Site Title: Getty Research Journal

Number 21 • 2026

PDF (10 MB)
EPUB (74 MB)
Paperback

https://doi.org/10.59491/DFOV1921

Table of Contents

Contents
Editor’s Note — Doris Chon
The Getty Peacock Fresco: Unraveling Its History Through Technical and Historical Investigations — Kenneth Lapatin, Marie Svoboda, Sierra Schiano, Monica Ganio, and Karen Trentelman
Adding Works to Words: A Letter About Qing Court Painter Jean-Denis Attiret, S.J. (1702–68) in the Getty Research Institute — Kristina Kleutghen
Fragmented Bodies, Substitute Bodies: Zodiac Heads from the Garden of Perfect Brightness and the Translation of Cultural Heritage — Patricia J. Yu
The Global System of the Arts at the End of the Nineteenth Century and the Commissioning of a Sepulchral Monument in Santiago, Chile — Fernando Guzmán
Flaunting the Unfinished: Non finito as a Classicist Gesture in the Work of Ferdinand Hodler — Roger Fayet
Cleaning Up in Public: Mother Art’s Domestic Labor Performances, 1973–78 — Lexington Davis
Primed to See: Jeanne Moutoussamy-Ashe’s Viewfinders: Black Women Photographers — Emilie Chesnutt Boone
Shorter Notices
1. Worldwide Emotion: Interhemispheric Dialogue in David Alfaro Siqueiros’s América tropical oprimida y destrozada por los imperialismos — Jonah Gray
2. Becoming Simone Forti: California, 1970–72 — Megan Metcalf
Conversation
1. “This Show Is So Metal”: The Curators of Lumen: The Art and Science of Light in Conversation — Kristen Collins, Glenn Phillips, and Nancy K. Turner
About This Issue

Getty Research Journal

All Issues
Submissions
New Issue Alerts

ISSN: 1944-8740
E-ISSN: 2329-1249

© 2026 J. Paul Getty Trust

The text of this work is licensed under a Creative Commons Attribution‑NonCommercial 4.0 International License. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. All images are reproduced with the permission of the rights holders acknowledged in captions and are expressly excluded from the CC BY-NC license covering the rest of this publication. These images may not be reproduced, copied, transmitted, or manipulated without consent from the owners, who reserve all rights.

The text of this work is licensed under a Creative Commons Attribution‑NonCommercial 4.0 International License. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. All images are reproduced with the permission of the rights holders acknowledged in captions and are expressly excluded from the CC BY-NC license covering the rest of this publication. These images may not be reproduced, copied, transmitted, or manipulated without consent from the owners, who reserve all rights.

Privacy Policy
Terms of Use

Skip to Main Content

Previous Page: Cover
Home Page:
Next Page: Editor’s Note

2/16

Contents

/ Contents Getty Research Journal, No. 21 (2026)

Editor’s Note — Doris Chon
The Getty Peacock Fresco: Unraveling Its History Through Technical and Historical Investigations — Kenneth Lapatin, Marie Svoboda, Sierra Schiano, Monica Ganio, and Karen Trentelman
Adding Works to Words: A Letter About Qing Court Painter Jean-Denis Attiret, S.J. (1702–68) in the Getty Research Institute — Kristina Kleutghen
Fragmented Bodies, Substitute Bodies: Zodiac Heads from the Garden of Perfect Brightness and the Translation of Cultural Heritage — Patricia J. Yu
The Global System of the Arts at the End of the Nineteenth Century and the Commissioning of a Sepulchral Monument in Santiago, Chile — Fernando Guzmán
Flaunting the Unfinished: Non finito as a Classicist Gesture in the Work of Ferdinand Hodler — Roger Fayet
Cleaning Up in Public: Mother Art’s Domestic Labor Performances, 1973–78 — Lexington Davis
Primed to See: Jeanne Moutoussamy-Ashe’s Viewfinders: Black Women Photographers — Emilie Chesnutt Boone
Shorter Notices
1. Worldwide Emotion: Interhemispheric Dialogue in David Alfaro Siqueiros’s América tropical oprimida y destrozada por los imperialismos — Jonah Gray
2. Becoming Simone Forti: California, 1970–72 — Megan Metcalf
Conversation
1. “This Show Is So Metal”: The Curators of Lumen: The Art and Science of Light in Conversation — Kristen Collins, Glenn Phillips, and Nancy K. Turner
About This Issue

Go back a page Back Previous Page (left keyboard arrow or swipe)
Next Go back next page Next Page (right keyboard arrow or swipe)

Search