|
lost‑waxDefinition: lost-wax casting: A technique in
which a model made of wax is embedded in a
refractory mold that is heated, thereby melting out
the wax and creating a void to be filled with molten
metal. Two primary variations of the technique are
referred to as “direct” …More
(casting or casting process)
|
procédé (ou fonte) à la cire perdue |
Bewer, Bourgarit, and Bassett 2008Bewer, Francesca G., David Bourgarit, and Jane
Bassett. 2008. “Les bronzes français (XVIe–XVIIIe
siècle): Notes techniques.” In
Bronzes français de la Renaissance au Siècle des
lumières, edited by Geneviève Bresc-Bautier and Guilhem
Scherf, 28–41. Paris: Musée du Louvre, Somogy.;
Lebon et al. 2016Lebon, Elisabeth, Cecile Godefroy, Virginie
Perdrisiot, and Diana Widmaier Picasso. 2016.
“Glossaire.” In Picasso: Sculptures. Paris:
Musée national Picasso, Somogy; Brussels: Palais des
beaux-arts Bruxelles., 330;
Mille 2012Mille, Benoît. 2012. “The Casting Techniques of
Antique South Arabian Large Bronze Statues.” In
Scientific Research on Ancient Asian Metallurgy:
Proceedings of Fifth Forbes Symposium at the Freer
Gallery of Art, Washington, Smithsonian
Institution, 28–29/10/2010, edited by P. Jett, B. McCarthy, and J. G.
Douglas, 225–47. London: Archetype.;
Azéma 2013Azéma, Aurélia. 2013. “Les techniques de soudage de
la grande statuaire antique en bronze: etude des
paramètres thermiques et chimiques contrôlant le
soudage par fusion au bronze liquide.” PhD diss.,
Pierre et Marie-Curie, Paris VI.
https://tel.archives-ouvertes.fr/tel-00918829.
|
Wachsausschmelzverfahren / Guss nach dem
Wachsausschmelzverfahren
|
Weihrauch 1944Weihrauch, Hans Robert. 1944. “Bronze, Bronzeguß,
Bronzeplastik.” In
Reallexikon zur Deutschen Kunstgeschichte,
2:1182–216.
http://www.rdklabor.de/w/?oldid=92409.
|
(fusione o processo) a cera persa |
Giuffredi 2010Giuffredi, Augusto. 2010.
Formatura e fonderia: guida ai processi di
lavorazione.
Florence: Alinea., 112
|
|
direct
lost‑waxDefinition: lost-wax casting: A technique in
which a model made of wax is embedded in a
refractory mold that is heated, thereby melting out
the wax and creating a void to be filled with molten
metal. Two primary variations of the technique are
referred to as “direct” …More
(casting or casting process)
|
procédé (ou fonte) direct(e) à la cire perdue |
Bewer, Bourgarit, and Bassett 2008Bewer, Francesca G., David Bourgarit, and Jane
Bassett. 2008. “Les bronzes français (XVIe–XVIIIe
siècle): Notes techniques.” In
Bronzes français de la Renaissance au Siècle des
lumières, edited by Geneviève Bresc-Bautier and Guilhem
Scherf, 28–41. Paris: Musée du Louvre, Somogy.
|
Direktes Wachsausschmelzverfahren / Direktes
Bronzegussverfahren
|
Lein 2000Lein, Edgar. 2000. “Die Kunst des Bronzegießens,
ihre Darstellung in Traktaten und die Bedeutung von
Bronze.” In
Bronze- und Galvanoplastik. Geschichte –
Materialanalyse – Restaurierung, edited by Birgit Meissner, Anke Doktor, and
Martin Mach, 9–24. Arbeitsheft 5. Dresden: Landesamt
für Denkmalpflege Sachsen.
http://www.lfd.sachsen.de/download/AH5_Bronze_Galvanoplastik.pdf., 9
|
(fusione o processo) a cera persa con metodo diretto
|
Carruba 2006Carruba, Anna Maria. 2006.
