Condition
Fully preserved; slight iridescence on the surface; milky crust on some parts of the interior. The tip of the nose has been restored.
Description
Fire-polished vertical rim; cylindrical neck, tapering toward the body, constricted at its base; flat bottom. Body in shape of a young beardless male head wearing an ivy wreath in crisp relief. The face has idealized features: large almond-shaped eyes with heavy lids and recessed pupils gazing ahead; narrow, straight nose; proportional, slightly open mouth with full lips; round chin with a large central dimple. Around the face is an ivy wreath with a wide, smooth convex band above the forehead, flanked by clusters of round berries at the temples and three heart-shaped leaves on each side of the face. The hair is rendered as large tufts around the face and very flat, irregular wavy vertical ridges on the back of the head. Blown into a bipartite mold of two unequal vertical sections, open at the base. Mold seams concealed in hair behind the ears. An annular pontil mark (W. 1 cm) is visible at the center of the slightly concave bottom. Neck and rim free-blown and tooled. A fine trail of glass is wound two times around the middle of the neck. Cylindrical, pronounced overblow over the head.
Comments and Comparanda
Head-shaped glass vessels represent the shape of a human head in the round or of two (known as janiform) or multiple heads arranged back-to-back. They are mold-blown, almost exclusively in molds with two vertical parts. Predominantly they are shaped as bottles or flasks, occasionally with one or two handles; jugs; and a few cups, which are made only as single heads. They first appear in the early first century CE, in the late Augustan era, probably in the eastern Mediterranean, and the earlier forms are jugs and one-handled flasks. In the first century they were produced in the eastern Mediterranean and probably Italy as well, during the second and third centuries they were predominantly made on the Syro-Palestinian coast, from the third century they became common in northwestern Europe, and during the fourth century they were produced in Germany and Gaul. They render heads of deities, like Dionysus; a chubby curly-haired child, probably Eros or Dionysus; mythological creatures such as Medusa; unusual and ethnic faces, e.g., grotesques or Ethiopians; and, finally, heads of ordinary Caucasian people, these last appearing only in the northwestern provinces in the third–fourth centuries. Dionysus and the chubby child appear mostly in the eastern Mediterranean, Medusa in both east and west, and ethnic types, grotesques, and ordinary people predominantly in Italy and the northwestern European provinces (Isings, Clasina. 1957. Roman Glass from Dated Finds. Groningen: Wolters., pp. 93–94, forms 78a, 78b; Stern, Eva Marianne. 1995. The Toledo Museum of Art. Roman Mold-Blown Glass: The First through Sixth Centuries. Rome: “L’Erma” di Bretschneider., pp. 201–215). On janiform unguentaria, see cat. 200 and Antonaras, Anastassios. 2009. Ρωμαϊκή και παλαιοχριστιανική υαλουργία: 1ος αι. π.Χ.\–6ος αι. μ.Χ.: Παραγωγή και προϊόντα: Τα αγγεία από τη Θεσσαλονίκη και την περιοχή της. Athens: Sideris., pp. 324–326, form 146 = Antonaras, Anastassios. 2017. Glassware and Glassworking in Thessaloniki: First Century BC–Sixth Century AD. Oxford: Archaeopress., pp. 163–164. For jugs in the shape of ordinary heads, see Antonaras, Anastassios. 2009. Ρωμαϊκή και παλαιοχριστιανική υαλουργία: 1ος αι. π.Χ.\–6ος αι. μ.Χ.: Παραγωγή και προϊόντα: Τα αγγεία από τη Θεσσαλονίκη και την περιοχή της. Athens: Sideris., pp. 256–257, form 96 = Antonaras, Anastassios. 2017. Glassware and Glassworking in Thessaloniki: First Century BC–Sixth Century AD. Oxford: Archaeopress., pp. 129–130. On a special group of cobalt blue ordinary heads, see Whitehouse, David B. 1997. “A Distinctive Group of Late Roman Glass Vessels.” In Ultra terminum vagari. Scritti in onore di Carl Nylander, ed. Börje Magnusson, P. Vian, S. Renzetti, and S. J. Voicu, 367–375. Rome: Quasar., p. 370; Lightfoot, Christopher S. 2020. “A Mold-Blown Head Flask: Late Roman Glass in a Wider Context.” Journal of Glass Studies 62: 83–94., pp. 83–84. For direct parallels, see Bucovalǎ, M. 1968. Vase antice de sticlǎ la Tomis. Constanra, Romania: Muzeul de arheologie., pp. 115–116, no. 237; Sorokina, Nina. 1968. “Stekljannyj figurnyj sosud iz Kep.” Sovetskaya arkheologiya 4: 181–189., pp. 185–186, figs. 1, 2: cup; Stern, Eva Marianne. 1995. The Toledo Museum of Art. Roman Mold-Blown Glass: The First through Sixth Centuries. Rome: “L’Erma” di Bretschneider., pp. 230–232, no. 148: flask with cut-off rim; Kunina, Nina. 1997. The Art Treasures of Russia: Ancient Glass in the Hermitage Collection. St. Petersburg: State Hermitage/ARS Publishers., pp. 282–283, no. 153 = Sorokina, Nina. 1968. “Stekljannyj figurnyj sosud iz Kep.” Sovetskaya arkheologiya 4: 181–189., p. 184, figs. 6–7; Arveiller-Dulong, Véronique, and Marie-Dominique Nenna. 2005. Les verres antiques du Musée du Louvre 2: Vaisselle et contenants du Ier siècle au début du VIIe siècle après J.-C. Paris: Somogy., pp. 194–195, no. 539: cup; Hendriks, Jill, and Ruurd Halbertsma. 2019. Glas in het Rijksmuseum van Oudheden. Leiden: Rijksmuseum van Oudheden., p. 43.
Provenance
By 1974–1988, Erwin Oppenländer, 1901–1988 (Waiblingen, Germany), by inheritance to his son, Gert Oppenländer, 1988; 1988–2003, Gert Oppenländer (Waiblingen, Germany), sold to the J. Paul Getty Museum, 2003
Bibliography
Saldern von, Axel, Birgit Nolte, Peter La Baume, and Thea Elisabeth Haevernick. 1974. Gläser der Antike. Sammlung Erwin Oppenländer. Mainz: von Zabern., p. 171, no. 467.
Stern, Eva Marianne. 1995. The Toledo Museum of Art. Roman Mold-Blown Glass: The First through Sixth Centuries. Rome: “L’Erma” di Bretschneider., p. 232 n. 8a.
Kunina, Nina. 1997. The Art Treasures of Russia: Ancient Glass in the Hermitage Collection. St. Petersburg: State Hermitage/ARS Publishers., p. 283, “Analogies” for no. 153.
Wight, Karol. 2011. Molten Color: Glassmaking in Antiquity. Los Angeles: J. Paul Getty Museum., pp. 76, 85, fig. 56.
Exhibitions
Molten Color: Glassmaking in Antiquity (Malibu, 2006; 2007)
Gläser der Antike: Sammlung Erwin Oppenländer (Hamburg and Cologne, 1974–1975)