Staff

Angela Escobar manages the Digital Content team, which is responsible for the Conservation Institute's narrative storytelling, social media accounts, Getty website content, and conference presence. Before joining Getty, she worked for the Museum of Contemporary Art, Los Angeles and Lannan Foundation. She holds an MA in English from California State University, Northridge, and a Certificate in Manuscript Editing from the University of Chicago.

Lilibeth García, a member of the Conservation Institute's Digital Content team, is a features writer, content editor, and social media producer. Before joining Getty, she served as a writer for the University of California, Irvine’s central communications office and later as a communications specialist for the university's School of Humanities. She holds a BA in Literary Journalism from UC Irvine and a Certificate in Video Storytelling from the University of California, Berkeley.

Mariam Helmy is a member of the Digital Content team, focusing on visual assets: images, videos, and graphics. Before joining the Conservation Institute full-time, she was a Getty Marrow Undergraduate Intern. Other professional experiences include archival and advancement internships and arts events planning and administration. She is a graduate of the University of California, Santa Cruz with a BA in the History of Art and Visual Culture and a concentration in Museums, Heritage, and Curation.

Moira Notarstefano Gray is a member of the Digital Content team, responsible for writing narrative content for Getty platforms as well as creating social media content and managing a bi-monthly e-newsletter for the Conservation Institute. Before joining Getty, she worked in communications roles at the Harvard Kennedy School, Carr Center for Human Rights and Women and Public Policy Program; MIT Sloan School of Management; and Harvard University Alumni Affairs and Development. She holds a BA in Studio Art from Boston College.

Patrick Pardo joined the Conservation Institute as a senior editor and editor of Conservation Perspectives in 2024. Previously he was the coeditor and project manager of the six-volume John Baldessari Catalogue Raisonné, and from 2002 to 2008 worked at Getty Publications, where he edited books for the Conservation Institute, Getty Research Institute, and Getty Museum.