Condition
Intact; milky crust on some parts.
Description
In-folded, tubular, horizontal rim; cylindrical neck, tapering toward the body; flat, slightly concave bottom. Body in shape of two young, beardless male faces—boyish, chubby, and with curly hair—arranged back-to-back. One face is a little bit lower than the other. Blown into a bipartite mold of two vertical sections, open at the base. Neck and rim free-blown and tooled. Mold seams concealed in hair at the junction of the heads.
Comments and Comparanda
Janiform vessels belong to a large group of mold-blown vessels that quite naturalistically depict human heads. The body of the vessel features either a whole head or the frontal part of two heads placed back-to-back. There are also a few examples with more than two heads forming the body. The vessels of the first and second group are occasionally supplemented with a handle. Most of the examples in general are handleless flasks or unguentaria; some are single-handled cups; and a very few are double-handled, close-shaped vessels.
Janiform unguentaria are typically products of the eastern Mediterranean, probably from the Syro-Palestinian region, where many of the extant examples are found; they traveled to the western Mediterranean provinces, the Balkans, and the Black Sea. They are dated from the third (Isings, Clasina. 1957. Roman Glass from Dated Finds. Groningen: Wolters., p. 94, form 78b; Stern, Eva Marianne. 1995. The Toledo Museum of Art. Roman Mold-Blown Glass: The First through Sixth Centuries. Rome: “L’Erma” di Bretschneider., p. 203, form A4) to the middle of the fifth century CE (Antonaras, Anastassios. 2009. Ρωμαϊκή και παλαιοχριστιανική υαλουργία: 1ος αι. π.Χ.\–6ος αι. μ.Χ.: Παραγωγή και προϊόντα: Τα αγγεία από τη Θεσσαλονίκη και την περιοχή της. Athens: Sideris., pp. 324–326, form 146 = Antonaras, Anastassios. 2017. Glassware and Glassworking in Thessaloniki: First Century BC–Sixth Century AD. Oxford: Archaeopress., pp. 163–164; Foy, Danièle. 2010. “Fioles bicéphales de la fin de l’Antiquité en Narbonnaise.” In D’Ennion au Val Saint-Lambert: Le verre soufflé-moulé. Actes des 23ème Rencontres de l’Association Française pour l’Archéologie du Verre. Colloque international, Bruxelles-Namur, 17–19 octobre 2008, ed. Chantal Fontaine-Hodiamont, Catherine Bourguignon, and Simon Laevers, 261–266. Scientia Artis 5. Brussels: Institut royal du patrimoine artistique., pp. 264–266), characterized by heavy cheeks and chin, and accentuated curly hair. Other comparanda include the following: Hayes, John W. 1975. Roman and Pre-Roman Glass in the Royal Ontario Museum. Toronto: Royal Ontario Museum., p. 50, no. 94, plate 7; Auth, Susan Handler. 1976. Ancient Glass at the Newark Museum from the Eugene Schaefer Collection of Antiquities. Newark, NJ: Newark Museum., p. 74, no. 74; Matheson, Susan B. 1980. Ancient Glass in the Yale University Art Gallery. New Haven, CT: Yale University Art Gallery., p. 73, no. 191; Stern, Eva Marianne. 1995. The Toledo Museum of Art. Roman Mold-Blown Glass: The First through Sixth Centuries. Rome: “L’Erma” di Bretschneider., pp. 210, 232–238, nos. 149–157; Foy, Danièle. 2010. “Fioles bicéphales de la fin de l’Antiquité en Narbonnaise.” In D’Ennion au Val Saint-Lambert: Le verre soufflé-moulé. Actes des 23ème Rencontres de l’Association Française pour l’Archéologie du Verre. Colloque international, Bruxelles-Namur, 17–19 octobre 2008, ed. Chantal Fontaine-Hodiamont, Catherine Bourguignon, and Simon Laevers, 261–266. Scientia Artis 5. Brussels: Institut royal du patrimoine artistique., pp. 261–266; Antonaras, Anastassios. 2012. Fire and Sand: Ancient Glass in the Princeton University Art Museum. New Haven, CT: Yale University Press., p. 82, no. 82; Antonaras, Anastassios. 2017. Glassware and Glassworking in Thessaloniki: First Century BC–Sixth Century AD. Oxford: Archaeopress., pp. 163–165, form 146.
Provenance
By 1974–1988, Erwin Oppenländer, 1901–1988 (Waiblingen, Germany), by inheritance to his son, Gert Oppenländer, 1988; 1988–2003, Gert Oppenländer (Waiblingen, Germany), sold to the J. Paul Getty Museum, 2003
Bibliography
von Saldern, Axel. 1968. Ancient Glass in the Museum of Fine Arts, Boston. Boston: Museum of Fine Arts., p. 17, no. 24.
Saldern von, Axel, Birgit Nolte, Peter La Baume, and Thea Elisabeth Haevernick. 1974. Gläser der Antike. Sammlung Erwin Oppenländer. Mainz: von Zabern., p. 170, no. 466.
Stern, Eva Marianne. 1995. The Toledo Museum of Art. Roman Mold-Blown Glass: The First through Sixth Centuries. Rome: “L’Erma” di Bretschneider., p. 234, nt. 1.b.
Exhibitions
Molten Color: Glassmaking in Antiquity (Malibu, 2005–2006; 2007; 2009–2010)
Gläser der Antike: Sammlung Erwin Oppenländer (Hamburg and Cologne, 1974–1975)
Meisterwerke der Glaskunst aus internationalem Privatbesitz (Düsseldorf, 1968–1969)