La Lupa capitolina: Un bronzo medievale.
Rome: De Luca.
|
|
indirect
lost‑waxDefinition: lost-wax casting: A technique in
which a model made of wax is embedded in a
refractory mold that is heated, thereby melting out
the wax and creating a void to be filled with molten
metal. Two primary variations of the technique are
referred to as “direct” …More
(casting or casting process)
|
procédé (ou fonte) indirect(e) à la cire perdue |
Bewer, Bourgarit, and Bassett 2008Bewer, Francesca G., David Bourgarit, and Jane
Bassett. 2008. “Les bronzes français (XVIe–XVIIIe
siècle): Notes techniques.” In
Bronzes français de la Renaissance au Siècle des
lumières, edited by Geneviève Bresc-Bautier and Guilhem
Scherf, 28–41. Paris: Musée du Louvre, Somogy.;
Azéma 2013Azéma, Aurélia. 2013. “Les techniques de soudage de
la grande statuaire antique en bronze: etude des
paramètres thermiques et chimiques contrôlant le
soudage par fusion au bronze liquide.” PhD diss.,
Pierre et Marie-Curie, Paris VI.
https://tel.archives-ouvertes.fr/tel-00918829.
|
Indirektes Wachsausschmelzverfahren / Indirektes
Bronzegussverfahren
|
Lein 2000Lein, Edgar. 2000. “Die Kunst des Bronzegießens,
ihre Darstellung in Traktaten und die Bedeutung von
Bronze.” In
Bronze- und Galvanoplastik. Geschichte –
Materialanalyse – Restaurierung, edited by Birgit Meissner, Anke Doktor, and
Martin Mach, 9–24. Arbeitsheft 5. Dresden: Landesamt
für Denkmalpflege Sachsen.
http://www.lfd.sachsen.de/download/AH5_Bronze_Galvanoplastik.pdf., 9
|
(fusione o processo) a cera persa con metodo indiretto
|
Formigli 1984Formigli, Edilberto. 1984. “Due bronzi da Riace.”
Bolletino d’Arte 2, special series 3. Rome:
Libreria dello Stato.
http://www.bollettinodarte.beniculturali.it/opencms/multimedia/BollettinoArteIt/documents/1475238151057_Due_Bronzi_di_Riace_I_(Serie_speciale_1984).pdf.
|
| direct wax slabs (casting or casting process) |
procédé (ou fonte) direct(e) avec plaques de cire |
no reference |
Direktes Wachsplattenverfahren |
Janietz 2001Janietz, B. 2001. “Untersuchungen an geometrischen
Bronzen.” Phd diss., Albert-Ludwigs-Universität.
2001.
https://freidok.uni-freiburg.de/fedora/objects/freidok:199/datastreams/FILE1/content., 9
|
fusione (o processo) diretta con lastre di cera
(suggestion by F. Bewer)
|
no reference |
| indirect wax slabs (casting or casting process) |
procédé (ou fonte) indirect(e) par estampage à la cire
(dit à la galette ou à l’imprimé)
|
J. Dubos, pers. comm.;
Rama 1988Rama, Jean-Pierre. 1988.
Le bronze d’art et ses techniques. Dourdan,
France: Editions H. Vial.
|
Indirektes Wachsplattenverfahren |
Janietz 2001Janietz, B. 2001. “Untersuchungen an geometrischen
Bronzen.” Phd diss., Albert-Ludwigs-Universität.
2001.
https://freidok.uni-freiburg.de/fedora/objects/freidok:199/datastreams/FILE1/content., 9
|
fusione (o processo) indiretta con lastre di cera
(suggestion by F. Bewer)
|
Formigli uses the term “sfoglia di cera” to describe the
wax slab in this process in
Formigli 1984Formigli, Edilberto. 1984. “Due bronzi da Riace.”
