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Julia Siemon is deputy director and chief curator at Bard Graduate Center in New York City. Her prior curatorial roles include positions in the department of European Paintings at the J. Paul Getty Museum, the department of Drawings, Prints & Graphic Design at Cooper Hewitt, Smithsonian Design Museum, and the department of European Sculpture and Decorative Arts at the Metropolitan Museum of Art. She has organized exhibitions for those institutions and Waddesdon Manor (Buckinghamshire, UK), and published widely on various topics in early modern European art. She holds a PhD in art history from Columbia University.

Kari Rayner joined the Getty Museum's Department of Paintings Conservation in 2020. She specializes in the study, preventive care, and treatment of easel paintings from the 15th through 19th centuries. She received her graduate degrees in art history and conservation from the Conservation Center, Institute of Fine Arts, New York University. Kari held various internships prior to and during her graduate training, including at the Wallraf-Richartz-Museum in Cologne, Germany and Modern Art Conservation in New York, NY. She completed her graduate internship at the National Gallery of Art in Washington, DC. She has since held post-graduate positions at the Hamilton Kerr Institute, University of Cambridge; the National Gallery of Art, Washington, DC; and The Metropolitan Museum of Art, New York. She has additionally held shorter-term positions as a visiting scholar at the Yale Center for British Art and as a project assistant conservator for the Getty’s Conserving Canvas project at the Huntington Library, Art Collections, and Botanical Gardens.

Douglas MacLennan joined Getty in 2014 as a graduate intern in the Department of Paintings Conservation before his appointment as assistant conservator. Douglas oversees the preparation of paintings for display and loan, and cares for the museum’s frame collection. He received his postgraduate diploma in the conservation of easel paintings from the Courtauld Institute of Art. Previously, he was an assistant scientist at the Getty Conservation Institute, where he focused on the scientific study of artist’s materials and deterioration processes. Douglas also completed internships at the Bavarian National Museum, UCLA Library Preservation Department, LACMA, and the Academy of Motion Picture Arts & Sciences.