis zum Jugendstil, exh. cat. Lucerne: Kunstmuseum., p. 80, no. 271). The fourth example has no known find area (Fine Antiquities, June 11, 1980, sale cat. London: Christie’s., p. 21, lot 88; Kunst der Antike, Katalog 4, sale cat. 1982. Freiburg: Galerie Günter Puhze., p. 28, no. 297, illus.; Fine Antiquities, 12 December 1989, sale cat. London: Christie’s., lot 37; Fine Antiquities, 11 July 1990, sale cat. London: Christie’s., lot 20; Wight, Karol. 2000. “Leaf Beakers and Roman Mold-Blown Glass Production in the First Century A.D.” Journal of Glass Studies 42: 61–79., pp. 66–67, fig. 8). The fifth does not have a known find spot either (Israeli, Yael. 2011. Made by Ennion: Ancient Glass Treasures from the Shlomo Moussaieff Collection. Jerusalem: Israel Museum., pp. 74–75; Ancient Glass from the Shlomo Moussaieff Collection, King Street, 6 July 2016, sale cat. London: Christie’s., no. 242, p. 37).
Karol Wight (Wight, Karol. 2000. “Leaf Beakers and Roman Mold-Blown Glass Production in the First Century A.D.” Journal of Glass Studies 42: 61–79., pp. 61, 64) has convincingly proposed that these plants represent almond trees and that the leaves with the exterior corrugated band could be the almond nuts in their half-open outer casings.
These beakers, based on shape and size, belong to a larger group of first-century mold-blown beakers (Harden, Donald Benjamin. 1935. “Romano-Syrian Glasses with Mould-Blown Inscriptions.” Journal of Roman Studies 25: 163–186., pp. 163–186, groups E, F, Ki, L), usually decorated with inscriptions, wreaths, and palm fronds (cats. 160–161), straight plants (this vessel), or vine scrolls (cat. 163). Mold-blowing in general appeared probably already in the first decade CE (Stern, Eva Marianne. 1995. The Toledo Museum of Art. Roman Mold-Blown Glass: The First through Sixth Centuries. Rome: “L’Erma” di Bretschneider., pp. 65–66; Lightfoot, Christopher S., Zrinka Buljević, Yael Israeli, Karol Wight, and Mark T. Wypyski. 2014. Ennion: Master of Roman Glass, exh. cat. New York: Metropolitan Museum of Art., p. 26) and seems to die out by the end of the first century (Price, Jennifer. 1991. “Decorated Mould-Blown Glass Tablewares in the First Century AD.” In Two Centuries of Art and Invention, ed. Martine Newby and Kenneth Painter, 56–75. Occasional Papers from the Society of Antiquaries of London 13. London: Society of Antiquaries of London., p. 74). There is a known example from Pompeii that obviously must predate the eruption of Vesuvius in 79 CE (Scatozza Höricht, Lucia Amalia. 1986. I vetri romani di Ercolano. Rome: “L’Erma” di Bretschneider., p. 79, fig. 13a). An additional clue regarding a narrower date for the beakers is provided by the type of glass used for their manufacture. They are made of “naturally colored” glass, which became popular after the middle of the century, mainly during the third quarter of the first century CE. As to their origin, they are considered to be from the eastern Mediterranean region, (Harden, Donald Benjamin. 1935. “Romano-Syrian Glasses with Mould-Blown Inscriptions.” Journal of Roman Studies 25: 163–186., pp. 180–181; Harden, Donald Benjamin. 1944. “Two Tomb-Groups of First Century AD from Yahmour, Syria, and the Supplement to the List of Romano-Syrian Glasses with Mould-Blown Inscriptions” and “Romano-Syrian Glass: A Postscript.” Syria 24: 81–95, 291–292., pp. 86–87); this hypothesis is corroborated by the find places of two of the “leaf” beakers, one in Cyprus and another probably on the Black Sea coast (Wight, Karol. 2000. “Leaf Beakers and Roman Mold-Blown Glass Production in the First Century A.D.” Journal of Glass Studies 42: 61–79., pp. 68–69).
Provenance
1985, Robert Haber (New York, New York), sold to the J. Paul Getty Museum, 1985
Bibliography
“Acquisitions/1985.” J. Paul Getty Museum Journal 14 (1986): 175–286., p. 195, no. 68.
Wight, Karol. 2000. “Leaf Beakers and Roman Mold-Blown Glass Production in the First Century A.D.” Journal of Glass Studies 42: 61–79., pp. 61–64, fig. 1a–d, 2–4.
Exhibitions
Reflecting Antiquity: Modern Glass Inspired by Ancient Rome (Malibu, 2007–2008; Cornin)