The separately cast arm is attached with a Roman sleeve joint (red line). A large patch fills a flaw along the joint (blue overlay). A second patch is unrelated to the joint (green overlay). Threaded circular plugs (yellow overlays) help lock the arm joint and patches in place. Jean-Antoine Houdon (French, 1741–1828), Diana, 1782, H. 208.3 cm (Huntington Art Museum, San Marino, California, inv. 27.186). See Bassett, Jane, and Guilhem Scherf. 2014. “Jean-Antoine Houdon: Sculptor and Founder.” In French Bronze Sculpture: Materials and Techniques 16th–18th Century, edited by David Bourgarit, Jane Bassett, Francesca G. Bewer, Geneviève Bresc-Bautier, Philippe Malgouyres, and Guilhem Scherf, 107–24. Paris: Archetype.; Bennett, Shelley M., and Carolyn Sargentson. 2008. French Art of the Eighteenth Century at the Huntington. San Marino, CA: Huntington Library; New Haven, CT: Yale University Press., 492–93.