Screening: Horace Tapscott: Musical Griot with Barbara McCullough

Film in Art on Screen series
A film still of a man playing piano shot from a low angle against a black background, with the words "Horace Tapscott: Musical Griot. A Film by Barbara McCullough"

Horace Tapscott: Musical Griot, 2017. Directed by Barbara McCullough

Tuesday, Feb 24, 2026

6:30pm

Getty Center

Harold M. Williams Auditorium

Free

Tickets are free, but required for event entrance. Your event ticket will also serve as your Center entrance reservation. Please note, there is a fee for parking.

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About

Los Angeles Rebellion pioneer and filmmaker Barbara McCullough’s documentary Horace Tapscott: Musical Griot is a poetic meditation on the life of Los Angeles jazz musician, composer and community activist, Horace Tapscott (1934–1999). Screened in conjunction with the Getty’s exhibition Photography and the Black Arts Movement, 1955–85, the film—four decades in the making—is a loving portrait of Tapscott, Black Los Angeles, and musical history. After the screening, McCullough will be joined on stage in conversation with Kristin Juarez, senior research specialist for the African American Art History Initiative at the Getty Research Institute.

This program is part of the Art on Screen series, which celebrates moving-image media and its intersection with art and art histories, as well as the series Black Visions: Film as Archive. In addition, Barbara McCullough is featured in the Getty Research Institute’s oral histories collection as related to the 2008 program Modern Art in Los Angeles: African American Avant-Gardes, 1965–1990.

DIRECTED BY: Barbara McCullough. PRODUCED BY: Barbara McCullough and Chephren Rasika. EDITED BY: Scott Brock. CINEMATOGRAPHY: Johnny Simmons, Al Santana, Charles Burnett, Bernard Nicola. 16mm to HD, color, sound, 72 minutes, 2017.

The conversation will be available on the Getty Research Institute YouTube channel following the event.

Visit the Getty Research Institute's Exhibitions and Events page for more free programs.

  1. Barbara McCullough

    Director

    A native of New Orleans, Barbara McCullough has lived most of her life in southern California. Her initial interest was in photography, but the moving image, immediacy of video, and textures captured on film, set her on a path of exploration. McCullough’s work progressed examining the creative process of artists but always maintaining a fascination with experimental film and video. She sees herself as a part of the continuum of African American storytellers whose aim is to preserve knowledge by capturing the essence of its life, spirit, and magic. Seeing beyond a mere glance but revealing its seen and unseen essence, she states, “the work and heritage of the African American artist / cultural worker provide a link to past achievements often overlooked but necessary to provide links for future generations to keep the music and visual poetry alive.”

    Her works include: Water Ritual #1: An Urban Rite of Purification, Shopping Bag Spirits and Freeway Fetishes: Reflection on Ritual Space, Fragments, The World Saxophone Quartet, and Horace Tapscott Musical Griot. Water Ritual #1 was awarded an Avant Garde Masters Grant by the National Film Preservation Foundation in 2010. She is associated with UCLA filmmakers known as the LA Rebellion and her work has been shown in galleries, museums, and film festivals nationally and internationally.

  2. Kristin Juarez

    Senior Research Specialist, Getty Research Institute

    Kristin Juarez, PhD, is senior research specialist at the Getty Research Institute where she supports the African American Art History Initiative as well as academic outreach. Her research engages histories of collaboration and multidisciplinary experimentation at the intersection of visual art, performance, and the moving image. Juarez was co-curator for the exhibitions Blondell Cummings: Dance as Moving Pictures (2021), and since 2020, she has curated the ongoing film program Dancers on Film. In 2025, she launched an ongoing curriculum workshop series aimed at connecting higher ed faculty with teaching resources at the GRI. She is currently working on a collaborative research project on the artist, curator, and scholar Dr. Samella Lewis, as well as co-curator of the exhibition How to Be a Guerrilla Girl currently on view at the Getty Center.

Know Before You Go

Duration

Approximately 2 hours

Planning your arrival

Please bring your tickets with you and have them open on your mobile device or printed. Your event ticket is also your entry to the Getty Center and will be checked upon arrival as you go through security before taking the tram or walking up the hill.

Your ticket will also be checked at the event entrance.

Event check-in

Doors open 30 minutes before program start time.

Seating

Unless otherwise noted, all seating is available on a first-come, first-served basis. We recommend arriving early to guarantee a seat. Unclaimed tickets may be released 15 minutes prior to the event.

Accessibility

Wheelchairs are available for free rental on a first-come, first-served basis at the Lower Tram Station above the parking structure and at the Coat Check Room in the Museum Entrance Hall.

Assisted listening devices are available for this event. Please request one from our Visitor Services associates when you check in.

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