Bolletino d’Arte 2, special series 3. Rome:
Libreria dello Stato.
http://www.bollettinodarte.beniculturali.it/opencms/multimedia/BollettinoArteIt/documents/1475238151057_Due_Bronzi_di_Riace_I_(Serie_speciale_1984).pdf., 109
|
|
indirect wax painting (casting or casting process)
|
procédé (ou fonte) indirect(e) au pinceau (dit à la
brosse)
|
J. Dubos, pers. comm. |
Wachsauftragsverfahren |
invented, no reference. In Eduard Uhenhuth’s book on
Vollständige Einleitung (1920), it is written: “Man
streicht Wachs auf die innere Fläche”
|
fusione (o processo) indiretta a spennellatura
(suggestion by F. Bewer)
|
no reference |
| slush molding (process) |
procédé (ou fonte) au renversé (dit à l’italienne ou à
la volée)
|
J. Dubos, pers. comm.;
Rama 1988Rama, Jean-Pierre. 1988.
Le bronze d’art et ses techniques. Dourdan,
France: Editions H. Vial.
|
Schwenkverfahren |
Willer, Schwab, and Mirschenz 2017Willer, Frank, Roland Schwab, and Manuela
Mirschenz. 2017. “Ergebnisse der archäometrischen
und herstellungstechnischen Forschungen and den
‘Limesbronzen.’” In
Römische Grossbronzen am UNESCO-Welterbe
Limes, edited by M. Kemkes, 79–105. Darmstadt, Germany:
Konrad.
https://landesmuseum-bonn.lvr.de/media/lmb/forschung/bilder_4/restaurierung/Mirschenz_M.Schwab_R._Willer_F._Ergebnisse_der_archaeometrischen_und_herstellungstechnischen_Forschungen_an_den_Limesbronzen.pdf., 86
|
formatura a sciacquo |
Giuffredi 2010Giuffredi, Augusto. 2010.
Formatura e fonderia: guida ai processi di
lavorazione.
Florence: Alinea., 113
|
| lasagna (process) |
procédé (ou fonte) en lasagne ou à l’épargne ou par
estampage à la terre (dit à la plaque)
|
Bewer, Bourgarit, and Bassett 2008Bewer, Francesca G., David Bourgarit, and Jane
Bassett. 2008. “Les bronzes français (XVIe–XVIIIe
siècle): Notes techniques.” In
Bronzes français de la Renaissance au Siècle des
lumières, edited by Geneviève Bresc-Bautier and Guilhem
Scherf, 28–41. Paris: Musée du Louvre, Somogy.; J. Dubos, pers. comm. (pour “estampage à la terre”)
|
Lasagne-Technik |
Brepohl 2005Brepohl, Erhard, éd. 2005.
Benvenuto Cellini: Traktate über die
Goldschmiedekunst und die Bildhauerei = I trattati
dell’oreficeria e della scultura. Cologne: Böhlau., 182
|
(fusione o processo) alla “lasagna” (suggestion by F.
Bewer)
|
no reference |
| cut-back core (process) |
procédé (ou fonte) par tirage d’épaisseur (dit à la
gauloise ou à la française)
|
Bewer, Bourgarit, and Bassett 2008Bewer, Francesca G., David Bourgarit, and Jane
Bassett. 2008. “Les bronzes français (XVIe–XVIIIe
siècle): Notes techniques.” In
Bronzes français de la Renaissance au Siècle des
lumières, edited by Geneviève Bresc-Bautier and Guilhem
Scherf, 28–41. Paris: Musée du Louvre, Somogy.; J. Dubos, pers. comm.;
Rama 1988Rama, Jean-Pierre. 1988.
Le bronze d’art et ses techniques. Dourdan,
France: Editions H. Vial.
|
Kernschälung |
invented, no reference |
(fusione o processo) con riduzione dello spessore
dell'anima di fusione
|
no reference |
|
sand castingDefinition: sand casting: A casting technique
in which metal is poured into a piece mold made of a
specific type of sand that is bound by clay (or oil
or resin in modern foundries). The piece mold is
made by ramming the sand around a rigid model or
chef-modèle …More
|
fonte au sable |
Rolley 1994Rolley, Claude. 1994.
