|
Foundry name (and/or location)
|
Fonderie de Coubertin (St Rémy-lès-Chevreuse, Ile de
France)
|
Fonderie Susse (Arcueil, Ile de France) |
Andrew Lacey |
Pangolin |
Royal College of Art (London) |
Hermann Noack (Berlin) |
Strassacker (near Stuttgart) |
Lauchammer (near Dresden) |
Fonderia Del Chiaro (Pietrasanta, Tuscany) |
Fonderia Mariani (Pietrasanta, Tuscany) |
Fonderia Battaglia (Milan) |
Modern Art Foundry (Astoria, NY) |
Shindoni (Tesuque, NM) |
(Bamenda) |
(Ouagadougou) |
(Bamako) |
Dionysus Sculpture Works (Pretoria) |
(Swamimilai) |
|
(Thonburi) |
(Chiang Mai) |
Brass worker village (Ubon) |
Buranathai Buddha Image Factory (Pitsanulok) |
Bangkok Noi Foundry (Bangkok) |
It Sopheap foundry (Siem Reap) |
Tongling Xinjiuding Bronze Culture Industry Co., Ltd.
(铜陵新九鼎铜文化有限公司 | Tongling City, Anhui
Province)
|
Various factories (Shanxi, Shandong, Jiangxi, Sichuan,
and other provinces, e.g., Yuda Group, Shanxi province;
Aerosun Corporation, Jiangsu province)
|
| Source |
Dubos, pers. comm. 2020;
Dubos 2003Dubos, Jean. 2003. “Fondeur d’art Aujourd’hui.”
Techné 18:49–56.;
Dubos 2014Dubos, Jean. 2014. “Fonte à la cire perdue en moule
carapace. A travers les recherches et les
réalisations de la fonderie de Coubertin.” In
French Bronze Sculpture: Materials and Techniques
16th–18th Century, edited by David Bourgarit, Jane Bassett,
Francesca G. Bewer, Geneviève Bresc-Bautier,
Philippe Malgouyres, and Guilhem Scherf, 241–49.
Paris: Archetype.
|
Ginisty 1987Ginisty, Monique. 1987.
Susse fondeur et les maîtres du bronze. 150 ans
au service de la sculpture. Arcueil, France: Susse Fondeur.
|
Lacey, pers. comm. 2020 |
Lacey, pers. comm. 2020 |
Rome and Young 2003Rome, Richard, and Hamish Young. 2003.
Fine Art Metal Casting: An Illustrated Guide to
Mould Making and Lost Wax Processes. London: Robert Hale.
|
Welter, pers. comm. 2020;
Diehl 1927Diehl, Gustav Eugen. 1927.
Die Bildgiesserei Noack. Berlin: G. E.
Diehl.;
Schulz and Baatz 1993Schulz, Paul Otto, and Ulrich Baatz. 1993.
Bronzegiesserei Noack. Ravensburg, Germany:
Otto Maier.
|
Kreutner, pers. comm. 2020 |
Welter, pers. comm. 2020;
Schmidt 2011Schmidt, Martin H., ed. 2011.
Kunstguss in Lauchhammer. Regardeur Series
6. Norderstedt, Germany: BoD.
|
Morigi, pers. comm. 2020 |
Morigi, pers. comm. 2020 |
Morigi, pers. comm. 2020 |
Bassett, pers. comm. 2020 w/ Jeffrey Spring |
Lacey, pers. comm. 2020 |
Coutant 2005Coutant, F. 2005. “La Fonderie de Mile 2, Bamenda,
Cameroun.” Unpublished PDF.
|
Armbruster 1993Armbruster, Barbara. 1993. “A Study on Lost Wax
Casting Processes in Mali and Burkina-Faso in
Western Africa.” In
Antiche officine del bronzo: Materiali,
strumenti, tecniche: atti del seminario di studi
ed esperimenti, Murlo, 26–31 luglio 1991, edited by Edilberto Formigli, 153–64. Siena,
Italy: Nuova Immagine.
|
Nolene Gerber, pers. comm. w/ Bewer 2021 |
Levy et al. 2008Levy, Thomas Evan, Alina M. Levy, D. Radhakrishna
Sthapathy, D. Srikanda Sthapathy, and D. Swaminatha
Sthapathy. 2008.
Masters of Fire: Hereditary Bronze Casters of
South India. Bochum, Germany: DBM.
|
Craddock 2015Craddock, Paul T. 2015. “The Metal Casting
Traditions of South Asia: Continuity and
Innovation.”
Indian Journal of History of Science 50
(1): 55–82.;
Furger 2017Furger, Alex R. 2017.
The Gilded Buddha: The Traditional Art of the
Newar Metal Casters in Nepal. Basel, Switzerland, and Frankfurt, Germany:
Librum.
|
Strahan 1997Strahan, Donna K. 1997. “Bronze Casting in
Thailand.” In
The Sacred Sculpture of Thailand: The Alexander
B. Griswold Collection. Baltimore: Walters Art Gallery, 27–41.
|
It Sopheap, pers. comm. |
Strahan, pers. comm. w/ Bewer 2021 |
Haiping Lian, pers. comm. w/ Bewer 2021 |