Explore Male Harp Player of the Early Spedos Type
Discover a rare marble sculpture of a musician made over 4,500 years ago
Project Details
- Grade Level 6–8
- Subject English Language Arts, History/Social Science, Visual Arts
- Topic Ancient Art, Funerary Art, Performing Arts in Art, Sculpture
- Resource Type Close Looking
- Title
Male Harp Player of the Early Spedos Type
- Artist/Maker
Unknown
- Date
2700–2300 B.C.
- Medium
Marble
- Dimensions
Object: 35.8 × 9.5 × 28.1 cm (14 1/8 × 3 3/4 × 11 1/16 in.)
- Place
Cyclades, Greece
- Object Type
Male figure Sculpture
- Credit Line
The J. Paul Getty Museum, Villa Collection, Malibu, California, 85.AA.103
Assignment
Read About This Ancient Greek Sculpture
This small marble harp player is in many ways a mystery. He is similar to other figures made in the Cycladic Islands, a circle of islands near Greece, about 4,500 years ago. Most were found in cemeteries, and some came from what may be religious structures. Few houses have been excavated, so we don’t know if the figures were used at home. We don’t know what the ancient people living there called their islands, because their writing has not been discovered. Archaeologists must interpret Cycladic culture by studying their buildings, artifacts, and art. We don’t even know whether the sculptures show humans or gods.
Most of the sculptures are flat figures of women, but some men are represented, including warriors and musicians. Only about a dozen sculptures of harpists are known, as well as some men playing reed instruments, such as pipes. All the figures have simple, elegant shapes.
The abstract qualities of Cycladic sculpture and their apparent white simplicity (due to faded colors) strongly influenced modern artists (such as Picasso and Modigliani) in the 1900s. This led to greater interest in Cycladic art. Although that might sound like good news, unfortunately, archaeological sites were looted, and much information was lost.
The harpists sit on stools or chairs. They rest the bottom of the harp, or its sound box, on one thigh. Some musicians seem to play or sing. This harpist is not playing, since he rests his right arm along the sound box. His left hand stretches forward and holds the frame of the harp. Since his head is tilted up slightly, some people think he may be singing. This sculpture might be one of the earliest images of a bard, a musician with a stringed instrument, singing or chanting a story.
Many years after this figure was carved, the bards described in Homer’s Iliad and Odyssey told tales of exciting adventures, describing heroes’ courage and honorable behavior. Bards sang of victories in competition and combat. They described heroes’ encounters with monstrous beings.
Proportions and shapes repeated within and across figures show that many Cycladic sculptures were measured with a compass. The completed sculptures were carefully smoothed and polished. An artisan’s tools included emery, pumice, and obsidian for chipping, grinding, smoothing, and incising. On some figures, surviving paint shows facial features, hair, jewelry, and patterns. The pigments are mineral-based and include red, blue, green, and black. Because the paint is fragile, it has mostly faded away. The stone surfaces with and without color have also become worn over the centuries.
Luckily, evidence of pigment has survived on the figures in two ways. First, some color slightly penetrated the stone and is still visible even if the surface is worn. Second, some thickly painted areas were especially protected. Even once the color did finally wear off, the once-painted areas were less worn than unpainted areas. Upon close looking, those areas remain raised slightly higher than the unpainted stone. The raised areas that were once painted are sometimes called paint “ghosts.”
Questions
Write or discuss your responses.
- What do you like and/or dislike about this sculpture?
- What tools were used to make this sculpture?
- Why would a sculptor choose to show a person playing a harp and singing?
Listen to a Podcast About This Sculpture
Learn more in the podcast Male Harp Player of the Early Spedos Type.
Male Harp Player of the Early Spedos Type - Audio
Optional Activity
Watch a video about the Male Harp Player of the Early Spedos Type to learn more.
Glossary
Abstract
Simplified, intended to capture an aspect or essence of an object or idea rather than represent reality.
Emery
Hard, dense, rock rich in corundrum. A powerful abrasive for grinding and smoothing other stones.
Iliad
Greek epic poem about the Trojan War and the hero Achilles, told orally for centuries and then written down by about 700 BCE. Attributed to the poet Homer.
Incise
To press or cut into a surface (such as stone, metal, clay or wood) with a sharp tool to write text or create fine details.
Obsidian
Volcanic glass that chips or splits easily to make tools with sharp edges.
Odyssey
A famous ancient Greek story-poem about hero Odysseus’s long journey home after the Trojan War. It was told orally for centuries and then written down by about 700 BCE. Attributed to the poet Homer.
Pumice
Lightweight form of volcanic rock filled with bubbles that is useful for grinding and smoothing.
Related Standards
Credits and Licensing
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