La sculpture grecque. Vol. 1,
Des origines au milieu du Ve siècle. Les
manuels d’art et d’archéologie antiques. Paris:
Picard., 66;
Baudry and Bozo 1978Baudry, Marie Thérèse, and Dominique Bozo. 1978.
La sculpture: Méthode et vocabulaire.
Principes d’analyse scientifique. Paris: Impr.
nationale., 624;
Bewer, Bourgarit, and Bassett 2008Bewer, Francesca G., David Bourgarit, and Jane
Bassett. 2008. “Les bronzes français (XVIe–XVIIIe
siècle): Notes techniques.” In
Bronzes français de la Renaissance au Siècle des
lumières, edited by Geneviève Bresc-Bautier and Guilhem
Scherf, 28–41. Paris: Musée du Louvre, Somogy.;
Lebon et al. 2016Lebon, Elisabeth, Cecile Godefroy, Virginie
Perdrisiot, and Diana Widmaier Picasso. 2016.
“Glossaire.” In Picasso: Sculptures. Paris:
Musée national Picasso, Somogy; Brussels: Palais des
beaux-arts Bruxelles., 330;
Dubos 2003Dubos, Jean. 2003. “Fondeur d’art Aujourd’hui.”
Techné 18:49–56.;
Rama 1988Rama, Jean-Pierre. 1988.
Le bronze d’art et ses techniques. Dourdan,
France: Editions H. Vial.
|
Sandformguss (casting); Sandguss / Sandgussverfahren
(process)
|
Maaz 2010Maaz, Bernhard. 2010.
Skulptur in Deutschland zwischen französischer
Revolution und erstem Weltkrieg. Berlin and Munich: Deutscher Kunstverlag., 723
|
fusione a staffa OR/ALSO fusione a terra (suggestion by
F. Bewer)
|
Giuffredi 2010Giuffredi, Augusto. 2010.
Formatura e fonderia: guida ai processi di
lavorazione.
Florence: Alinea., 129,
Treccani
|
| life casting |
fonte sur le vif |
Making and Knowing Project et al. 2020Making and Knowing Project, Pamela H. Smith, Naomi
Rosenkranz, Tianna Helena Uchacz, Tillmann Taape,
Clément Godbarge, Sophie Pitman, Jenny Boulboullé,
Joel Klein, Donna Bilak, Marc Smith, and Terry
Catapano, eds. 2020.
Secrets of Craft and Nature in Renaissance
France: A Digital Critical Edition and English
Translation of BnF Ms. Fr. 640. New York: Making and Knowing Project.
http://edition640.makingandknowing.org.
|
Naturabguss |
Lein 2004Lein, Edgar. 2004.
Ars Aeraria. Die Kunst des Bronzegießens und die
Bedeutung von Bronze in der florentinischen
Renaissance. Mainz, Germany: von Zabern., 42–45
|
fusione dal vero |
Giuffredi 2010Giuffredi, Augusto. 2010.
Formatura e fonderia: guida ai processi di
lavorazione.
Florence: Alinea., 176
|
|
piece-mold castingDefinition: piece mold: A type of mold
composed of two or more individually formed,
interlocking sections designed to circumvent
undercuts and/or be disassembled without damage to
the model or to the mold sections. Most often refers
to molds made of a rigid …More
|
fonte (en moule) à pièces |
Rama 1988Rama, Jean-Pierre. 1988.
Le bronze d’art et ses techniques. Dourdan,
France: Editions H. Vial., 196
|
Teilformverfahren |
Maaz 2010Maaz, Bernhard. 2010.
Skulptur in Deutschland zwischen französischer
Revolution und erstem Weltkrieg. Berlin and Munich: Deutscher Kunstverlag., 731
|
(fusione i processo) con stampi a tasselli (OR/ ALSO
stampi composti) (suggestion by F. Bewer)
|
no reference |